Joan Miró - Derrière le Miroir Nr. 29–30 - 1959






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Joan Miró is the author/illustrator of Derrière le Miroir Nr. 29–30, a French edition published by Maeght Éditeur, Paris, in a loose-leaf binding, with 8 pages, measuring 38 x 28 cm, in good condition.
Description from the seller
Joan Miró (1893–1983) – Derrière le Miroir Nr. 29–30 – 2 Original Color Lithographs – Maeght, Paris, 1950 – Cramer 23
Offered is the Miró-dedicated edition of Derrière le Miroir, No. 29–30, May–June 1950, published by Maeght Éditeur, Paris, on the occasion of the Miró exhibition at Galerie Maeght.
A significant early Miró edition of the legendary art magazine Derrière le Miroir with two double-sided original color lithographs by Joan Miró.
The lithographs already show Miró’s unmistakable visual language of bright primary colors, biomorphic figures, zodiac signs, flowing lines, and freely set abstract forms.
Bibliographical details:
Joan Miró
Derrière le Miroir, No. 29–30
Paris, Maeght Éditeur
May–June 1950
8 pages, loose leaves as issued
Format approx. 38 × 28 cm
2 double-sided original color lithographs
unsigned and unnumbered as issued
Catalogue raisonné: Cramer 23
The two original lithographs each extend over a double page and, when opened, reach a format of approximately 38 × 56 cm. The central fold is thus part of the original publication form and not a later damage. Fach- and trade sources confirm for this edition two double-sided original lithographs.
What is particularly interesting is the contemporary reference to Tristan Tzara’s Parler seul, which Miró illustrated with numerous original lithographs. The edition note pictured in the magazine documents the production of these lithographs at Mourlot Frères in the years 1948–1950.
Condition:
For a artist’s publication over 75 years old, overall good, collectible condition. Signs of age and use as well as slight paper aging are present. The vibrant colors of the lithographs are very well preserved. Central folds in line with the original publication form. The exact condition is shown in the numerous photographs, which are part of the description.
The description and bibliographic classification have been made to the best of our knowledge based on the present copy, the original information contained in the magazine, and available bibliographic and art-historical sources.
All photographs depict the actual offered copy and are part of the condition description. Color tone and brightness may vary slightly from the original due to lighting, camera, and screen display.
I am acting as a private individual. The offered copy comes from my private collection. The sale is conducted as a private sale and not within the scope of a commercial activity.
Joan Miró (1893–1983) – Derrière le Miroir Nr. 29–30 – 2 Original Color Lithographs – Maeght, Paris, 1950 – Cramer 23
Offered is the Miró-dedicated edition of Derrière le Miroir, No. 29–30, May–June 1950, published by Maeght Éditeur, Paris, on the occasion of the Miró exhibition at Galerie Maeght.
A significant early Miró edition of the legendary art magazine Derrière le Miroir with two double-sided original color lithographs by Joan Miró.
The lithographs already show Miró’s unmistakable visual language of bright primary colors, biomorphic figures, zodiac signs, flowing lines, and freely set abstract forms.
Bibliographical details:
Joan Miró
Derrière le Miroir, No. 29–30
Paris, Maeght Éditeur
May–June 1950
8 pages, loose leaves as issued
Format approx. 38 × 28 cm
2 double-sided original color lithographs
unsigned and unnumbered as issued
Catalogue raisonné: Cramer 23
The two original lithographs each extend over a double page and, when opened, reach a format of approximately 38 × 56 cm. The central fold is thus part of the original publication form and not a later damage. Fach- and trade sources confirm for this edition two double-sided original lithographs.
What is particularly interesting is the contemporary reference to Tristan Tzara’s Parler seul, which Miró illustrated with numerous original lithographs. The edition note pictured in the magazine documents the production of these lithographs at Mourlot Frères in the years 1948–1950.
Condition:
For a artist’s publication over 75 years old, overall good, collectible condition. Signs of age and use as well as slight paper aging are present. The vibrant colors of the lithographs are very well preserved. Central folds in line with the original publication form. The exact condition is shown in the numerous photographs, which are part of the description.
The description and bibliographic classification have been made to the best of our knowledge based on the present copy, the original information contained in the magazine, and available bibliographic and art-historical sources.
All photographs depict the actual offered copy and are part of the condition description. Color tone and brightness may vary slightly from the original due to lighting, camera, and screen display.
I am acting as a private individual. The offered copy comes from my private collection. The sale is conducted as a private sale and not within the scope of a commercial activity.
