Lucía Laurent - XL - El Descanso Ilustrado

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Annick van Itallie
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Selected by Annick van Itallie

Graduated in art history with over 25 years' experience in antiques and applied arts appraisal.

Estimate  € 400 - € 500
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Description from the seller

Lucía Lauren (LILI) is a Cuban artist with foundational training in the visual arts, largely self-taught, and holds a degree in Social Communication from the University of Havana.

Her relationship with images began long before she professionally devoted herself to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently, she spent several years in the world of tattooing, a decisive period for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Ultimately she found in the plastic arts a much broader space for expression. Painting allowed her to gather those previous experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.

Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems to be interested in the small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting begins from a marked visual synthesis. Lucía removes much of the secondary information to preserve only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet charged with sensitivity.

In her language we find echoes of contemporary illustration and naive painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphical intensity.

The woman occupies the center of almost her entire pictorial universe. She is not presented as a heroic or distant character, but from a tranquil, elegant, introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.

Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.

Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds to the point of blurring the line between figure and nature. In this way, woman, nature, and the animal world end up forming a single sensibility.

In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman seated beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beige, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.

Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until discovering its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features daily beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.

Artwork by the artist Lucía Laurent created in the technique Acrylic on high-quality professional canvas.
Dimension: 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through Fedex for the rest of the world. The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Check the original photographs to verify the actual condition of the work.”


This acrylic on canvas work is framed within contemporary figurative illustration with evident reminiscences of Art Nouveau, depicting a woman with a serene and contemplative expression holding a cup while a black cat rests calmly on her lap. The figure, dressed in a light garment treated with delicate organic lines that draw botanical and floral motifs, stands out against a dynamic background dominated by fluid brushstrokes and enveloping shapes in a rich palette of blues. The vivid contrast between the cool tones of the background, the intense red of the armchair, and the warm golden accents in the earrings and the cat’s eyes provides a remarkable chromatic balance, creating an intimate, elegant scene with deep poetic resonance.

Lucía Lauren (LILI) is a Cuban artist with foundational training in the visual arts, largely self-taught, and holds a degree in Social Communication from the University of Havana.

Her relationship with images began long before she professionally devoted herself to painting. Photography constituted her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently, she spent several years in the world of tattooing, a decisive period for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Ultimately she found in the plastic arts a much broader space for expression. Painting allowed her to gather those previous experiences and transform them into an intimate and recognizable universe, built mainly through acrylic on canvas.

Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as a silent companion to her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems to be interested in the small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting begins from a marked visual synthesis. Lucía removes much of the secondary information to preserve only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes build images that are immediately legible, yet charged with sensitivity.

In her language we find echoes of contemporary illustration and naive painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a sensibility of her own, warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powdery pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphical intensity.

The woman occupies the center of almost her entire pictorial universe. She is not presented as a heroic or distant character, but from a tranquil, elegant, introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour.

Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat nearly fuse, turning the composition into a representation of affection.

Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds to the point of blurring the line between figure and nature. In this way, woman, nature, and the animal world end up forming a single sensibility.

In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a pattern and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman seated beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beige, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work.

Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until discovering its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features daily beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty there is a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides.

Artwork by the artist Lucía Laurent created in the technique Acrylic on high-quality professional canvas.
Dimension: 90 x 120 cm of painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through Fedex for the rest of the world. The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packing process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
“This lot contains visualizations made with AI. Check the original photographs to verify the actual condition of the work.”


This acrylic on canvas work is framed within contemporary figurative illustration with evident reminiscences of Art Nouveau, depicting a woman with a serene and contemplative expression holding a cup while a black cat rests calmly on her lap. The figure, dressed in a light garment treated with delicate organic lines that draw botanical and floral motifs, stands out against a dynamic background dominated by fluid brushstrokes and enveloping shapes in a rich palette of blues. The vivid contrast between the cool tones of the background, the intense red of the armchair, and the warm golden accents in the earrings and the cat’s eyes provides a remarkable chromatic balance, creating an intimate, elegant scene with deep poetic resonance.

Details

Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Artist
Lucía Laurent - XL
Title of artwork
El Descanso Ilustrado
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Spain
Colour
Multicolour
Condition
Excellent condition
Height
120 cm
Width
90 cm
Style
Modern
Period
2020+
SpainVerified
1522
Objects sold
100%
protop

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