Sanlé Sory (1943–2023) - Bintou avec ses lunettes - 1975





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€30 |
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Photograph by Sory Sanlé (Burkinabé), titled Bintou avec ses lunettes, 1975; a gelatin-silver print, 40 × 30 cm, signed, in SUP condition, portrait, sold by Galerie.
Description from the seller
Stamped and signed.
Sory Sanlé is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrived in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also did the sleeve illustrations for records.
He opened his Volta Photo studio in 1962, as his country was gaining independence. He buys a Rolleiflex 6×6, and begins by taking identity photographs and road accident photos for the local police.
Quickly, he achieves notoriety in Bobo-Dioulasso, which was then the cultural and economic capital of the former Haute-Volta, where young Africans “hungry for modernity” came to “have their portrait taken.”
Executed between 1960 and 1985, his photographic work “testifies to the happiness of a regained freedom and to a unique social and cultural effervescence.”
Exhibitions
2015: Folk African Art, Regional Fund for Contemporary Art of Bordeaux.
2015: Meeting African Photography, Mérignac Media Library.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanying an authenticity certificate.
Seller's Story
Stamped and signed.
Sory Sanlé is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrived in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also did the sleeve illustrations for records.
He opened his Volta Photo studio in 1962, as his country was gaining independence. He buys a Rolleiflex 6×6, and begins by taking identity photographs and road accident photos for the local police.
Quickly, he achieves notoriety in Bobo-Dioulasso, which was then the cultural and economic capital of the former Haute-Volta, where young Africans “hungry for modernity” came to “have their portrait taken.”
Executed between 1960 and 1985, his photographic work “testifies to the happiness of a regained freedom and to a unique social and cultural effervescence.”
Exhibitions
2015: Folk African Art, Regional Fund for Contemporary Art of Bordeaux.
2015: Meeting African Photography, Mérignac Media Library.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanying an authenticity certificate.

