Console table - Gilt wood





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Description from the seller
Buffet / wall console in carved and gilded wood with marble top - Louis XV style, c. 1860–1890.
Object: wall-mounted buffet / console
Era: late 19th century
Dating: circa 1860–1890
Style: Louis XV Revival / Rococo Revival
Materials: carved, pierced and gilded wood; breccia marble in beige/brown tones
Dimensions: 81 × 115 × 38 cm
Important French wall-sideboard or console, in richly carved, pierced and gilded wood, in Louis XV taste, topped with a removable breccia marble top.
The piece presents an elegant shallow rectangular profile intended to be placed against the wall, with a strongly contoured and lively front.
The marble top features a serpentine outline, with a prominently undulating front and rounded corners, following the rocaille movement of the structure. The stone shows beige to light brown tones, with abundant fragmentation and whitish veining, which could prudently be described as breccia marble without asserting a specific quarry.
The waist is particularly rich. At the center unfolds a symmetrical composition of C and S scrolls, acanthus leaves, small floral motifs and reticulated lozenge-patterned insets, partially pierced, in unequivocal Rococo language.
In the center of the front, a pierced inlay is highlighted, delineated by two large opposing volutes, ending below in a foliated pendant composition.
At the ends and at the starts of the legs arise large conch and rocaille elements, of pronounced volume, carved in high relief.
The four legs have a strongly arched and sinuous profile, forming successive curves and counter-curves. They are entirely enriched with: acanthus leaves; scrolls; shell motifs; volutes; fluting and striations; scroll feet.
The effect is markedly sculptural, practically dissolving the boundary between waist and legs.
The part not visible is painted pink, probably added later.
This view is important because it confirms that we are not dealing with a modern molded reproduction: the structure is effectively composed of worked wooden pieces joined together.
The decorative elements are deliberately inspired by French furniture of the Louis XV reign: Rocaille + shells + acanthus + Cabriole legs + volutes + pierced waist + serpentine top.
Condition - Overall, it presents a good visual impact, but with signs of age. Wear, crazing, scratches, superficial cracks and past interventions are observable. There are still traces of woodworm activity, especially in non-gilded structural areas.
Buffet / wall console in carved and gilded wood with marble top - Louis XV style, c. 1860–1890.
Object: wall-mounted buffet / console
Era: late 19th century
Dating: circa 1860–1890
Style: Louis XV Revival / Rococo Revival
Materials: carved, pierced and gilded wood; breccia marble in beige/brown tones
Dimensions: 81 × 115 × 38 cm
Important French wall-sideboard or console, in richly carved, pierced and gilded wood, in Louis XV taste, topped with a removable breccia marble top.
The piece presents an elegant shallow rectangular profile intended to be placed against the wall, with a strongly contoured and lively front.
The marble top features a serpentine outline, with a prominently undulating front and rounded corners, following the rocaille movement of the structure. The stone shows beige to light brown tones, with abundant fragmentation and whitish veining, which could prudently be described as breccia marble without asserting a specific quarry.
The waist is particularly rich. At the center unfolds a symmetrical composition of C and S scrolls, acanthus leaves, small floral motifs and reticulated lozenge-patterned insets, partially pierced, in unequivocal Rococo language.
In the center of the front, a pierced inlay is highlighted, delineated by two large opposing volutes, ending below in a foliated pendant composition.
At the ends and at the starts of the legs arise large conch and rocaille elements, of pronounced volume, carved in high relief.
The four legs have a strongly arched and sinuous profile, forming successive curves and counter-curves. They are entirely enriched with: acanthus leaves; scrolls; shell motifs; volutes; fluting and striations; scroll feet.
The effect is markedly sculptural, practically dissolving the boundary between waist and legs.
The part not visible is painted pink, probably added later.
This view is important because it confirms that we are not dealing with a modern molded reproduction: the structure is effectively composed of worked wooden pieces joined together.
The decorative elements are deliberately inspired by French furniture of the Louis XV reign: Rocaille + shells + acanthus + Cabriole legs + volutes + pierced waist + serpentine top.
Condition - Overall, it presents a good visual impact, but with signs of age. Wear, crazing, scratches, superficial cracks and past interventions are observable. There are still traces of woodworm activity, especially in non-gilded structural areas.

