Signed, Tatsuo Kondo - Kohoku - 1977

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Kohoku is a first edition, 1977 Japanese-language collection by Tatsuo Kondo, signed and limited to 120 pages, published by Japan Camera Co., with photographs of the northern Lake Biwa region in black and white.

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Kohoku

Tatsuo Kondo
Japan Camera Co./1977/Japanese/220*310*20

Kohoku / Kohoku" is a collection of works by Japanese photographer Tatsuo Kondo, an amateur photographer born in Nagoya in 1916, who moved to Gifu upon his marriage and continued to take photographs while running a photographic materials store. He was a close friend of Hiroshi Hamaya, one of Japan's leading photographers, who described Kondo's photographs as follows. He likes to take pictures of yin rather than yang, dark rather than light, cloudy or rainy rather than sunny, and even people at festivals seem sad when he takes them. What is wrong with this? His photographs are very Japanese. The way he chooses his subjects, the way he interprets them, and the way his photographs are stretched are very Japanese. I see it as neither figurative nor figurative, but a Japanese mental image, and Kondo's photographs are nothing but the expression of a Japanese mental image. This book is composed of illustrations taken in the northern (eastern) part of Lake Biwa, and a number of works that are said to have been influenced to a large extent by Hamaya's masterpiece “Ura-nihon” (Japan Behind the Scenes). The book is also captivated by the profound black and white by Gravure Seikosha.

Kohoku

Tatsuo Kondo
Japan Camera Co./1977/Japanese/220*310*20

Kohoku / Kohoku" is a collection of works by Japanese photographer Tatsuo Kondo, an amateur photographer born in Nagoya in 1916, who moved to Gifu upon his marriage and continued to take photographs while running a photographic materials store. He was a close friend of Hiroshi Hamaya, one of Japan's leading photographers, who described Kondo's photographs as follows. He likes to take pictures of yin rather than yang, dark rather than light, cloudy or rainy rather than sunny, and even people at festivals seem sad when he takes them. What is wrong with this? His photographs are very Japanese. The way he chooses his subjects, the way he interprets them, and the way his photographs are stretched are very Japanese. I see it as neither figurative nor figurative, but a Japanese mental image, and Kondo's photographs are nothing but the expression of a Japanese mental image. This book is composed of illustrations taken in the northern (eastern) part of Lake Biwa, and a number of works that are said to have been influenced to a large extent by Hamaya's masterpiece “Ura-nihon” (Japan Behind the Scenes). The book is also captivated by the profound black and white by Gravure Seikosha.

Details

Number of books
1
Subject
History, Photography
Book title
Kohoku
Author/ Illustrator
Signed, Tatsuo Kondo
Condition
Good
Publication year oldest item
1977
Edition
1st Edition
Language
Japanese
Original language
Yes
Publisher
Japan Camera Co.
Number of pages
120
Sold by
JapanVerified
2949
Objects sold
98.62%
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