John Weber - Giovanni Anselmo - 1972





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John Weber, Giovanni Anselmo, first edition, English language art book, softcover, 12 pages, published by John Weber Gallery in 1972.
Description from the seller
First edition. Excellent copy. Artist's book that summarizes the fundamental themes of Giovanni Anselmo's aesthetic and poetic research, namely the progression from small to large and vice versa, from the invisible to the visible, from the finite to the infinite. A play of opposing forces and concepts that succeed each other and fade reciprocally in one direction or the other. And thus here—as elsewhere in «Lire», a work where the verb is reproduced several times, varying its size until it reaches near illegibility, then enlarged again until it is lost in black pages—the words "invisible", "infinite", "all", "dissolvenza" are written on the white pages not only to refer to the works actually exhibited in New York in October 1972 in place of the traditional photographs, but also to declare Anselmo's conceptual world. To transform into something else—as Giorgio Maffei notes in «Livres et documents. Arte Povera 1966 - 1980»—a simple catalogue into a true artist's book. 17 x 17 cm., soft cover, pp. [12].
First edition. Excellent copy. Artist's book that summarizes the fundamental themes of Giovanni Anselmo's aesthetic and poetic research, namely the progression from small to large and vice versa, from the invisible to the visible, from the finite to the infinite. A play of opposing forces and concepts that succeed each other and fade reciprocally in one direction or the other. And thus here—as elsewhere in «Lire», a work where the verb is reproduced several times, varying its size until it reaches near illegibility, then enlarged again until it is lost in black pages—the words "invisible", "infinite", "all", "dissolvenza" are written on the white pages not only to refer to the works actually exhibited in New York in October 1972 in place of the traditional photographs, but also to declare Anselmo's conceptual world. To transform into something else—as Giorgio Maffei notes in «Livres et documents. Arte Povera 1966 - 1980»—a simple catalogue into a true artist's book. 17 x 17 cm., soft cover, pp. [12].

