Djenne bracelet - Figure - Mali






Holds a postgraduate degree in African studies and 15 years experience in African art.
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Djenne bracelet, a bronze armlet from Mali (Djenne culture) dating to the 13th century, measuring 7 cm wide by 1.5 cm high and 7 cm deep, in good used condition with minor signs of age, provenance: Jean-Michel Huguenin Collection, Paris; acquired from Casa de Subastas (France) in 2026, previously from Galería/anticuario.
Description from the seller
A copper-alloy adornment, this armlet, was created in the ancient center of Jenne. Jenne's central location on numerous pivotal trade routes contributed to its prosperity and the development of a complex and highly urbanized social structure. Copper metallurgy is believed to be an important antecedent to the iron technologies that were transforming West Africa and the Mande kingdom during this period. Terracotta figures from the thirteenth and fourteenth centuries from this region depict individuals wearing similar items of jewelry.
In West Africa, jewelry is worn for multiple purposes beyond mere adornment. It can be used to indicate one's role in society, as having a particular profession or rank, as well as to indicate belonging to a specific family, clan, or village. A form of wealth, it is also intrinsically valuable and therefore worn by itinerants who must travel with all their worldly possessions. Often there are particular recognizable motifs worn by women who have had children, thus indicating the wearer's successful completion of her fundamental role in society.
Jewelry among contemporary Mande peoples is often commissioned by patrons in response to the advice of a diviner. Like other amulets made by smiths, the jewelry is embedded with spiritual power and is intended to assist the wearer with specific concerns, for example, to increase fertility, to deter accidents, for financial gain, to cure or prevent diseases, to inspire love, and so on. Metal is believed to naturally contain high levels of nyama, or life forces, and is therefore particularly powerful in the production of medicinal amulets.
Provenance: Jean-Michel Huguenin Collection, Paris
Seller's Story
A copper-alloy adornment, this armlet, was created in the ancient center of Jenne. Jenne's central location on numerous pivotal trade routes contributed to its prosperity and the development of a complex and highly urbanized social structure. Copper metallurgy is believed to be an important antecedent to the iron technologies that were transforming West Africa and the Mande kingdom during this period. Terracotta figures from the thirteenth and fourteenth centuries from this region depict individuals wearing similar items of jewelry.
In West Africa, jewelry is worn for multiple purposes beyond mere adornment. It can be used to indicate one's role in society, as having a particular profession or rank, as well as to indicate belonging to a specific family, clan, or village. A form of wealth, it is also intrinsically valuable and therefore worn by itinerants who must travel with all their worldly possessions. Often there are particular recognizable motifs worn by women who have had children, thus indicating the wearer's successful completion of her fundamental role in society.
Jewelry among contemporary Mande peoples is often commissioned by patrons in response to the advice of a diviner. Like other amulets made by smiths, the jewelry is embedded with spiritual power and is intended to assist the wearer with specific concerns, for example, to increase fertility, to deter accidents, for financial gain, to cure or prevent diseases, to inspire love, and so on. Metal is believed to naturally contain high levels of nyama, or life forces, and is therefore particularly powerful in the production of medicinal amulets.
Provenance: Jean-Michel Huguenin Collection, Paris
