Console table - Gilt wood

​
Starting bid
€ 1

Add to your favourites to get an alert when the auction starts.

Annick van Itallie
Expert
Selected by Annick van Itallie

Graduated in art history with over 25 years' experience in antiques and applied arts appraisal.

Estimate  € 800 - € 900
Catawiki Buyer Protection

Your payment’s safe with us until you receive your object.View details

Trustpilot 4.4 | 144679 reviews

Rated Excellent on Trustpilot.

Description from the seller

Hutch / wall console in carved and gilded wood with a marble top - Louis XV style, c. 1860–1890.

Object: wall-mounted credenza / console
Period: second half of the 19th century
Dating: circa 1860–1890
Style: Louis XV Revival / Rococo Revival
Materials: carved, pierced, and gilded wood; breccia marble in beige/brown tones
Dimensions: 81 × 115 × 38 cm

Important French wall credenza or console, in richly carved, pierced, and gilded wood in the Louis XV taste, topped by a detachable breccia marble top.

The piece presents an elegant, relatively shallow rectangular configuration designed to sit against the wall, with a strongly sculpted and animated front.

The marble top has a serpentine contour, with a prominently undulating front and rounded corners, following the rocaille movement of the structure. The stone shows beige to light brown tones, with abundant fragmentation and whitish veins, which could prudently be described as breccia marble without asserting a specific quarry.

The waist is particularly rich. At the center there is a symmetric composition of C- and S-shaped volutes, acanthus leaves, small floral motifs, and reticulated diamond-patterned reserves, partially pierced, in unmistakable Rococo language.

In the center of the front stands a pierced reserve framed by two large facing volutes, ending bottomward in a pendent foliate composition.

At the extremities and where the legs begin, there are large shell- and rocaille-shaped elements, with pronounced volume, carved in high relief.

The four legs have a strongly curved and sinuous profile, forming a succession of curves and counter-curves. They are entirely enriched with: acanthus leaves; scrolls; shell-like motifs; volutes; fluting and striations; and scrolling feet.

The overall effect is markedly sculptural, practically dissolving the boundary between waist and legs.

The area not visible has a pink paint, probably added later.

This view is important because it confirms we are not facing a modern molded reproduction: the structure is genuinely composed of worked and assembled wooden parts.

Decorative elements are deliberately inspired by French furniture from the reign of Louis XV: Rocaille + shells + acanthus + cabriole legs + volutes + pierced waist + serpentine top.

Condition - Overall, it has a good visual impact but shows signs of age. Wear, crazing, scratches, superficial cracks and old interventions are observable. There are also traces of wood-destroying insects, especially in the structural areas not gilded.

Hutch / wall console in carved and gilded wood with a marble top - Louis XV style, c. 1860–1890.

Object: wall-mounted credenza / console
Period: second half of the 19th century
Dating: circa 1860–1890
Style: Louis XV Revival / Rococo Revival
Materials: carved, pierced, and gilded wood; breccia marble in beige/brown tones
Dimensions: 81 × 115 × 38 cm

Important French wall credenza or console, in richly carved, pierced, and gilded wood in the Louis XV taste, topped by a detachable breccia marble top.

The piece presents an elegant, relatively shallow rectangular configuration designed to sit against the wall, with a strongly sculpted and animated front.

The marble top has a serpentine contour, with a prominently undulating front and rounded corners, following the rocaille movement of the structure. The stone shows beige to light brown tones, with abundant fragmentation and whitish veins, which could prudently be described as breccia marble without asserting a specific quarry.

The waist is particularly rich. At the center there is a symmetric composition of C- and S-shaped volutes, acanthus leaves, small floral motifs, and reticulated diamond-patterned reserves, partially pierced, in unmistakable Rococo language.

In the center of the front stands a pierced reserve framed by two large facing volutes, ending bottomward in a pendent foliate composition.

At the extremities and where the legs begin, there are large shell- and rocaille-shaped elements, with pronounced volume, carved in high relief.

The four legs have a strongly curved and sinuous profile, forming a succession of curves and counter-curves. They are entirely enriched with: acanthus leaves; scrolls; shell-like motifs; volutes; fluting and striations; and scrolling feet.

The overall effect is markedly sculptural, practically dissolving the boundary between waist and legs.

The area not visible has a pink paint, probably added later.

This view is important because it confirms we are not facing a modern molded reproduction: the structure is genuinely composed of worked and assembled wooden parts.

Decorative elements are deliberately inspired by French furniture from the reign of Louis XV: Rocaille + shells + acanthus + cabriole legs + volutes + pierced waist + serpentine top.

Condition - Overall, it has a good visual impact but shows signs of age. Wear, crazing, scratches, superficial cracks and old interventions are observable. There are also traces of wood-destroying insects, especially in the structural areas not gilded.

Details

Era
1400-1900
Style subtype
Louis XV Style
Wood type
Gilt wood
Country of origin
Europe
Material
Marble, Wood
Style
Antique
Condition
Good condition - used with small signs of aging & blemishes
Height
81 cm
Width
115 cm
Depth
38 cm
Estimated period
1850-1900
PortugalVerified
268
Objects sold
97.1%
Private

Similar objects

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​

For you in

Home Inspiration & Trends

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​