Dance mask - Makondé - Mozambique






Holds a postgraduate degree in African studies and 15 years experience in African art.
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Wooden Makonde lipiko helmet mask from Mozambique, circa 1900–1910, 30 x 25 cm, in good used condition with minor signs of age and imperfections, sold with stand, provenance: Jean-Michel Huguenin Collection, Paris.
Description from the seller
The Makonde people inhabit the bordering region of Tanzania and Mozambique. They are a matrilineal society divided into clans governed by a chief and council. The Makonde are known as some of the most expert mask carvers in Africa, with two kinds of masks prevalent in their society. This mask, known as a lipiko, is a helmet mask used primarily for the mapiko dance held at adult initiation rituals for boys and girls and at funerals. The masquerader channels the spirit of dead ancestors through the mask. During initiation, boys and girls are both taught how to make the masks and perform them. Women perform their initiation away from the males, who never see the masquerade.
This mask came from the Mozambique region of Makonde territory and was danced in the 1960s or 1970s. Originally, this mask had hair shavings attached with beeswax to the depressed and darkened part of the forehead, but this feature was lost over time, beeswax not being an especially durable fixative in hot climates.
Provenance: Jean-Michel Huguenin Collection, Paris
Seller's Story
The Makonde people inhabit the bordering region of Tanzania and Mozambique. They are a matrilineal society divided into clans governed by a chief and council. The Makonde are known as some of the most expert mask carvers in Africa, with two kinds of masks prevalent in their society. This mask, known as a lipiko, is a helmet mask used primarily for the mapiko dance held at adult initiation rituals for boys and girls and at funerals. The masquerader channels the spirit of dead ancestors through the mask. During initiation, boys and girls are both taught how to make the masks and perform them. Women perform their initiation away from the males, who never see the masquerade.
This mask came from the Mozambique region of Makonde territory and was danced in the 1960s or 1970s. Originally, this mask had hair shavings attached with beeswax to the depressed and darkened part of the forehead, but this feature was lost over time, beeswax not being an especially durable fixative in hot climates.
Provenance: Jean-Michel Huguenin Collection, Paris
