Djenne bracelet - Figure - Mali

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Dimitri André
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Selected by Dimitri André

Holds a postgraduate degree in African studies and 15 years experience in African art.

Estimate  € 400 - € 450
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Djenne bracelet, a bronze armlet from Mali (Djenne culture) dating to the 13th century, measuring 7 cm wide by 1.5 cm high and 7 cm deep, in good used condition with minor signs of age, provenance: Jean-Michel Huguenin Collection, Paris; acquired from Casa de Subastas (France) in 2026, previously from Galería/anticuario.

AI-assisted summary

Description from the seller

A copper-alloy adornment, this armlet, was created in the ancient center of Jenne. Jenne's central location on numerous pivotal trade routes contributed to its prosperity and the development of a complex and highly urbanized social structure. Copper metallurgy is believed to be an important antecedent to the iron technologies that were transforming West Africa and the Mande kingdom during this period. Terracotta figures from the thirteenth and fourteenth centuries from this region depict individuals wearing similar items of jewelry.

In West Africa, jewelry is worn for multiple purposes beyond mere adornment. It can be used to indicate one's role in society, as having a particular profession or rank, as well as to indicate belonging to a specific family, clan, or village. A form of wealth, it is also intrinsically valuable and therefore worn by itinerants who must travel with all their worldly possessions. Often there are particular recognizable motifs worn by women who have had children, thus indicating the wearer's successful completion of her fundamental role in society.

Jewelry among contemporary Mande peoples is often commissioned by patrons in response to the advice of a diviner. Like other amulets made by smiths, the jewelry is embedded with spiritual power and is intended to assist the wearer with specific concerns, for example, to increase fertility, to deter accidents, for financial gain, to cure or prevent diseases, to inspire love, and so on. Metal is believed to naturally contain high levels of nyama, or life forces, and is therefore particularly powerful in the production of medicinal amulets.

Provenance: Jean-Michel Huguenin Collection, Paris

Seller's Story

Montagut Gallery Gallery specializing in African tribal art Montagut Gallery is a gallery specializing in African tribal art, a space devoted to exploring and celebrating the rich artistic heritage of the African continent. Founded in 1990 in Barcelona, the gallery has been a beacon for lovers of tribal art, thanks to the drive and passion of Guilhem Montagut. Guided by his deep interest in tribal art, Guilhem Montagut immersed himself in this fascinating world through the influence of Rachel Montagut, pioneer and visionary in the world of African tribal art, founder and prominent gallerist. Since then, the gallery has remained true to its mission of spreading the beauty and importance of African art on the international art scene. Montagut Gallery’s presence extends beyond the borders of Barcelona, actively participating in world-renowned fairs such as TEFAF Maastricht, Brafa Art Fair, Paris Tribal, Parcours des Mondes, and FAB. The gallery is dedicated to organizing multidisciplinary exhibitions that dialogue and juxtapose African art with other artistic languages, creating a space for cultural exchange and reflection. Its aim is to raise awareness and help people understand that African art is not only a unique cultural expression but also an integral and indispensable part of the world’s art history heritage.
Translated by Google Translate

A copper-alloy adornment, this armlet, was created in the ancient center of Jenne. Jenne's central location on numerous pivotal trade routes contributed to its prosperity and the development of a complex and highly urbanized social structure. Copper metallurgy is believed to be an important antecedent to the iron technologies that were transforming West Africa and the Mande kingdom during this period. Terracotta figures from the thirteenth and fourteenth centuries from this region depict individuals wearing similar items of jewelry.

In West Africa, jewelry is worn for multiple purposes beyond mere adornment. It can be used to indicate one's role in society, as having a particular profession or rank, as well as to indicate belonging to a specific family, clan, or village. A form of wealth, it is also intrinsically valuable and therefore worn by itinerants who must travel with all their worldly possessions. Often there are particular recognizable motifs worn by women who have had children, thus indicating the wearer's successful completion of her fundamental role in society.

Jewelry among contemporary Mande peoples is often commissioned by patrons in response to the advice of a diviner. Like other amulets made by smiths, the jewelry is embedded with spiritual power and is intended to assist the wearer with specific concerns, for example, to increase fertility, to deter accidents, for financial gain, to cure or prevent diseases, to inspire love, and so on. Metal is believed to naturally contain high levels of nyama, or life forces, and is therefore particularly powerful in the production of medicinal amulets.

Provenance: Jean-Michel Huguenin Collection, Paris

Seller's Story

Montagut Gallery Gallery specializing in African tribal art Montagut Gallery is a gallery specializing in African tribal art, a space devoted to exploring and celebrating the rich artistic heritage of the African continent. Founded in 1990 in Barcelona, the gallery has been a beacon for lovers of tribal art, thanks to the drive and passion of Guilhem Montagut. Guided by his deep interest in tribal art, Guilhem Montagut immersed himself in this fascinating world through the influence of Rachel Montagut, pioneer and visionary in the world of African tribal art, founder and prominent gallerist. Since then, the gallery has remained true to its mission of spreading the beauty and importance of African art on the international art scene. Montagut Gallery’s presence extends beyond the borders of Barcelona, actively participating in world-renowned fairs such as TEFAF Maastricht, Brafa Art Fair, Paris Tribal, Parcours des Mondes, and FAB. The gallery is dedicated to organizing multidisciplinary exhibitions that dialogue and juxtapose African art with other artistic languages, creating a space for cultural exchange and reflection. Its aim is to raise awareness and help people understand that African art is not only a unique cultural expression but also an integral and indispensable part of the world’s art history heritage.
Translated by Google Translate

Details

Era
Before 1400
Culture
Djenné
Century/timeframe
XIII
Number of objects
1
Acquired from
Auction house
Title
Djenne bracelet
Country of origin
Mali
Year acquired
2026
Material
Bronze
Country acquired from
France
Previous owner acquired from
Gallery / Antique dealer
Previous owner - year acquired
2026
Condition
Good condition - used with small signs of aging & blemishes
Previous owner - country acquired from
France
Height
1.5 cm
I verify that I have obtained this object legally and that I am allowed to sell it
Yes
Width
7 cm
Depth
7 cm
SpainVerified
380
Objects sold
100%
protop

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