Scuola Bengal Pattachitra - Ganesha con Devoti e Scena Regale





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Ganesha con Devoti e Scena Regale is an original Bengal Pattachitra artwork from India, signed non manually, in good condition, executed in tempera on cotton with multicolour palette, measuring 39.5 cm high by 51 cm wide, dating to 1980‑1990.
Description from the seller
Ganesha with Devotees and Regal Scene - Cotton, Plant Colors - India - Bengal Pattachitra School
We present a rare and fascinating traditional Bengal Pattachitra painting, a masterwork of Indian folk art handmade on cotton canvas woven by hand. This piece comes from West Bengal, the beating heart of the Patua tradition—the itinerant painter-singers who for centuries pass down myths and stories through narrative canvases, decorated with vivid colors and distinctive graphic strokes.
Unlike the better-known Pattachitra of Orissa, the Bengali style stands out for its narrative immediacy, bold black outlines, and flat planes of color, which create a strong visual, almost comic-book effect.
The work is structured in two overlapping registers, following the classic composition of Bengali pata-dip paintings, where each band tells an autonomous but thematically connected episode. In the lower register dominates Ganesha, the benevolent elephant-headed god, seated in a regal pose with his four stretched arms in a protective gesture. On his sides are two devoted female figures, dressed in saris of warm colors (red-orange and black-yellow), surrounding him in a posture of prayer and offering, underscoring his universal role as remover of obstacles and patron of the arts.
In the upper register unfolds a lively court scene, with three main characters immersed in a moment of music and celebration. At the center, a noble male figure, perhaps a king or a court musician, is surrounded by two elegantly dressed women in pink and black, who hold round lanterns and percussion instruments. The stylized architecture—with arched columns and drapes—and details such as decorated turbans plunge the viewer into a festive atmosphere typical of the Bengali narrative repertoire that blends mythology and everyday life.
The entire composition is framed by a geometric border of multicolored tiles (red, green, yellow), a distinctive hallmark of the Bengal Pattachitra school, which gives the work perfect graphic balance and strong decorative impact. The technique is impeccable: opaque water-based colors (traditionally vegetal or mixed), applied with fine brushes on a prepared rough cotton canvas, which reveals its irregular weave on the reverse. Subsequently, the painting was mounted on a lightweight wooden frame (about 1 cm thick), a common intervention to adapt these folk works for domestic display or collection.
Measured at 51 cm high by 39.5 cm wide – a medium-large format ideal for a home wall or an ethnographic Wunderkammer.
Dating cautiously to the second half of the 20th century (c. 1950–1970), the piece presents in excellent condition for its age and artisanal nature: the colors remain saturated and bright, with minor abrasions in the dark fields and a natural yellowing of the fabric, authentic signs of a past lived. No structural gaps or obvious retouching.
A unique piece for collectors of Indian ethnic art, folk painting, and Wunderkammer objects. Its narrative freshness and rare iconographic combination make it particularly appealing on the market of specialized auctions.
Provenance: Galleria Arkadia Gallery, Torino 1990
The photos are part of the description.
Very quickly well-packaged with polystyrene and/or plasterboard, and shipped with tracking and insurance by leading shipping agencies. The shipping cost includes tracking, packing materials, and insurance for the artwork. Due to customs duties issues and procedures, we do not ship to the USA. Corsica and other non-Italian European islands to be arranged.
THIS RESEARCH was conducted "also" with the help of Artificial Intelligence. (data and images checked and compared on the Web)
Ganesha with Devotees and Regal Scene - Cotton, Plant Colors - India - Bengal Pattachitra School
We present a rare and fascinating traditional Bengal Pattachitra painting, a masterwork of Indian folk art handmade on cotton canvas woven by hand. This piece comes from West Bengal, the beating heart of the Patua tradition—the itinerant painter-singers who for centuries pass down myths and stories through narrative canvases, decorated with vivid colors and distinctive graphic strokes.
Unlike the better-known Pattachitra of Orissa, the Bengali style stands out for its narrative immediacy, bold black outlines, and flat planes of color, which create a strong visual, almost comic-book effect.
The work is structured in two overlapping registers, following the classic composition of Bengali pata-dip paintings, where each band tells an autonomous but thematically connected episode. In the lower register dominates Ganesha, the benevolent elephant-headed god, seated in a regal pose with his four stretched arms in a protective gesture. On his sides are two devoted female figures, dressed in saris of warm colors (red-orange and black-yellow), surrounding him in a posture of prayer and offering, underscoring his universal role as remover of obstacles and patron of the arts.
In the upper register unfolds a lively court scene, with three main characters immersed in a moment of music and celebration. At the center, a noble male figure, perhaps a king or a court musician, is surrounded by two elegantly dressed women in pink and black, who hold round lanterns and percussion instruments. The stylized architecture—with arched columns and drapes—and details such as decorated turbans plunge the viewer into a festive atmosphere typical of the Bengali narrative repertoire that blends mythology and everyday life.
The entire composition is framed by a geometric border of multicolored tiles (red, green, yellow), a distinctive hallmark of the Bengal Pattachitra school, which gives the work perfect graphic balance and strong decorative impact. The technique is impeccable: opaque water-based colors (traditionally vegetal or mixed), applied with fine brushes on a prepared rough cotton canvas, which reveals its irregular weave on the reverse. Subsequently, the painting was mounted on a lightweight wooden frame (about 1 cm thick), a common intervention to adapt these folk works for domestic display or collection.
Measured at 51 cm high by 39.5 cm wide – a medium-large format ideal for a home wall or an ethnographic Wunderkammer.
Dating cautiously to the second half of the 20th century (c. 1950–1970), the piece presents in excellent condition for its age and artisanal nature: the colors remain saturated and bright, with minor abrasions in the dark fields and a natural yellowing of the fabric, authentic signs of a past lived. No structural gaps or obvious retouching.
A unique piece for collectors of Indian ethnic art, folk painting, and Wunderkammer objects. Its narrative freshness and rare iconographic combination make it particularly appealing on the market of specialized auctions.
Provenance: Galleria Arkadia Gallery, Torino 1990
The photos are part of the description.
Very quickly well-packaged with polystyrene and/or plasterboard, and shipped with tracking and insurance by leading shipping agencies. The shipping cost includes tracking, packing materials, and insurance for the artwork. Due to customs duties issues and procedures, we do not ship to the USA. Corsica and other non-Italian European islands to be arranged.
THIS RESEARCH was conducted "also" with the help of Artificial Intelligence. (data and images checked and compared on the Web)

