Igbo mask-helmet (No reserve price)

06
days
11
hours
49
minutes
24
seconds
Starting bid
€ 1
No reserve price
No bids placed

Catawiki Buyer Protection

Your payment’s safe with us until you receive your object.View details

Trustpilot 4.4 | 143216 reviews

Rated Excellent on Trustpilot.

Masque-casque Igbo, a reproduction from Nigeria representing an Igbo young-woman spirit (Agbogho Mmwo) of the Igbo people, sold as a single object without a stand, in good condition.

AI-assisted summary

Description from the seller

This maiden-spirit mask (Agbogho Mmwo) serves to embody the spirit of female ancestors and to celebrate the moral and physical ideal of womanhood among the Igbo people of Nigeria. Although it represents the feminine essence, it is traditionally worn exclusively by young, initiated men during very specific ritual ceremonies:

1. The ancestor cult and funerals

The term Mmwo (or Mmuo) literally means "spirit of the dead" or "phantom." The pale complexion of the face recalls that the entity belongs to the world beyond. The mask is shown during the funerals of important community members to honor the deceased, ensure their passage to the realm of spirits, and attract the protection of the ancestors to the village.

2. Social and moral education of the youth

These masks appear at seasonal celebrations and at wedding or coming-of-age ceremonies (such as the Nkpu rites). The dancer’s role is to perform graceful yet theatrical and exaggerated choreographies to teach the community the virtues of the accomplished young woman:
• Physical beauty (the fine nose, delicate features, intricate hairstyle) actually symbolizes inner beauty and moral perfection.
• The movements dictate codes of proper conduct, purity, grace, and the dignity expected of girls ready to marry.

3. Farm and harvest festivals

They also appear during the dry season and at harvest festivals (notably the Yam Festival). Their presence aims to invoke fertility in all its forms: that of women for the continuity of the lineage, and that of the land to ensure the village’s agricultural prosperity.

This maiden-spirit mask (Agbogho Mmwo) serves to embody the spirit of female ancestors and to celebrate the moral and physical ideal of womanhood among the Igbo people of Nigeria. Although it represents the feminine essence, it is traditionally worn exclusively by young, initiated men during very specific ritual ceremonies:

1. The ancestor cult and funerals

The term Mmwo (or Mmuo) literally means "spirit of the dead" or "phantom." The pale complexion of the face recalls that the entity belongs to the world beyond. The mask is shown during the funerals of important community members to honor the deceased, ensure their passage to the realm of spirits, and attract the protection of the ancestors to the village.

2. Social and moral education of the youth

These masks appear at seasonal celebrations and at wedding or coming-of-age ceremonies (such as the Nkpu rites). The dancer’s role is to perform graceful yet theatrical and exaggerated choreographies to teach the community the virtues of the accomplished young woman:
• Physical beauty (the fine nose, delicate features, intricate hairstyle) actually symbolizes inner beauty and moral perfection.
• The movements dictate codes of proper conduct, purity, grace, and the dignity expected of girls ready to marry.

3. Farm and harvest festivals

They also appear during the dry season and at harvest festivals (notably the Yam Festival). Their presence aims to invoke fertility in all its forms: that of women for the continuity of the lineage, and that of the land to ensure the village’s agricultural prosperity.

Details

Number of objects
1
Sold with stand
No
Condition
Good condition
Title of artwork
Igbo mask-helmet
Authenticity
Reproduction/replica
FranceVerified
16
Objects sold
100%
Private

Similar objects

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​

For you in

African & Tribal Art

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​