Lucía Laurent - XL - Danza Carmín





Add to your favourites to get an alert when the auction starts.

Acquired extensive antiques knowledge through renovation works and running own antiques shop.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 142876 reviews
Rated Excellent on Trustpilot.
Description from the seller
Lucía Lauren (LILI) is a Cuban artist with primarily self-taught plastic arts training, graduated in Social Communication from the University of Havana.
Her relationship with imagery began long before she dedicated herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that line, silhouette, the simplification of shapes, and graphic clarity acquire in her current painting.
Ultimately she found in the plastic arts a space of expression that was much broader. Painting allowed her to gather those earlier experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems to be interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to preserve only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build immediately legible images, yet full of sensitivity.
In her language we find echoes of contemporary illustration and naive painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensibility, warmer, more everyday and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of virtually her entire pictorial universe. She is not depicted as a heroic or distant character, but from a calm, elegant, introspective femininity. Figures with serene gazes, poised poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost fuse, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until the boundary between figure and nature sometimes disappears. Thus, woman, nature, and the animal world end up forming one and the same sensibility.
In works such as the figure embracing the cat against a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman seated beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes a large part of the charm of the work.
Lucía Lauren thus develops painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.
Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly appealing quality: they may seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent made in the technique Acrylic on high-quality professional canvas.
Dimension 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS), for Spain and Europe, and through FedEx for the rest of the world.
The work will be shipped rolled and will be protected by several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Check the original photographs to verify the actual condition of the work.”
This acrylic on canvas work presents a stylized ballet dancer in full movement, crafted under a marked modernist aesthetic and influenced by the Art Deco style and contemporary illustration. The figure stands out for the fluidity of its posture and the dynamism of its dress in crimson, pink, and white tones, whose curved lines expand in a spiral to harmoniously fuse with the flat background divided into blocks of red, mustard, indigo blue, and gray. Defined by clean and precise contours, the composition achieves an exceptional balance between the power of color and the elegance of the classical gesture, conveying an atmosphere of lightness, passion, rhythm, and scenic virtuosity.
Lucía Lauren (LILI) is a Cuban artist with primarily self-taught plastic arts training, graduated in Social Communication from the University of Havana.
Her relationship with imagery began long before she dedicated herself professionally to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that line, silhouette, the simplification of shapes, and graphic clarity acquire in her current painting.
Ultimately she found in the plastic arts a space of expression that was much broader. Painting allowed her to gather those earlier experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.
Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems to be interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.
Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to preserve only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build immediately legible images, yet full of sensitivity.
In her language we find echoes of contemporary illustration and naive painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensibility, warmer, more everyday and feminine.
One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast takes on a clearly graphic intensity.
The woman occupies the center of virtually her entire pictorial universe. She is not depicted as a heroic or distant character, but from a calm, elegant, introspective femininity. Figures with serene gazes, poised poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.
Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost fuse, turning the composition into a representation of affection.
Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until the boundary between figure and nature sometimes disappears. Thus, woman, nature, and the animal world end up forming one and the same sensibility.
In works such as the figure embracing the cat against a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.
In other pieces, such as the woman seated beside the cat and the wine glass, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes a large part of the charm of the work.
Lucía Lauren thus develops painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.
Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly appealing quality: they may seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.
In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.
Artwork by the artist Lucía Laurent made in the technique Acrylic on high-quality professional canvas.
Dimension 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS), for Spain and Europe, and through FedEx for the rest of the world.
The work will be shipped rolled and will be protected by several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Check the original photographs to verify the actual condition of the work.”
This acrylic on canvas work presents a stylized ballet dancer in full movement, crafted under a marked modernist aesthetic and influenced by the Art Deco style and contemporary illustration. The figure stands out for the fluidity of its posture and the dynamism of its dress in crimson, pink, and white tones, whose curved lines expand in a spiral to harmoniously fuse with the flat background divided into blocks of red, mustard, indigo blue, and gray. Defined by clean and precise contours, the composition achieves an exceptional balance between the power of color and the elegance of the classical gesture, conveying an atmosphere of lightness, passion, rhythm, and scenic virtuosity.
