Walking stick - Wood - Galoa mask





€1 |
|---|
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 141582 reviews
Rated Excellent on Trustpilot.
Funerary mask Okukwé of the Galoa (Galwa) from Gabon, carved in wood, 36 × 23 × 17 cm, weight 2 kg, dating to 2000–2010, in good condition with some wear and stains due to age.
Description from the seller
Funerary Mask Okukwe - Galoa / Galwa - Gabon
The Galoa (or Galwas) are a Gabonese ethnic group living downstream from Lambaréné on the lower course of the Ogooué.
They belong to the Myene group.
Their masks are not very varied, usually round, painted in black, red, and white in opposite quarters. This facial-painting style is also found among the neighboring Aduma.
The most famous masks of the Galoa are those belonging to the Okukwé society. These, flat and oval, feature a clearly identifiable painted decoration with a pattern of opposing triangles on the forehead and chin; half-closed eyes, a straight nose, and perfect symmetry in their construction.
This society had a judicial character, the mirror on the mask’s forehead could be interpreted as a third eye capable of spotting troublemakers.
According to Louis Perrois (in Art ancestral du Gabon), the mask’s dance in a village carried a certain significance as it brought to light the misdeeds of some and others!
Funerary Mask Okukwe - Galoa / Galwa - Gabon
The Galoa (or Galwas) are a Gabonese ethnic group living downstream from Lambaréné on the lower course of the Ogooué.
They belong to the Myene group.
Their masks are not very varied, usually round, painted in black, red, and white in opposite quarters. This facial-painting style is also found among the neighboring Aduma.
The most famous masks of the Galoa are those belonging to the Okukwé society. These, flat and oval, feature a clearly identifiable painted decoration with a pattern of opposing triangles on the forehead and chin; half-closed eyes, a straight nose, and perfect symmetry in their construction.
This society had a judicial character, the mirror on the mask’s forehead could be interpreted as a third eye capable of spotting troublemakers.
According to Louis Perrois (in Art ancestral du Gabon), the mask’s dance in a village carried a certain significance as it brought to light the misdeeds of some and others!

