Mattei - Sculpture, Importante bassorilievo – Cristo predica alla folla – Francia, XIX secolo - 42 cm - Meerschaum, Wood, Glass

08
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Current bid
€ 100
Reserve price not met
Clément Floch
Expert
Selected by Clément Floch

Has 20 years of experience trading curios, including 15 years with a leading French dealer.

Estimate  € 450 - € 550
IT
€100

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Description from the seller

MATTEI – Important seafoam bas-relief in stupe fume? (note: translation should be accurate) No, keep: Important bas-relief in sea foam – Christ preaches to the crowd – France, 19th century

Striking and refined 19th-century sacred art bas-relief, signed MATTEI, crafted in sea foam finely carved and housed in an important contemporaneous oval black ebony wood frame with convex pressed glass.

A work of notable artistic value, attributable to the refined French sculptural production of the mid-19th century, characterized by extraordinary compositional richness, excellent craftsmanship, and surprising plastic depth.

The scene depicts Jesus Christ in the act of preaching to the crowd, surrounded by numerous figures, including men, women, the elderly and children, gathered in attitudes of listening, supplication and devotion. The composition recalls the great Evangelical themes of mercy, compassion and divine teaching.

Christ dominates the center of the representation, wrapped in ample classical draperies, while around him a complex choral narrative unfolds, in which each character assumes an expressive and gestural identity.

Particularly extraordinary is the quality of the sculptural work: faces finely modeled, hairstyles worked with extreme precision, hands, expressions of the figures and the elaborate draperies testify to notable technical mastery. The vegetation framing the scene, with leaves, branches and meticulously sculpted natural details, contributes to giving depth and harmony to the entire composition.

The wise alternation of high and low relief creates a suggestive three-dimensional effect, almost a small theatrical representation carved into matter, capable of conveying movement, perspective and emotional intensity.

Sea foam, also known as meerschaum, is a mineral material particularly appreciated in 19th-century artistic craftsmanship for its workability and for the possibility of achieving extremely fine details. Its characteristic ivory tone, gently patinated by time, enhances chiaroscuro contrasts and the softness of the carved surfaces.

Of particular historical interest is the presence of the MATTEI signature, clearly incised on the lower part of the relief. This signature is corroborated in other 19th-century devotional works in sea foam, including a bas-relief depicting the Resurrection of Christ, signed Mattei and dated 1853, documented on the antique market.

These comparisons plausibly allow us to place the work within the French production of the mid-19th century, in the period between the reign of Louis-Philippe and the Second Empire of Napoleon III, an era particularly significant for the development of decorative arts and religious sculpture destined for private patrons.

During the 19th century, artifacts of this type were appreciated not only for their devotional value, but also for the extraordinary craftsmanship required to realize such elaborate compositions. These are works where the religious iconographic tradition meets the academic taste and the aesthetic sensibility of the era.

To complete the piece, we find a magnificent oval ebony wood frame, featuring a broad molded profile and a black glossy surface that elegantly contrasts with the delicate ivory hue of the sculpture. The convex glass protects the bas-relief, further emphasizing its depth and giving the overall piece a particularly refined and monumental appearance.

The work measures 42 × 35 × 6 cm in total, with a weight of 2.6 kg, important dimensions that enhance its presence and striking visual impact.

The overall condition is good, with sculptural details still wonderfully legible. The only note is the absence of Jesus’ right hand, as clearly visible in the photographs, a small imperfection that does not compromise the harmony of the composition nor the overall charm of the work.

A piece of undeniable collecting interest, particularly suitable for devotees of sacred art, 19th-century sculpture and refined European craftsmanship. Its elegance makes it ideal for adorning studies, libraries, classical salons, historic homes and formal settings, but also for discerning contemporary interiors where the contrast between the ebony frame and the ivory tones of the relief can create a striking focal point.

A work of great antique charm, in which spirituality, artistic refinement and sculptural virtuosity fuse into a composition of extraordinary narrative richness.

The photographs are an integral part of the description and faithfully document the characteristics and conservation status of the work.

Shipping with careful professional packing, executed according to procedures for handling and protecting works of art, thanks to our specialist Art Logistics certification.

Seller's Story

Ankerior is an Italian brand dedicated to the search and selection of works of art, antiques, design and collectible objects of extraordinary historical, artistic and aesthetic interest. Each object is selected according to strict criteria of authenticity, quality and value, privileging artifacts capable of conveying character, elegance and uniqueness to the most refined environments. Each shipment is prepared with the utmost care, through professional packing techniques, so that every piece reaches its new owner in excellent condition, fully respecting its value and its history. ANKERIOR - Extraordinary interiors begin with extraordinary objects.
Translated by Google Translate

MATTEI – Important seafoam bas-relief in stupe fume? (note: translation should be accurate) No, keep: Important bas-relief in sea foam – Christ preaches to the crowd – France, 19th century

Striking and refined 19th-century sacred art bas-relief, signed MATTEI, crafted in sea foam finely carved and housed in an important contemporaneous oval black ebony wood frame with convex pressed glass.

A work of notable artistic value, attributable to the refined French sculptural production of the mid-19th century, characterized by extraordinary compositional richness, excellent craftsmanship, and surprising plastic depth.

The scene depicts Jesus Christ in the act of preaching to the crowd, surrounded by numerous figures, including men, women, the elderly and children, gathered in attitudes of listening, supplication and devotion. The composition recalls the great Evangelical themes of mercy, compassion and divine teaching.

Christ dominates the center of the representation, wrapped in ample classical draperies, while around him a complex choral narrative unfolds, in which each character assumes an expressive and gestural identity.

Particularly extraordinary is the quality of the sculptural work: faces finely modeled, hairstyles worked with extreme precision, hands, expressions of the figures and the elaborate draperies testify to notable technical mastery. The vegetation framing the scene, with leaves, branches and meticulously sculpted natural details, contributes to giving depth and harmony to the entire composition.

The wise alternation of high and low relief creates a suggestive three-dimensional effect, almost a small theatrical representation carved into matter, capable of conveying movement, perspective and emotional intensity.

Sea foam, also known as meerschaum, is a mineral material particularly appreciated in 19th-century artistic craftsmanship for its workability and for the possibility of achieving extremely fine details. Its characteristic ivory tone, gently patinated by time, enhances chiaroscuro contrasts and the softness of the carved surfaces.

Of particular historical interest is the presence of the MATTEI signature, clearly incised on the lower part of the relief. This signature is corroborated in other 19th-century devotional works in sea foam, including a bas-relief depicting the Resurrection of Christ, signed Mattei and dated 1853, documented on the antique market.

These comparisons plausibly allow us to place the work within the French production of the mid-19th century, in the period between the reign of Louis-Philippe and the Second Empire of Napoleon III, an era particularly significant for the development of decorative arts and religious sculpture destined for private patrons.

During the 19th century, artifacts of this type were appreciated not only for their devotional value, but also for the extraordinary craftsmanship required to realize such elaborate compositions. These are works where the religious iconographic tradition meets the academic taste and the aesthetic sensibility of the era.

To complete the piece, we find a magnificent oval ebony wood frame, featuring a broad molded profile and a black glossy surface that elegantly contrasts with the delicate ivory hue of the sculpture. The convex glass protects the bas-relief, further emphasizing its depth and giving the overall piece a particularly refined and monumental appearance.

The work measures 42 × 35 × 6 cm in total, with a weight of 2.6 kg, important dimensions that enhance its presence and striking visual impact.

The overall condition is good, with sculptural details still wonderfully legible. The only note is the absence of Jesus’ right hand, as clearly visible in the photographs, a small imperfection that does not compromise the harmony of the composition nor the overall charm of the work.

A piece of undeniable collecting interest, particularly suitable for devotees of sacred art, 19th-century sculpture and refined European craftsmanship. Its elegance makes it ideal for adorning studies, libraries, classical salons, historic homes and formal settings, but also for discerning contemporary interiors where the contrast between the ebony frame and the ivory tones of the relief can create a striking focal point.

A work of great antique charm, in which spirituality, artistic refinement and sculptural virtuosity fuse into a composition of extraordinary narrative richness.

The photographs are an integral part of the description and faithfully document the characteristics and conservation status of the work.

Shipping with careful professional packing, executed according to procedures for handling and protecting works of art, thanks to our specialist Art Logistics certification.

Seller's Story

Ankerior is an Italian brand dedicated to the search and selection of works of art, antiques, design and collectible objects of extraordinary historical, artistic and aesthetic interest. Each object is selected according to strict criteria of authenticity, quality and value, privileging artifacts capable of conveying character, elegance and uniqueness to the most refined environments. Each shipment is prepared with the utmost care, through professional packing techniques, so that every piece reaches its new owner in excellent condition, fully respecting its value and its history. ANKERIOR - Extraordinary interiors begin with extraordinary objects.
Translated by Google Translate

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