Eugène Eechaut (1928-2019) - Nude figure - Framed
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Selected by Constance Rousseau
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Estimate € 170 - € 200
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Description from the seller
Eugène Eechaut – Female Nude, Geometric Composition with Collage, 1977
No reserve price
Framed
Original Authentic Artwork
An elegant and intriguing original artwork by Belgian artist Eugène Eechaut, dated September 1977, combining a delicate representation of the female nude with a sophisticated geometric composition.
The female figure, rendered through meticulous ink work and subtle tonal variations, emerges from an arrangement of bold black rectangular structures. These overlapping geometric elements create an architectural rhythm, introducing a fascinating interplay of transparency, perspective, and visual depth.
A vibrant abstract collage adds an unexpected burst of colour, contrasting beautifully with the restrained monochromatic composition. This juxtaposition of figurative drawing, geometric abstraction, and collage is characteristic of Eechaut’s distinctive artistic language, reflecting his fascination with structure, balance, and the relationship between different visual dimensions.
The composition also reveals the artist’s affinity for modernist aesthetics, particularly the geometric principles associated with Piet Mondrian, reinterpreted through Eechaut’s highly personal and expressive approach.
The artwork bears the artist’s distinctive embossed studio stamp in the lower-left corner and is hand-dated September 1977 on the reverse.
Presented in a simple yet stylish contemporary frame with a neutral beige finish, elegant white passe-partout, and protective plexiglass, the artwork is ready to hang. Its refined presentation makes it particularly suitable for both contemporary and classic interiors, where it can serve as a sophisticated decorative accent.
A beautiful example of Eechaut’s artistic exploration during the 1970s, bringing together figurative elegance, geometric precision, and the expressive freedom of collage.
The dimensions with a simple frame measure 48 × 38 cm
About the artist:
Eugène Eechaut (1928–2019) was a Belgian artist whose career evolved at the crossroads of imagination, technical discipline, and artistic dialogue. He began gaining recognition in 1958, when he received his first distinctions from the European Center for Art and Aesthetics. Early in his career, Eechaut became a member of the artist collective JECTA, an influential Belgian group that included René Magritte. His participation in this circle is confirmed by two surviving newspaper clippings documenting shared exhibitions and professional activity within the group.
Since the 1960s, Eugène Eechaut became a regular participant in exhibitions at the Tamara Pfeiffer Gallery in Brussels, a venue internationally recognized for presenting leading figures of modern and avant-garde art. A preserved invitation card from the 1968–1969 exhibition season confirms that Eechaut exhibited in the same gallery alongside major artists such as Max Ernst, Jean Cocteau, Paul Klee, Dorothea Tanning, Léon Navez, Dunoyer de Segonzac, and Félix Labisse. These archival materials clearly demonstrate that Eechaut shared exhibition space with some of the most influential artists of the twentieth century.
Over the course of his artistic life, Eechaut developed several distinctive and recognizable artistic styles, rather than adhering to a single visual language. His work is characterized by evolving color palettes and a strong sense of structure, combining elegance with expressive freedom. He gradually refined and mastered ink techniques, achieving a high level of precision and control that became a defining element of his artistic identity.
Despite consistent exhibition activity and professional recognition, Eechaut remained notably discreet and protective of his work, rarely offering pieces for sale—even within his own family. This personal approach has contributed to the rarity of his works on the market today. Supported by archival documents, exhibition invitations, and press records, Eugène Eechaut’s legacy emerges as that of a disciplined and original artist, firmly embedded in the European art scene and in direct dialogue with some of its most celebrated figures.
Will be carefully packaged, well protected and insured
Eugène Eechaut – Female Nude, Geometric Composition with Collage, 1977
No reserve price
Framed
Original Authentic Artwork
An elegant and intriguing original artwork by Belgian artist Eugène Eechaut, dated September 1977, combining a delicate representation of the female nude with a sophisticated geometric composition.
The female figure, rendered through meticulous ink work and subtle tonal variations, emerges from an arrangement of bold black rectangular structures. These overlapping geometric elements create an architectural rhythm, introducing a fascinating interplay of transparency, perspective, and visual depth.
A vibrant abstract collage adds an unexpected burst of colour, contrasting beautifully with the restrained monochromatic composition. This juxtaposition of figurative drawing, geometric abstraction, and collage is characteristic of Eechaut’s distinctive artistic language, reflecting his fascination with structure, balance, and the relationship between different visual dimensions.
The composition also reveals the artist’s affinity for modernist aesthetics, particularly the geometric principles associated with Piet Mondrian, reinterpreted through Eechaut’s highly personal and expressive approach.
The artwork bears the artist’s distinctive embossed studio stamp in the lower-left corner and is hand-dated September 1977 on the reverse.
Presented in a simple yet stylish contemporary frame with a neutral beige finish, elegant white passe-partout, and protective plexiglass, the artwork is ready to hang. Its refined presentation makes it particularly suitable for both contemporary and classic interiors, where it can serve as a sophisticated decorative accent.
A beautiful example of Eechaut’s artistic exploration during the 1970s, bringing together figurative elegance, geometric precision, and the expressive freedom of collage.
The dimensions with a simple frame measure 48 × 38 cm
About the artist:
Eugène Eechaut (1928–2019) was a Belgian artist whose career evolved at the crossroads of imagination, technical discipline, and artistic dialogue. He began gaining recognition in 1958, when he received his first distinctions from the European Center for Art and Aesthetics. Early in his career, Eechaut became a member of the artist collective JECTA, an influential Belgian group that included René Magritte. His participation in this circle is confirmed by two surviving newspaper clippings documenting shared exhibitions and professional activity within the group.
Since the 1960s, Eugène Eechaut became a regular participant in exhibitions at the Tamara Pfeiffer Gallery in Brussels, a venue internationally recognized for presenting leading figures of modern and avant-garde art. A preserved invitation card from the 1968–1969 exhibition season confirms that Eechaut exhibited in the same gallery alongside major artists such as Max Ernst, Jean Cocteau, Paul Klee, Dorothea Tanning, Léon Navez, Dunoyer de Segonzac, and Félix Labisse. These archival materials clearly demonstrate that Eechaut shared exhibition space with some of the most influential artists of the twentieth century.
Over the course of his artistic life, Eechaut developed several distinctive and recognizable artistic styles, rather than adhering to a single visual language. His work is characterized by evolving color palettes and a strong sense of structure, combining elegance with expressive freedom. He gradually refined and mastered ink techniques, achieving a high level of precision and control that became a defining element of his artistic identity.
Despite consistent exhibition activity and professional recognition, Eechaut remained notably discreet and protective of his work, rarely offering pieces for sale—even within his own family. This personal approach has contributed to the rarity of his works on the market today. Supported by archival documents, exhibition invitations, and press records, Eugène Eechaut’s legacy emerges as that of a disciplined and original artist, firmly embedded in the European art scene and in direct dialogue with some of its most celebrated figures.
Will be carefully packaged, well protected and insured
Details
Sold by
Owner or reseller
Edition
Original
Artist
Eugène Eechaut (1928-2019)
Title of artwork
Nude figure - Framed
Technique
Collage, Ink
Signature
Signed
Country of origin
Belgium
Condition
Excellent condition
Height
48 cm
Width
38 cm
Depiction/theme
Nude
Style
Abstract
Period
1970-1980
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