Roger Guérin - Vase - 156/G - Stoneware






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Art Deco stoneware two-handled vase by Roger Guérin, model 156/G, made in Bouffioulx, Belgium, circa 1930, measuring 27 cm high and 30 cm wide.
Description from the seller
Grand Flame-fired Art Deco Round Vase in Stoneware (Grès Flammé) – Roger GUÉRIN (Model 156/G) – Circa 1930
Important two-handled round vase in Bouffioulx art stoneware, created by the renowned Belgian ceramist Roger Guérin (1896-1954) in the height of the Art Deco period, around 1930.
This vase has a squat, generously rounded silhouette that is highly sought after by collectors for its proportions: 27 cm high and 30 cm wide.
Notable features:
• Exceptional glazing with silvery reflections: superb flamed glaze in deep blue tones, enhanced by beautiful iridescent drips with silvery reflections
• Markings: Perfectly signed on the underside by the artist's hand "Guérin" and numbered "156/G" incised through the mass.
Condition:
• In perfect original condition. The piece shows absolutely no chips, cracks, or restorations.
• Note: the lower junction of the handles is visible, typical of salt firing at high temperature (1300°C) used in Bouffioulx studios of this era, bearing witness to its artisanal authenticity.
Secure packaging with bubble wrap and cushioning packing materials.
Grand Flame-fired Art Deco Round Vase in Stoneware (Grès Flammé) – Roger GUÉRIN (Model 156/G) – Circa 1930
Important two-handled round vase in Bouffioulx art stoneware, created by the renowned Belgian ceramist Roger Guérin (1896-1954) in the height of the Art Deco period, around 1930.
This vase has a squat, generously rounded silhouette that is highly sought after by collectors for its proportions: 27 cm high and 30 cm wide.
Notable features:
• Exceptional glazing with silvery reflections: superb flamed glaze in deep blue tones, enhanced by beautiful iridescent drips with silvery reflections
• Markings: Perfectly signed on the underside by the artist's hand "Guérin" and numbered "156/G" incised through the mass.
Condition:
• In perfect original condition. The piece shows absolutely no chips, cracks, or restorations.
• Note: the lower junction of the handles is visible, typical of salt firing at high temperature (1300°C) used in Bouffioulx studios of this era, bearing witness to its artisanal authenticity.
Secure packaging with bubble wrap and cushioning packing materials.
