(After) Pablo Picasso (1881-1973) - Le Cheval Horse - Artprint Serigraph - Horse Pferd, 1907

Beautiful, expressive screen print by Pablo Picasso in a 50 x 60 cm format titled Horse. The work is a high-quality screen print on handmade paper and is in very good condition.

Published and printed by the art publisher from 2000.

Text: "Pablo Picasso, "Le Cheval", Copyright: Succession P. Picasso / Sabam Belgium 2003.

Artist: Pablo Picasso
Title: Horse
Art: Art print
Technique: Screen print on handmade paper
Originality: Reproduction
Sheet size: 50 x 60 cm
Condition: New
Origin: Art publisher
Era: Classical Modern
Nationality: Spanish Art

Pablo Picasso:
Pablo Picasso, born October 25, 1881 in Málaga, Spain, and died April 8, 1973 in Mougins, France, was one of the most influential artists of the 20th century. As co-founder of Cubism and creator of numerous revolutionary artworks, Picasso significantly shaped modern art. His versatility and innovative power extended across painting, sculpture, printmaking, ceramics, and stage design.

Picasso began his artistic training in La Coruña and Barcelona before moving to Madrid and later Paris. In Paris, then the center of the art world, he came into contact with the works of Paul Cézanne, Henri de Toulouse-Lautrec, and the Impressionists, whose influences are visible in his early works. Céanne’s structural approach and the experimental color of the Impressionists had a deep influence on Picasso’s development. Cézanne’s work “Mont Sainte-Victoire” and Toulouse-Lautrec’s works such as “At the Moulin Rouge” influenced Picasso’s early artistic vision.

A major turning point in Picasso’s career was his Blue Period (1901–1904), characterized by melancholic themes and blue hues. These works, such as “The Old Guitarist” (1903), mirror the emotional depth and expressiveness also found in the works of Vincent van Gogh and Edvard Munch. Van Gogh’s “Starry Night” and Munch’s “The Scream” show a similar intense emotional resonance. The Blue Period marked Picasso’s deep engagement with human existence and its suffering, akin to existential themes in Käthe Kollwitz’s works.

The decisive break with traditional depiction came with the development of Cubism, which Picasso and Georges Braque began to develop from 1907. A key work of this period is “Les Demoiselles d’Avignon” (1907), which decomposes the human figure into angular, geometric forms and paved the way for the Cubist movement. Cubism influenced many artists, including Fernand Léger and Juan Gris, who both became important representatives of this movement. Léger’s “The City” and Gris’ “Portrait of Pablo Picasso” are iconic Cubist works. Picasso and Braque’s works during this period also influenced artists like Robert Delaunay and Francis Picabia, who integrated Cubism into their own, often colorful and dynamic styles.

In the 1920s, Picasso began to take an interest in Surrealism and produced works inspired by dreams and the subconscious. This phase of his career shows the influence of artists such as Joan Miró and Salvador Dalí, whose surrealistic depictions of the unconscious and dream world parallel Picasso’s works. Miró’s “Harlequin’s Carnival” and Dalí’s “The Persistence of Memory” are iconic Surrealist works that explore similar themes and techniques. The works of Max Ernst and René Magritte, who emphasize the surreal and dreamlike, also show a kinship with Picasso’s surrealist experiments.

Picasso’s monumental work “Guernica” (1937) is a powerful political statement against war and destruction. The painting, which depicts the bombing of the city of Guernica during the Spanish Civil War, combines Cubist and Surrealist elements into a stark indictment of violence and oppression. This work sits in line with the politically engaged works of artists like Diego Rivera and José Clemente Orozco, whose murals also convey strong social and political messages. Rivera’s “Man at the Crossroads” and Orozco’s “Prometheus” are examples of using art as a means of social and political commentary. Guernica also influenced artists like Francis Bacon, whose dark and distorted figures convey a similar intensity and emotion.

Throughout his career, Picasso repeatedly returned to traditional themes such as portraits and still lifes, which he reinterpreted in innovative ways. His portraits of Dora Maar and Marie-Thérèse Walter show deep psychological complexity and emotional intensity, reminiscent of the works by Egon Schiele and Gustav Klimt. Schiele’s “Self-Portrait” and Klimt’s “Portrait of Adele Bloch-Bauer I” offer insights into similar psychological and emotional depths. The use of color and form in these portraits shows parallels with the expressive and symbolic depictions of Frida Kahlo, whose self-portraits also delve deeply into her personal and emotional world.

In the later years of his life, Picasso continued to experiment with different styles and techniques. His works from the 1950s and 1960s, such as the series “The Artist and the Model” and the “Las Meninas” variations, show a constant search for new forms of expression and a engagement with art history. These works dialogue with the classical masters such as Diego Velázquez and Rembrandt, whose works Picasso interpreted and developed in a unique way. Velázquez’s “Las Meninas” and Rembrandt’s “The Night Watch” are iconic works that inspired Picasso’s later works. The interpretation of classical themes also appears in the works of David Hockney and Anselm Kiefer, who incorporate historical and artistic references into their contemporary works.

Shipping information:
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