Brian Eno, Mimmo Paladino - I dormienti - 2000






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I dormienti is a collaboration between Brian Eno and Mimmo Paladino, a 108-page square 30 cm Italian-language art book published by Serbelloni Editore in a pre‑titled first edition limited to 2000 copies, with a grey cloth binding, dust jacket and an accompanying CD of Brian Eno’s music.
Description from the seller
Photographs by Peppe Avallone. Concept/Idea by Brian Eno and Mimmo Paladino. Fine bound in gray cloth, with dust jacket and editorial box, pp 108.
First edition, a limited print run of 2000 copies. Includes a CD with music by Brian Eno, composed for the exhibition.
A great visual artist with a passion for contemporary music, and a renowned musician and composer famous also for his light-and-sound installations, have jointly worked on a bold exhibition project titled The Sleepers. The exhibition, which took place in London in autumn 1999, in the Roundhouse cellars, broke down every barrier between plastic arts and music in favor of a fascinating whole rich in archaic memories and conceptuality: a new vision of the spirit of the current time. This book, curated by Demetrio Paparoni in collaboration with the artists themselves, includes the CD of Brian Eno’s music specially created for the Roundhouse installation. The critical essays, the conversation between Brian Eno and Mimmo Paladino, the images, and the music contained therein, in addition to documenting the event, constitute in themselves a further original chapter around the theme of the sleepers.
Photographs by Peppe Avallone. Concept/Idea by Brian Eno and Mimmo Paladino. Fine bound in gray cloth, with dust jacket and editorial box, pp 108.
First edition, a limited print run of 2000 copies. Includes a CD with music by Brian Eno, composed for the exhibition.
A great visual artist with a passion for contemporary music, and a renowned musician and composer famous also for his light-and-sound installations, have jointly worked on a bold exhibition project titled The Sleepers. The exhibition, which took place in London in autumn 1999, in the Roundhouse cellars, broke down every barrier between plastic arts and music in favor of a fascinating whole rich in archaic memories and conceptuality: a new vision of the spirit of the current time. This book, curated by Demetrio Paparoni in collaboration with the artists themselves, includes the CD of Brian Eno’s music specially created for the Roundhouse installation. The critical essays, the conversation between Brian Eno and Mimmo Paladino, the images, and the music contained therein, in addition to documenting the event, constitute in themselves a further original chapter around the theme of the sleepers.
