A pair of statues - Lobi - Mali






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Description from the seller
Burkina Faso
Lobi
Wood
Dimensions:
The small figure on the left: height: 315 mm width: 60 mm - depth: 45 mm
The large figure: height: 445 mm width: 85 mm - depth: 95 mm
Small figure: feet missing
Large figure: one leg missing
1. Origin and stylistic analysis: Two distinct pieces
Visual examination shows that these are not a pair of ancestors carved by the same hand, but two objects with different functions and styles.
The statuette on the left (31 cm): A classic Lobi Bateba
Morphology: This is a standing male figure with fully exposed anatomy. It displays the distinctive features of Lobi statuary: an oval head, a long, straight nose, protruding ears, and a solemn face. The arms frame the torso in a hieratic pose, and the hands rest discreetly on the upper thighs.
Patina: It has a light, matte, dry surface, characteristic of wood exposed to the dry savanna air or kept on an indoor altar.
The sculpture on the right (44 cm): A sanctuary stake or post figure
Morphology: This piece differs radically from the first. The statue's body is not articulated: it has been reduced to a long shaft of rough wood, carved with vertical facets using an adze, ending in a rough base (which appears broken or intended to be driven into the ground). Only the head is carved at the top, featuring a stylized face with eyes framed by a double ridge and large rectangular ears.
Cultural affinity: This type of anthropomorphic statuette mounted on a stake or “fetish post” is found among the Lobi, but also very frequently among their Moba neighbors (Togo/Burkina Faso, where it is called Chidigo) and the Oron/Ekoi in ritual post contexts. It represents a radical form of sacred abstraction.
2. Ritual use: Intercession and anchoring at the sanctuary
These two objects were designed to occupy the spiritual heart of the traditional house (the soukhala) or an outdoor sanctuary:
The role of the Bateba (on the left): Among the Lobi, this piece is commissioned from a sculptor at the direction of a diviner to embody a spirit of the bush (Thil). Placed on the family altar, it serves as an invisible sentinel to absorb illness, ward off spells, and intercept attacks by sorcerers.
The role of the anthropomorphic stake (on the right): The stake- or post-like structure of the larger piece indicates a foundational or anchoring function. These pieces were either planted directly in the ground of the sacred courtyard or placed in the middle of a mound of sacrificial earth and clay that formed the clan's main altar. Millet beer libations or blood sacrifices were regularly offered there to honor the entity that resided within.
3. Meaning: Protecting the family territory
Although they differ greatly in form, these two sculptures share the same metaphysical purpose within Voltaic societies:
A shield against disorder: For these peoples, the world of the bush is inhabited by invisible, potentially dangerous forces. Bringing these figures into the domestic space makes it possible to tame these forces and turn them into allies.
Dialogue with the invisible: When brought together or placed in the same altar space, the figurative statuette and the column-like post form a focal point for communication. They remind people of the living's absolute dependence on the decrees of protective spirits and the memory of the founders of the place, thereby ensuring the health, descendants, and peace of the household.
Parcels are shipped Monday through Saturday with a tracking number.
Delivery via Chronopost takes 1 to 3 days in France and 2 to 5 days throughout the European Union. Delivery to the rest of Europe and worldwide is via Colissimo International.
We speak English.
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African statue art African statue art African statue art African mask art
Seller's Story
Burkina Faso
Lobi
Wood
Dimensions:
The small figure on the left: height: 315 mm width: 60 mm - depth: 45 mm
The large figure: height: 445 mm width: 85 mm - depth: 95 mm
Small figure: feet missing
Large figure: one leg missing
1. Origin and stylistic analysis: Two distinct pieces
Visual examination shows that these are not a pair of ancestors carved by the same hand, but two objects with different functions and styles.
The statuette on the left (31 cm): A classic Lobi Bateba
Morphology: This is a standing male figure with fully exposed anatomy. It displays the distinctive features of Lobi statuary: an oval head, a long, straight nose, protruding ears, and a solemn face. The arms frame the torso in a hieratic pose, and the hands rest discreetly on the upper thighs.
Patina: It has a light, matte, dry surface, characteristic of wood exposed to the dry savanna air or kept on an indoor altar.
The sculpture on the right (44 cm): A sanctuary stake or post figure
Morphology: This piece differs radically from the first. The statue's body is not articulated: it has been reduced to a long shaft of rough wood, carved with vertical facets using an adze, ending in a rough base (which appears broken or intended to be driven into the ground). Only the head is carved at the top, featuring a stylized face with eyes framed by a double ridge and large rectangular ears.
Cultural affinity: This type of anthropomorphic statuette mounted on a stake or “fetish post” is found among the Lobi, but also very frequently among their Moba neighbors (Togo/Burkina Faso, where it is called Chidigo) and the Oron/Ekoi in ritual post contexts. It represents a radical form of sacred abstraction.
2. Ritual use: Intercession and anchoring at the sanctuary
These two objects were designed to occupy the spiritual heart of the traditional house (the soukhala) or an outdoor sanctuary:
The role of the Bateba (on the left): Among the Lobi, this piece is commissioned from a sculptor at the direction of a diviner to embody a spirit of the bush (Thil). Placed on the family altar, it serves as an invisible sentinel to absorb illness, ward off spells, and intercept attacks by sorcerers.
The role of the anthropomorphic stake (on the right): The stake- or post-like structure of the larger piece indicates a foundational or anchoring function. These pieces were either planted directly in the ground of the sacred courtyard or placed in the middle of a mound of sacrificial earth and clay that formed the clan's main altar. Millet beer libations or blood sacrifices were regularly offered there to honor the entity that resided within.
3. Meaning: Protecting the family territory
Although they differ greatly in form, these two sculptures share the same metaphysical purpose within Voltaic societies:
A shield against disorder: For these peoples, the world of the bush is inhabited by invisible, potentially dangerous forces. Bringing these figures into the domestic space makes it possible to tame these forces and turn them into allies.
Dialogue with the invisible: When brought together or placed in the same altar space, the figurative statuette and the column-like post form a focal point for communication. They remind people of the living's absolute dependence on the decrees of protective spirits and the memory of the founders of the place, thereby ensuring the health, descendants, and peace of the household.
Parcels are shipped Monday through Saturday with a tracking number.
Delivery via Chronopost takes 1 to 3 days in France and 2 to 5 days throughout the European Union. Delivery to the rest of Europe and worldwide is via Colissimo International.
We speak English.
African mask art African mask art African mask art African mask art
African statue art African statue art African statue art African mask art
