Console table - Gilt wood





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Description from the seller
Hutch / wall console in carved and gilded wood with a marble top - Louis XV style, c. 1860–1890.
Object: wall-mounted credenza / console
Period: second half of the 19th century
Dating: circa 1860–1890
Style: Louis XV Revival / Rococo Revival
Materials: carved, pierced, and gilded wood; breccia marble in beige/brown tones
Dimensions: 81 × 115 × 38 cm
Important French wall credenza or console, in richly carved, pierced, and gilded wood in the Louis XV taste, topped by a detachable breccia marble top.
The piece presents an elegant, relatively shallow rectangular configuration designed to sit against the wall, with a strongly sculpted and animated front.
The marble top has a serpentine contour, with a prominently undulating front and rounded corners, following the rocaille movement of the structure. The stone shows beige to light brown tones, with abundant fragmentation and whitish veins, which could prudently be described as breccia marble without asserting a specific quarry.
The waist is particularly rich. At the center there is a symmetric composition of C- and S-shaped volutes, acanthus leaves, small floral motifs, and reticulated diamond-patterned reserves, partially pierced, in unmistakable Rococo language.
In the center of the front stands a pierced reserve framed by two large facing volutes, ending bottomward in a pendent foliate composition.
At the extremities and where the legs begin, there are large shell- and rocaille-shaped elements, with pronounced volume, carved in high relief.
The four legs have a strongly curved and sinuous profile, forming a succession of curves and counter-curves. They are entirely enriched with: acanthus leaves; scrolls; shell-like motifs; volutes; fluting and striations; and scrolling feet.
The overall effect is markedly sculptural, practically dissolving the boundary between waist and legs.
The area not visible has a pink paint, probably added later.
This view is important because it confirms we are not facing a modern molded reproduction: the structure is genuinely composed of worked and assembled wooden parts.
Decorative elements are deliberately inspired by French furniture from the reign of Louis XV: Rocaille + shells + acanthus + cabriole legs + volutes + pierced waist + serpentine top.
Condition - Overall, it has a good visual impact but shows signs of age. Wear, crazing, scratches, superficial cracks and old interventions are observable. There are also traces of wood-destroying insects, especially in the structural areas not gilded.
Hutch / wall console in carved and gilded wood with a marble top - Louis XV style, c. 1860–1890.
Object: wall-mounted credenza / console
Period: second half of the 19th century
Dating: circa 1860–1890
Style: Louis XV Revival / Rococo Revival
Materials: carved, pierced, and gilded wood; breccia marble in beige/brown tones
Dimensions: 81 × 115 × 38 cm
Important French wall credenza or console, in richly carved, pierced, and gilded wood in the Louis XV taste, topped by a detachable breccia marble top.
The piece presents an elegant, relatively shallow rectangular configuration designed to sit against the wall, with a strongly sculpted and animated front.
The marble top has a serpentine contour, with a prominently undulating front and rounded corners, following the rocaille movement of the structure. The stone shows beige to light brown tones, with abundant fragmentation and whitish veins, which could prudently be described as breccia marble without asserting a specific quarry.
The waist is particularly rich. At the center there is a symmetric composition of C- and S-shaped volutes, acanthus leaves, small floral motifs, and reticulated diamond-patterned reserves, partially pierced, in unmistakable Rococo language.
In the center of the front stands a pierced reserve framed by two large facing volutes, ending bottomward in a pendent foliate composition.
At the extremities and where the legs begin, there are large shell- and rocaille-shaped elements, with pronounced volume, carved in high relief.
The four legs have a strongly curved and sinuous profile, forming a succession of curves and counter-curves. They are entirely enriched with: acanthus leaves; scrolls; shell-like motifs; volutes; fluting and striations; and scrolling feet.
The overall effect is markedly sculptural, practically dissolving the boundary between waist and legs.
The area not visible has a pink paint, probably added later.
This view is important because it confirms we are not facing a modern molded reproduction: the structure is genuinely composed of worked and assembled wooden parts.
Decorative elements are deliberately inspired by French furniture from the reign of Louis XV: Rocaille + shells + acanthus + cabriole legs + volutes + pierced waist + serpentine top.
Condition - Overall, it has a good visual impact but shows signs of age. Wear, crazing, scratches, superficial cracks and old interventions are observable. There are also traces of wood-destroying insects, especially in the structural areas not gilded.
