Writing desk - Wood





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Antique slant-front writing bureau from the United Kingdom, in mahogany with burr walnut veneers and brass hardware, dating to c. 1925–1940, with a five-drawer lower section and two small upper drawers, measuring 102 × 100 × 43 cm and showing minor wear.
Description from the seller
Writers’ desk / slant-front desk with a bow-front in mahogany and walnut burl — Georgian style / Queen Anne Revival, England, c. 1925–1940.
Object: slant-front desk / bureau
International designation: slant-front bureau or fall-front writing bureau
Origin: England
Era: first half of the 20th century
Dating: c. 1925–1940
Style: Georgian Revival / Queen Anne Revival
Materials: structural timber in mahogany tone; fronts and top panel veneered in walnut burl, with light inlays; brass hardware
Dimensions: 102 × 100 × 43 cm
Important English slant-top desk with serpentine front, executed in mahogany and partially veneered in walnut burl, with fine light wood fillets and brass hardware.
The lower section features three full-width drawers with slightly bulging or serpentine fronts. Above these arise two smaller side-by-side drawers, making a total exterior of five drawers.
The fronts show rectangular burl walnut inlays of bold natural pattern, outlined by ultra-thin light fillets. The same decoration is repeated on the vertical stiles of the case and, above all, on the large lid panel.
Each drawer retains two hinged brass pulls of traditional design, accompanied by lock escutcheons.
The base ends with a shaped, undulating moulded plinth, supported by carved bracket-foot legs, another feature directly derived from early 18th-century English furniture.
Top and writing surface:
The large slant-top presents a wide central burl walnut panel, framed by a light fillet and a moulding in a more uniform-toned wood.
When opened, the lid becomes a generous horizontal writing surface, supported by the desk structure itself.
It is interesting to note that the interior of the lid appears to have been left without the usual leather or baeta covering. There may originally have been a writing skiver or similar surface, though this cannot be stated with certainty.
Interior:
The interior is quite complete and is one of the most interesting aspects of the piece.
It presents a symmetrical organization of:
- five small open compartments for correspondence;
- vertical partitions with cut-out profiles;
- five small interior drawers;
- a small central cabinet with arched door and lock;
- a broad writing plane.
This arrangement deliberately reproduces the so-called fitted interior of English Georgian bureaux.
Style:
There is a deliberate mix of references.
The extensive use of burr walnut, the slant-front desk and the carved feet relate primarily to Queen Anne / George I, while the serpentine front and certain proportions evolved later within the Georgian tradition.
Condition:
The piece shows signs of use consistent with roughly 90–100 years of age.
There are scratches and abrasions, small dents, wear to the moldings, occasional finish losses, marks on the writing surface, and minor losses especially around the base and feet.
The walnut burl is overall well preserved and continues to present an excellent decorative impact.
The brass pulls show good uniformity.
Writers’ desk / slant-front desk with a bow-front in mahogany and walnut burl — Georgian style / Queen Anne Revival, England, c. 1925–1940.
Object: slant-front desk / bureau
International designation: slant-front bureau or fall-front writing bureau
Origin: England
Era: first half of the 20th century
Dating: c. 1925–1940
Style: Georgian Revival / Queen Anne Revival
Materials: structural timber in mahogany tone; fronts and top panel veneered in walnut burl, with light inlays; brass hardware
Dimensions: 102 × 100 × 43 cm
Important English slant-top desk with serpentine front, executed in mahogany and partially veneered in walnut burl, with fine light wood fillets and brass hardware.
The lower section features three full-width drawers with slightly bulging or serpentine fronts. Above these arise two smaller side-by-side drawers, making a total exterior of five drawers.
The fronts show rectangular burl walnut inlays of bold natural pattern, outlined by ultra-thin light fillets. The same decoration is repeated on the vertical stiles of the case and, above all, on the large lid panel.
Each drawer retains two hinged brass pulls of traditional design, accompanied by lock escutcheons.
The base ends with a shaped, undulating moulded plinth, supported by carved bracket-foot legs, another feature directly derived from early 18th-century English furniture.
Top and writing surface:
The large slant-top presents a wide central burl walnut panel, framed by a light fillet and a moulding in a more uniform-toned wood.
When opened, the lid becomes a generous horizontal writing surface, supported by the desk structure itself.
It is interesting to note that the interior of the lid appears to have been left without the usual leather or baeta covering. There may originally have been a writing skiver or similar surface, though this cannot be stated with certainty.
Interior:
The interior is quite complete and is one of the most interesting aspects of the piece.
It presents a symmetrical organization of:
- five small open compartments for correspondence;
- vertical partitions with cut-out profiles;
- five small interior drawers;
- a small central cabinet with arched door and lock;
- a broad writing plane.
This arrangement deliberately reproduces the so-called fitted interior of English Georgian bureaux.
Style:
There is a deliberate mix of references.
The extensive use of burr walnut, the slant-front desk and the carved feet relate primarily to Queen Anne / George I, while the serpentine front and certain proportions evolved later within the Georgian tradition.
Condition:
The piece shows signs of use consistent with roughly 90–100 years of age.
There are scratches and abrasions, small dents, wear to the moldings, occasional finish losses, marks on the writing surface, and minor losses especially around the base and feet.
The walnut burl is overall well preserved and continues to present an excellent decorative impact.
The brass pulls show good uniformity.

