Candelabrum (2) - Brass - Neo-Gothics





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Two brass candelabras from France dating to 1900–1910, in antique Louis XVI neoclassical style with Neogothic elements; each stands about 32 cm high with a 16 cm base, in good used condition with signs of age and converted into lamps in the 20th century while preserving their original structure.
Description from the seller
They are two candlesticks that clearly embody that solemn, balanced Louis XVI, but here transformed into lamps during the twentieth century, a common practice when seeking to give new life to high-quality liturgical or domestic pieces. The metal — brass worked firmly and then aged with the passage of time — preserves a warm presence, slightly golden, that enhances every line of the original design.
The tripod base, so characteristic of altar candelabras, provides a sense of almost architectural stability. It is a tripod that does not merely support but defines the piece: three legs that open with elegance, sometimes claw- or scroll-shaped, and that evoke the solemnity of objects destined for sacred spaces. On that base rises a vertical shaft, well proportioned, with classical moldings and a decorative pace that responds to the neoclassical taste of Louis XVI style: order, symmetry, ornamental restraint.
The conversion into lamps, already carried out in the twentieth century, respects the original structure and allows the piece to continue fulfilling a lighting function, but now adapted to modern life. That blend of antiquity and adaptation lends them a singular character: they remain candelabras in spirit, but with a new utility that does not betray their origin.
Tracked shipping and careful packaging.
Seller's Story
They are two candlesticks that clearly embody that solemn, balanced Louis XVI, but here transformed into lamps during the twentieth century, a common practice when seeking to give new life to high-quality liturgical or domestic pieces. The metal — brass worked firmly and then aged with the passage of time — preserves a warm presence, slightly golden, that enhances every line of the original design.
The tripod base, so characteristic of altar candelabras, provides a sense of almost architectural stability. It is a tripod that does not merely support but defines the piece: three legs that open with elegance, sometimes claw- or scroll-shaped, and that evoke the solemnity of objects destined for sacred spaces. On that base rises a vertical shaft, well proportioned, with classical moldings and a decorative pace that responds to the neoclassical taste of Louis XVI style: order, symmetry, ornamental restraint.
The conversion into lamps, already carried out in the twentieth century, respects the original structure and allows the piece to continue fulfilling a lighting function, but now adapted to modern life. That blend of antiquity and adaptation lends them a singular character: they remain candelabras in spirit, but with a new utility that does not betray their origin.
Tracked shipping and careful packaging.

