Lucía Laurent - XL - Renacer






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Original acrylic on canvas by Lucía Laurent - XL, titled Renacer, 120 x 90 cm, signed by hand, produced in Spain after 2020, sold directly by the artist, in a modern style.
Description from the seller
Lucía Lauren (LILI) is a Cuban visual artist, essentially self-taught, who graduated in Social Communication from the University of Havana.
Her relationship with images began long before she professionally dedicated herself to painting. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years immersed in the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.
Ultimately she found in the plastic arts a space of expression much broader. Painting allowed her to bring together those earlier experiences and transform them into an intimate and recognizable universe, constructed mainly through acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting is based on a marked visual synthesis. Lucía eliminates a large amount of secondary information to preserve only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet loaded with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday, and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochers, mustards, and cream tones coexist with deep blacks, blue-green greens, vibrant reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast acquires a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She is not represented as a heroic or distant figure, but from a calm, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.
Flowers and vegetation perform a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds, sometimes erasing the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming a single sensibility.
In works such as the figure embracing the cat over a red background, Lucía drastically reduces the palette to build the image through contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman seated beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.
Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until its essential emotion is found.
Her universe is feminine, botanical, domestic, and affectionate. In it appear everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent rendered in Acrylic on high-quality professional canvas.
Dimension of 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) to Spain and Europe, and via FedEx for the rest of the world.
The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please check the original photographs to verify the actual condition of the work.”
This emotive work in acrylic on canvas is a figurative piece rich in symbolism and poetic sensitivity, framed in an aesthetics of clean contours and stylized shapes. The composition shows a woman with her head tilted and eyes closed, from whose face white tears flow directly onto a clay pot she holds delicately in her hands, germinating into small green shoots. By her side, in the background, a white dove deposits seeds in a small vessel, reinforcing the narrative of rebirth, emotional nourishment, and hope through pain. The color palette dominated by deep blues in the wardrobe and the background, contrasted with the warm browns of the earth and the golden touches of the linear arches behind the figure, creates an atmosphere of serene contemplation, melancholy, and spiritual resilience.
Lucía Lauren (LILI) is a Cuban visual artist, essentially self-taught, who graduated in Social Communication from the University of Havana.
Her relationship with images began long before she professionally dedicated herself to painting. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years immersed in the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.
Ultimately she found in the plastic arts a space of expression much broader. Painting allowed her to bring together those earlier experiences and transform them into an intimate and recognizable universe, constructed mainly through acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting is based on a marked visual synthesis. Lucía eliminates a large amount of secondary information to preserve only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet loaded with sensitivity.
In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday, and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochers, mustards, and cream tones coexist with deep blacks, blue-green greens, vibrant reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast acquires a clearly graphic intensity.
The woman occupies the center of almost her entire pictorial universe. She is not represented as a heroic or distant figure, but from a calm, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.
Flowers and vegetation perform a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds, sometimes erasing the boundary between figure and nature. In this way, woman, nature, and the animal world end up forming a single sensibility.
In works such as the figure embracing the cat over a red background, Lucía drastically reduces the palette to build the image through contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman seated beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.
Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until its essential emotion is found.
Her universe is feminine, botanical, domestic, and affectionate. In it appear everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly attractive quality: they can seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent rendered in Acrylic on high-quality professional canvas.
Dimension of 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) to Spain and Europe, and via FedEx for the rest of the world.
The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Please check the original photographs to verify the actual condition of the work.”
This emotive work in acrylic on canvas is a figurative piece rich in symbolism and poetic sensitivity, framed in an aesthetics of clean contours and stylized shapes. The composition shows a woman with her head tilted and eyes closed, from whose face white tears flow directly onto a clay pot she holds delicately in her hands, germinating into small green shoots. By her side, in the background, a white dove deposits seeds in a small vessel, reinforcing the narrative of rebirth, emotional nourishment, and hope through pain. The color palette dominated by deep blues in the wardrobe and the background, contrasted with the warm browns of the earth and the golden touches of the linear arches behind the figure, creates an atmosphere of serene contemplation, melancholy, and spiritual resilience.
