Belt mask - Edo - Nigeria






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This Edo bronze belt mask from Nigeria dates to the late 20th century and is sold with a stand.
Description from the seller
Nigeria
Edo
African Bronze
Height:
Width:
Depth:
Weight:
This head or mask-face belongs to the pure artistic tradition of the Benin Kingdom (Edo people, southwest region of present-day Nigeria). Its size corresponds perfectly to the scale of portable or belt-hanging masks of this culture.
1. Stylistic Features and Court Attire
The coral royal headdress: The top of the head is crowned with a highly detailed geometric mesh imitating the assembly of red coral beads. The prominent cones and rigid side braids framing the face represent the exclusive adornments of the royal family and high court dignitaries of the Oba’s (the king’s) court.
Ritual scarifications: Above each eye, there are pronounced vertical relief marks (usually three or four). These frontal scarifications, paired with large open eyes and rimmed eyelids, were the mark of nobility and Edo identity.
The neck frill: The base of the face widens into a striated frill that depicts the successive rows of heavy coral beads that dignitaries piled up to the chin during official ceremonies.
The concave structure: The piece is hollow and open at the back, cast using the lost-wax technique. It features loops or small fixing rings around the rim.
2. Use and Ritual Role: The Hip Emblem (Uhunmwu-Ekpen)
In the highly hierarchical protocol of the Benin Kingdom, a bronze mask of this size had specific functions:
A belt or hip mask: Due to its intermediate size and its hollow back with attachments, this object was worn at the waist, fixed at the hip or on the chest by the Oba himself or by war chiefs during grand state parades (such as the Igue ritual festivals).
A spiritual and political shield: Worn on ceremonial dress, this indestructible bronze face reminded all of the wearer’s authority and divine legitimacy. It also served as a protective amulet to ward off sorcerous forces or enemies of the throne.
Commemorative evocations: Although accounts sometimes refer to it as a “queen’s head” or to a reference to “Ife,” these idealized faces broadly celebrated the courtyards’ ancestors, the Iyoba (Queen Mother) or prestigious chiefs, linking the world of the living with the spiritual authority of the royal deceased.
Fast and protected shipping. Parcels are sent with tracking number. Delivery in 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union via Chronopost International. Delivery via Colissimo International to the rest of Europe and worldwide
We speak english.
mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Seller's Story
Nigeria
Edo
African Bronze
Height:
Width:
Depth:
Weight:
This head or mask-face belongs to the pure artistic tradition of the Benin Kingdom (Edo people, southwest region of present-day Nigeria). Its size corresponds perfectly to the scale of portable or belt-hanging masks of this culture.
1. Stylistic Features and Court Attire
The coral royal headdress: The top of the head is crowned with a highly detailed geometric mesh imitating the assembly of red coral beads. The prominent cones and rigid side braids framing the face represent the exclusive adornments of the royal family and high court dignitaries of the Oba’s (the king’s) court.
Ritual scarifications: Above each eye, there are pronounced vertical relief marks (usually three or four). These frontal scarifications, paired with large open eyes and rimmed eyelids, were the mark of nobility and Edo identity.
The neck frill: The base of the face widens into a striated frill that depicts the successive rows of heavy coral beads that dignitaries piled up to the chin during official ceremonies.
The concave structure: The piece is hollow and open at the back, cast using the lost-wax technique. It features loops or small fixing rings around the rim.
2. Use and Ritual Role: The Hip Emblem (Uhunmwu-Ekpen)
In the highly hierarchical protocol of the Benin Kingdom, a bronze mask of this size had specific functions:
A belt or hip mask: Due to its intermediate size and its hollow back with attachments, this object was worn at the waist, fixed at the hip or on the chest by the Oba himself or by war chiefs during grand state parades (such as the Igue ritual festivals).
A spiritual and political shield: Worn on ceremonial dress, this indestructible bronze face reminded all of the wearer’s authority and divine legitimacy. It also served as a protective amulet to ward off sorcerous forces or enemies of the throne.
Commemorative evocations: Although accounts sometimes refer to it as a “queen’s head” or to a reference to “Ife,” these idealized faces broadly celebrated the courtyards’ ancestors, the Iyoba (Queen Mother) or prestigious chiefs, linking the world of the living with the spiritual authority of the royal deceased.
Fast and protected shipping. Parcels are sent with tracking number. Delivery in 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union via Chronopost International. Delivery via Colissimo International to the rest of Europe and worldwide
We speak english.
mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
