Joan Miro (1893-1983) - Parler Seul - Lithographic licensed print 2004 - COA

Lithograph by Joan Miró (*)
This work reproduces one of the illustrations originally created by Miró to illustrate the poetry book “Parler Seul” (**) (Speak Only), written by Tristan Tzara in 1947.
Edited by Maeght Editeur in the year 2004.
Made on high-weight cotton Vellum paper (250g).
Signed on the plate.
Imprint of the publisher and of the Miró Estate on the reverse side of the sheet.
Includes Certificate of Authenticity (COA).

Specifications:

- Dimensions of the support: 60 x 45 cm
- Dimensions of the image: 42 x 33 cm
- Year 2004
- Edition: 1000 copies
- References: Cramer 17. Rauch 165
- Condition: Excellent (this work has never been framed or exhibited, and has always been kept in a professional art folder, thus in perfect condition).

The work will be carefully handled and packed in a reinforced flat cardboard package. The shipment will be sent with a traceable service.

The shipment will also include full insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) Joan Miró (1893-1983) was born in Barcelona, where he grew up and began his artistic studies. He attended the La Llotja academy against his parents’ wishes, who wanted him to work in a more traditional manner. Later he studied at the Escola d'Art of Francesc Galí and met the Fauves and the Cubists.
His emotional landscapes, which would shape him as a person and as an artist, are essentially Mont-roig, Paris, Mallorca and later New York and Japan. Mont-roig, a small town in the Baix Camp comarca, would be the counterpoint to the intellectual agitation he experienced in Paris, where he moved in the twenties with the surrealist poets and the most creative artists of his time. There he came to know Arp, Magritte, Brancusi and Giacometti and exhibited with Dalí, Tanguy, Meret Oppenheim and Max Ernst in several exhibitions on Dadaism and Surrealism.
The stimulus of abstract expressionism it discovered him in New York in the forties. Later, in 1956, amid World War II, Joan Miró left his exile in France and settled in Palma de Mallorca, a refuge and work space, where his friend Josep Lluís Sert designed the workshop he had always dreamed of. There he focused on sculpture and ceramics, until his death in 1983.
Rooted in the landscape of Mont-roig first and Mallorca later, it would be determinant in his work. The bond with the earth and the interest in everyday objects and in the natural surroundings would be the background of some of his technical and formal investigations. Miró escapes academicism in pursuit of a constant search for a global and pure work, not bound to any particular movement. Contained in the forms and in public manifestations, it is through the plastic act that Joan Miró shows his rebellion and a great sensitivity to the political and social events surrounding him. This clash of forces would lead him to create a unique and highly personal language that places him among the most influential artists of the 20th century.

(**) “Parler Seul” represents a particularly effective collaboration between artist and author. Miró’s brilliantly spontaneous and amorphous images, drawn directly on stone with very few preparatory sketches, have the inventive spark of Tzara’s random verses.
The original edition was produced by Maeght Editeur and consists of 72 original lithographs by Miró, 49 of them in color, of which 18 are hors-texte.