Angelo Minghetti (1822–1885) - Plate - Majolica - The Orpheus charger





€300 | ||
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€50 | ||
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Majolica on earthenware charger by Angelo Minghetti (1822–1885), Bologna, Italy, dating to 1850–1900, 51 cm diameter and in good used condition with no restorations.
Description from the seller
In this masterful piece by Angelo Minghetti, 19th-century Bolognese majolica becomes a mirror reflecting the Renaissance with a vibrant and renewed nostalgia. The large plate, a surface of earthenware that exudes the heritage of Urbino and Castel Durante, is the stage for a lyrical composition where the chiaroscuro technique serves the myth: Orpheus, in a poetic anachronism, plays not the lyre, but a violin, whose bow seems to pluck notes that stop time on Parnassus. Minghetti's palette, rich in golden ochres, deep blues, and emerald greens, envelops the figures in a dreamlike atmosphere, where the small, precise brushstrokes reconstruct classical anatomy with an almost painterly clarity. It is not a mere copy of the past; It is a reinterpretation where Renaissance monumentality merges with the delicacy of the nineteenth century, making the enamel shine not only because of its firing, but also because of the light of a recovered antiquity that seems to vibrate to the rhythm of the eternal music of the Thracian poet.
- Provenance: Private collection in Madrid.
- Measurements: 51 x 51 cm
- Good general condition. No restaurations or significant defaults.
- The artwork will be shipped and packed professionally, and delivered to you in no time.
Seller's Story
In this masterful piece by Angelo Minghetti, 19th-century Bolognese majolica becomes a mirror reflecting the Renaissance with a vibrant and renewed nostalgia. The large plate, a surface of earthenware that exudes the heritage of Urbino and Castel Durante, is the stage for a lyrical composition where the chiaroscuro technique serves the myth: Orpheus, in a poetic anachronism, plays not the lyre, but a violin, whose bow seems to pluck notes that stop time on Parnassus. Minghetti's palette, rich in golden ochres, deep blues, and emerald greens, envelops the figures in a dreamlike atmosphere, where the small, precise brushstrokes reconstruct classical anatomy with an almost painterly clarity. It is not a mere copy of the past; It is a reinterpretation where Renaissance monumentality merges with the delicacy of the nineteenth century, making the enamel shine not only because of its firing, but also because of the light of a recovered antiquity that seems to vibrate to the rhythm of the eternal music of the Thracian poet.
- Provenance: Private collection in Madrid.
- Measurements: 51 x 51 cm
- Good general condition. No restaurations or significant defaults.
- The artwork will be shipped and packed professionally, and delivered to you in no time.

