Kleury.art - [XL MATTE PAPER] Industrial Blueprint 2.0: "Ferrari Testarossa Monospecchio" by Kleury.art (1/5)

LOT DETAILS
Title of the work: Ferrari Testarossa Monospecchio

Artist: Kleury.art

Edition: Limited edition of 5 copies

Dimensions: 70x50 cm (horizontal layout)

Support: EMA Fine Art Paper (Enhanced Matte). The prestigious archival support ensures a smooth, opaque, dense surface completely free of reflections. The ultra-matte finish of EMA paper enhances the intense Rosso Corsa, the precision of the contours, the sharpness of the technical measurements, and the warm ivory tone of the background, guaranteeing an impeccable color rendering and museum-grade preservation across generations.

Technique: Digital technical illustration in Technical Blueprint Plate style, inspired by homologation drawings and vintage figurines. The work adopts a clean, geometric graphic language: filled color blocks, clear inked outlines, and soft shading that models the broad surfaces of the body. The four orthogonal projections of the car are accompanied by dimension lines and captions in Italian (Artificial Intelligence used for proportional calculation of the orthogonal projections, alignment of dimensions and technical texts, and optimization for fine art printing).

Framing: Work sold unframed. Shipped with maximum care in a reinforced professional protective tube.

Authenticity: Kleury.art digital stamp present on the piece at the bottom left; numbered digital certificate of authenticity, signed and paired with the EMA edition provided on request.

THE WORK
“Ferrari Testarossa Monospecchio” is a bold, scenographic visual manifesto imbued with the spirit of the Eighties, dedicated to one of Ferrari’s most iconic models ever. Introduced in 1984 and designed by Pininfarina, the Testarossa takes its name from the legendary 250 Testa Rossa, inspired by the red-painted engine heads, and stands out with its unmistakable side grilles that channel air toward the rear radiators. The piece depicts the very first, highly coveted “monospecchio” series, recognizable by the single rearview mirror mounted high on the A-pillar.

The work adopts a horizontal format and an archival technical drawing layout. In the top left, the historic prancing horse badge and the title “Ferrari Testarossa – Monospecchio / Berlinetta” dominate, followed by the subtitle “1984 — Technical Study.” On the right side, the year “1984” drawn as an outline emerges as a watermark on the ivory background.

At the heart of the composition are four views of the car in a vivid Rosso Corsa, numbered and accompanied by millimeter-accurate dimension lines:

01 / Side View, with length (4485 mm) and wheelbase (2550 mm) dimensions, rendering the wedge profile with a low nose, the tall distinctive mirror, the famous horizontal side vents, and five-spoke wheels with a central nut.

02 / Front View, with height dimension (1130 mm), highlighting the clean front with concealed headlights, the horizontal grille, and integrated fog lights.

03 / Rear View, with the iconic black horizontal louver grille that hides the taillights, the Cavallino at the center, and the double exhaust outlets.

04 / Top View, with width dimension (1976 mm), revealing the broad rear track, the louvered hood, and the cockpit with the single rearview mirror on the driver’s side.

The lower section, divided into four columns, houses the complete technical data sheet in Italian:

Engine: Type F 113 A 000, V12 180° mid longitudinal, liquid-cooled, 4943 cm³, bore x stroke 82.0 × 78.0 mm.

Power and Transmission: 287 kW (390 HP) at 6300 rpm, maximum torque 490 Nm at 4500 rpm, 5-speed manual transmission, rear-wheel drive.

Dimensions and Model: length 4485 mm, width 1976 mm, height 1130 mm, wheelbase 2550 mm, 2-seat Berlinetta body, year of introduction 1984.

Technical: naturally aspirated, Bosch KE-Jetronic fuel injection, dual-overhead camshaft per bank with 4 valves per cylinder, dry-sump lubrication, disc brakes on all four wheels.

A red graphic stamp, “Private Project – Independent Graphic Studio,” emphasizes the work’s status as an independent artistic study.

ARTIST’S WORDS
“With ‘Ferrari Testarossa Monospecchio’ I wanted to tell the story of an icon that defined an entire era. The Testarossa is the Eighties: wide, low, bold, with those side vents that made it recognizable worldwide. I chose to portray the first monospecchio series because it is the purest and most beloved by collectors, and because that single high rearview mirror on the pillar tells the whole audacity of a project that dared to break the mold. The orthogonal projections are the ideal language for this car: the top view reveals its extraordinary rear width, the side view sets the grills in scene, and the rear view celebrates the tail with the taillights hidden behind the louvers. For the watermark I chose the year, 1984, because this is a car deeply tied to its time. The biggest challenge was rendering the horizontal lines of the grills with precision and rhythm without overloading the composition. I selected EMA Fine Art paper because its completely matte finish yields a full, velvety red without reflections, and makes the reading of the dimensions as crisp as an archival document. I hope this sheet brings the deep voice of a flat-12 engine, the cult of stylistic audacity, and the timeless charm of the Cavallino Rampante into spaces.”

ARTIST INFORMATION
Kleury.art consolidates its prestigious elite production on EMA archival paper, confirming extraordinary visual culture and unrivaled stylistic mastery. Moving with agile ease from the chromatic splendor of sport to the world of pop icons and rock on canvas, to Toy Surrealism irony, to classical Baroque reinterpretation, and to the fascinating Oriental woodblock-inspired prints, the artist confirms with this line of technical patents as one of the most versatile, complete, and internationally sought digital signatures.