Fernand Léger (1881-1955) (after) - "Trois Femmes, 1921-22"

- Fernand Léger (after), giclée print on heavy-weight textured matte paper (approx. 300gsm, refers to paper thickness/density).

- Signed in the plate.

- Stamp on verso.

- Borderless / full-bleed.

- Ready to frame. The pic in which the item appears framed is a simulated recreation for illustrative purposes only, the frame and other decorative elements shown in it are not included in the lot you are bidding on.

- Condition: excellent. Never framed, never exposed.

- Size: 37,5 x 52cm.

- More lots currently at auction: https://www.catawiki.com/es/u/7684787-yuke

- Fernand Léger’s Trois Femmes (1921–22) is one of the defining images of his post-war classicism, transforming an intimate domestic scene into a monumental construction of bodies, furniture and geometric rhythm. Three women occupy the interior with an almost sculptural stillness: rounded limbs, simplified faces, black hair and cylindrical forms are arranged among cushions, vessels, patterned textiles, a vivid red table and the strong architectural grid of the room. Léger abandons naturalistic modelling in favour of broad tonal contrasts, tubular anatomy and a carefully balanced dialogue between curves and rigid geometry, turning the human figure into something at once modern, mechanical and timeless. The composition belongs to the period in which he moved away from the fragmentation of pre-war Cubism toward a more stable, classical language influenced by the machine age, mass production and the renewed interest in monumental figuration that followed the First World War. Its visual logic connects naturally with Picasso and Braque, yet also with the Purist clarity of Le Corbusier and Amédée Ozenfant, while anticipating the cool, constructed interiors and stylised bodies later explored by artists ranging from Tamara de Lempicka to Pop and post-Pop painters.

With its striking palette of black, white, warm beige, ochre, red, green and muted blue, Trois Femmes has exceptional decorative strength in modernist, Bauhaus, Art Deco, mid-century modern and sophisticated eclectic interiors. The horizontal format makes it especially effective above a sofa, sideboard, long console or dining cabinet, where the extended composition can visually anchor a room. It pairs beautifully with walnut, oak, black lacquer, chrome, travertine, boucle, leather and textured linen, as well as furniture associated with Le Corbusier, Charlotte Perriand, Pierre Jeanneret, Eileen Gray, Marcel Breuer and Ludwig Mies van der Rohe. Against warm white, cream, muted olive, terracotta, charcoal or deep burgundy walls, the red table, green geometric floor and black structural elements gain even greater graphic presence. An excellent choice for a living room, dining room, study, library or design-led office, it also makes a distinctive gift for admirers of Fernand Léger, Cubism, modernism, architecture, machine-age aesthetics and twentieth-century design.

For admirers of Fernand Léger, Cubism, Purism and modern European art, Trois Femmes embodies the artist’s unique ability to reconcile the human body with the visual language of modern machinery, geometry and urban life. Its appeal extends naturally to those interested in Picasso, Braque, Gris, Matisse, Miró, Kandinsky, Malevich, Mondrian, Lempicka, Warhol, Roy Lichtenstein, David Hockney, Jean-Michel Basquiat, Keith Haring, Banksy and Gerhard Richter, bridging early modernism with later graphic and Pop sensibilities. It also fits comfortably within interiors and collections shaped by iconic design, photography, fashion and luxury culture, from Cartier, Rolex and Patek Philippe to Chanel, Dior, Hermès and Gucci, alongside vintage posters, art and design books, rare editions, Lego, Star Wars, Pokémon and other sought-after collectibles. A bold, architectural and unmistakably Léger composition, ideal for bringing modernist structure, graphic clarity and the elegant monumentality of 1920s Paris to any interior.