Stone Sculpture - 18 cm






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Stone sculpture of a Jain Tirthankara seated in meditation from India, dating to the 15th–16th century, measuring 18 × 11 × 4.5 cm, unsigned and in good condition.
Description from the seller
Tirthankara Jain seated in meditation
Western India, probably Gujarat
Medieval period - 15th/16th century
Carved stone sculpture in high relief
Dimensions: 18 × 11 × 4.5 cm
Interesting representation of a Tirthankara, a spiritual teacher who has achieved liberation in the Jain tradition.
The figure is depicted facing forward, seated in a meditative posture (padmasana), legs crossed, arms naturally resting and hands positioned outside the thighs. This symmetric arrangement of the limbs, combined with the frontal view of the figure, gives an overall impression of stability and contemplation.
The head is crowned with a finely incised hairstyle, while the torso displays several elements reminiscent of corporeal ornaments, notably a central pendant-like motif and bands crossing the chest. The arms also bear reliefs resembling bracelets.
The figure sits within a simple architectural composition, delineated by a broad curved border whose outline is animated by small regular incisions. The background, slightly hollowed, enhances the volume of the figure and creates a contrast between the frontal nature of the representation and the depth of the relief.
The lower plinth, formed of several horizontally stacked registers, lends the whole a monumental structure despite its relatively modest dimensions.
In Jain religious tradition, the Tirthankaras are the twenty-four spiritual masters who have achieved liberation from the cycle of rebirths. Their iconography generally favors a frontal and meditative representation, expressing detachment from the material world, mastery of the senses, and the pursuit of absolute knowledge (kevala jnana).
This sculpture presents a particularly expressive interpretation of medieval Indian religious iconography. The simplification of volumes, emphasis on facial features, and geometrization of the composition give it a strong plastically presence.
Condition: Old patina in ochre, honey-gold brown and dark gray tones. Wear, chips and abrasions, small irregularities and nicks on the edges and protruding parts. Deposits and chromatic variations in the relief’s recesses. Overall showing signs of age, with good overall readability of the sculpted composition. Good overall condition for its age.
Provenance: Kanaka The Collection, Portugal
Shipped with UPS and insured
Seller's Story
Tirthankara Jain seated in meditation
Western India, probably Gujarat
Medieval period - 15th/16th century
Carved stone sculpture in high relief
Dimensions: 18 × 11 × 4.5 cm
Interesting representation of a Tirthankara, a spiritual teacher who has achieved liberation in the Jain tradition.
The figure is depicted facing forward, seated in a meditative posture (padmasana), legs crossed, arms naturally resting and hands positioned outside the thighs. This symmetric arrangement of the limbs, combined with the frontal view of the figure, gives an overall impression of stability and contemplation.
The head is crowned with a finely incised hairstyle, while the torso displays several elements reminiscent of corporeal ornaments, notably a central pendant-like motif and bands crossing the chest. The arms also bear reliefs resembling bracelets.
The figure sits within a simple architectural composition, delineated by a broad curved border whose outline is animated by small regular incisions. The background, slightly hollowed, enhances the volume of the figure and creates a contrast between the frontal nature of the representation and the depth of the relief.
The lower plinth, formed of several horizontally stacked registers, lends the whole a monumental structure despite its relatively modest dimensions.
In Jain religious tradition, the Tirthankaras are the twenty-four spiritual masters who have achieved liberation from the cycle of rebirths. Their iconography generally favors a frontal and meditative representation, expressing detachment from the material world, mastery of the senses, and the pursuit of absolute knowledge (kevala jnana).
This sculpture presents a particularly expressive interpretation of medieval Indian religious iconography. The simplification of volumes, emphasis on facial features, and geometrization of the composition give it a strong plastically presence.
Condition: Old patina in ochre, honey-gold brown and dark gray tones. Wear, chips and abrasions, small irregularities and nicks on the edges and protruding parts. Deposits and chromatic variations in the relief’s recesses. Overall showing signs of age, with good overall readability of the sculpted composition. Good overall condition for its age.
Provenance: Kanaka The Collection, Portugal
Shipped with UPS and insured
