Daoguang marchio periodo - Brush pot - Porcelain






Studied Asian art and art market management; researched art in Taipei; worked in auctions.
€250 |
|---|
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 145414 reviews
Rated Excellent on Trustpilot.
A porcelain cylindrical brush pot from the Qing dynasty’s Daoguang period (1821–1850), marked with the Daoguang reign mark and painted with two fishermen in sampan boats.
Description from the seller
Heavy cylindrical brush holder for tall brushes (Bitong). Period: Qing Dynasty, Daoguang era (1820–1850).
The object belongs to the refined category of the "scholar's studio" (Scholar's Objects). Given its monumental weight of 1,500 grams, this particular piece was conceived as stable porcelain designed specifically to accommodate tall and heavy brushes. The distinctive flared shape at the bottom and the presence of the original period four-character reign mark in regular script (道光年製) indicate private or elite scholarly patronage, cultivated and aristocratic, intended for High Mandarin officials, princes, great bureaucrats, provincial governors, ministers, or members of the imperial family, or as a prestige gift to famous painters.
To be seen is the refined painting beneath the cover: two fishermen on typical boats (sampans) in Taoist-inspired calm waters. Notably, the extraordinary millimetric control of the brush in the fine geometric chessboard lattice painted on the mats of the boats.
Heavy cylindrical brush holder for tall brushes (Bitong). Period: Qing Dynasty, Daoguang era (1820–1850).
The object belongs to the refined category of the "scholar's studio" (Scholar's Objects). Given its monumental weight of 1,500 grams, this particular piece was conceived as stable porcelain designed specifically to accommodate tall and heavy brushes. The distinctive flared shape at the bottom and the presence of the original period four-character reign mark in regular script (道光年製) indicate private or elite scholarly patronage, cultivated and aristocratic, intended for High Mandarin officials, princes, great bureaucrats, provincial governors, ministers, or members of the imperial family, or as a prestige gift to famous painters.
To be seen is the refined painting beneath the cover: two fishermen on typical boats (sampans) in Taoist-inspired calm waters. Notably, the extraordinary millimetric control of the brush in the fine geometric chessboard lattice painted on the mats of the boats.
