Lucía Lauren - XL - Ofrenda de Azahares

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Fiammetta Fulchiati
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Selected by Fiammetta Fulchiati

Over five years' experience with antiques and expertise in Murano glass.

Estimate  € 280 - € 330
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Lucía Lauren’s original, hand-signed acrylic painting *Ofrenda de Azahares* is a 90 × 120 cm multicoloured work in the Art Deco style, made in Spain after 2020.

AI-assisted summary

Description from the seller

Lucía Lauren (LILI) is a Cuban artist whose visual arts training has been essentially self-taught. She holds a degree in Social Communication from the University of Havana.

Her relationship with images began long before she took up painting professionally. Photography was her first creative field: through it, she developed a particular sensitivity to composition, visual balance, gesture, and the representation of the human figure. She later spent several years working in the world of tattooing, a defining period that helped her understand the importance of line, silhouette, simplified forms, and graphic clarity in her current painting.

She eventually found a much broader space for expression in the visual arts. Painting allowed her to bring together these earlier experiences and transform them into an intimate, recognizable universe, created primarily with acrylic on canvas.

Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with cats frequently appearing as silent companions to her protagonists. These scenes rarely aim to depict extraordinary events. Instead, the artist seems drawn to small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting is grounded in a strong visual synthesis. Lucía removes much of the secondary information, retaining only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes create images that are immediately readable yet full of feeling.

Her visual language contains echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. These elements, however, are reinterpreted through her own sensibility, which is warmer, more everyday, and more feminine.

One of the most interesting aspects of her work is her use of color. Dusty pinks, terracottas, ochres, mustard yellows, and cream tones coexist with deep blacks, bluish greens, vivid reds, and crisp whites. In some compositions, the palette is delicate and almost domestic; in others, the color contrast takes on a distinctly graphic intensity.

Women occupy the center of virtually her entire pictorial universe. They are not portrayed as heroic or distant characters, but through a quiet, elegant, introspective femininity. These are figures with serene gazes, unhurried poses, and restrained gestures. There is glamour, but it is intimate and quiet glamour.

Cats play a particularly interesting role. More than simple decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where a woman and an animal embrace, the curves of the human body and the cat’s form practically merge, turning the composition into a portrayal of affection.

Flowers and vegetation serve a similar purpose. They surround the protagonists, appear on their dresses, or blend into the backgrounds, at times blurring the boundary between figure and nature. In this way, women, nature, and the animal world ultimately form a single sensibility.

In works such as the figure embracing a cat against a red background, Lucía radically reduces the palette, constructing the image through the contrast of black, white, and red. The stripes on the dress become more than a pattern: they are the main compositional device, surrounding both figures and focusing the entire scene on the embrace. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman sitting beside the cat with a glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress plays off soft pinks, beige, and bluish green, creating a sophisticated image that never feels cold. The protagonist performs no specific action; she simply exists within her space. It is precisely this lack of drama that accounts for much of the work’s charm.

Lucía Lauren thus creates paintings that seem simple but are carefully constructed. Her visual language does not rely on ostentatious technical virtuosity, but on the ability to pare a scene down until its essential emotion emerges.

Her universe is feminine, botanical, domestic, and affectionate. It encompasses everyday beauty, relationships with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly appealing quality: at first glance, they may seem decorative, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in this simplicity that much of her work’s personality resides.

Artwork by the artist Lucía Lauren, created using acrylic on a high-quality professional canvas.
Painting dimensions: 90 x 120 cm.
Original edition.
Shipping will be handled by United Parcel Service (UPS) for Spain and Europe, and by FedEx for the rest of the world.
The artwork will be rolled, protected with several layers of packaging and bubble wrap, and placed in a sturdy tube.
Once the artwork has been paid for, three days are required for packing and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot includes AI-generated visualizations. Please consult the original photographs to verify the actual condition of the artwork.”


This delicate and vibrant acrylic-on-canvas work falls within contemporary figurative Expressionism, with strong influences from naïve art (naïf) and modern illustration. It stands out for its striking color contrast between the vivid vermilion-red background, adorned with floral filigree in pink strokes; the garments in crimson and warm yellow; and the luminous, exuberant bouquet of stylized white flowers shaped like hearts or teardrops. In the foreground, the composition features a woman with a delicate complexion and her hair tied back, her eyes closed in a contemplative pose. With maternal tenderness, she holds a dense bouquet of green stems and white petals that brush her face, while the ears of a serene creature peek into view at the bottom edge. Through this harmonious interplay of clean lines, a warm palette, and simplified organic forms, the artist seeks to convey intimate devotion, gratitude toward nature, the purity of genuine affection, and a profound spiritual peace that invites viewers to quiet reflection and poetic sensitivity.

Lucía Lauren (LILI) is a Cuban artist whose visual arts training has been essentially self-taught. She holds a degree in Social Communication from the University of Havana.

Her relationship with images began long before she took up painting professionally. Photography was her first creative field: through it, she developed a particular sensitivity to composition, visual balance, gesture, and the representation of the human figure. She later spent several years working in the world of tattooing, a defining period that helped her understand the importance of line, silhouette, simplified forms, and graphic clarity in her current painting.

She eventually found a much broader space for expression in the visual arts. Painting allowed her to bring together these earlier experiences and transform them into an intimate, recognizable universe, created primarily with acrylic on canvas.

Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with cats frequently appearing as silent companions to her protagonists. These scenes rarely aim to depict extraordinary events. Instead, the artist seems drawn to small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting is grounded in a strong visual synthesis. Lucía removes much of the secondary information, retaining only what she considers essential. Serene faces, large areas of color, defined contours, and flat shapes create images that are immediately readable yet full of feeling.

Her visual language contains echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. These elements, however, are reinterpreted through her own sensibility, which is warmer, more everyday, and more feminine.

One of the most interesting aspects of her work is her use of color. Dusty pinks, terracottas, ochres, mustard yellows, and cream tones coexist with deep blacks, bluish greens, vivid reds, and crisp whites. In some compositions, the palette is delicate and almost domestic; in others, the color contrast takes on a distinctly graphic intensity.

Women occupy the center of virtually her entire pictorial universe. They are not portrayed as heroic or distant characters, but through a quiet, elegant, introspective femininity. These are figures with serene gazes, unhurried poses, and restrained gestures. There is glamour, but it is intimate and quiet glamour.

Cats play a particularly interesting role. More than simple decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where a woman and an animal embrace, the curves of the human body and the cat’s form practically merge, turning the composition into a portrayal of affection.

Flowers and vegetation serve a similar purpose. They surround the protagonists, appear on their dresses, or blend into the backgrounds, at times blurring the boundary between figure and nature. In this way, women, nature, and the animal world ultimately form a single sensibility.

In works such as the figure embracing a cat against a red background, Lucía radically reduces the palette, constructing the image through the contrast of black, white, and red. The stripes on the dress become more than a pattern: they are the main compositional device, surrounding both figures and focusing the entire scene on the embrace. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman sitting beside the cat with a glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress plays off soft pinks, beige, and bluish green, creating a sophisticated image that never feels cold. The protagonist performs no specific action; she simply exists within her space. It is precisely this lack of drama that accounts for much of the work’s charm.

Lucía Lauren thus creates paintings that seem simple but are carefully constructed. Her visual language does not rely on ostentatious technical virtuosity, but on the ability to pare a scene down until its essential emotion emerges.

Her universe is feminine, botanical, domestic, and affectionate. It encompasses everyday beauty, relationships with animals, care, contemplation, and nature as a refuge. Her paintings possess a particularly appealing quality: at first glance, they may seem decorative, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in this simplicity that much of her work’s personality resides.

Artwork by the artist Lucía Lauren, created using acrylic on a high-quality professional canvas.
Painting dimensions: 90 x 120 cm.
Original edition.
Shipping will be handled by United Parcel Service (UPS) for Spain and Europe, and by FedEx for the rest of the world.
The artwork will be rolled, protected with several layers of packaging and bubble wrap, and placed in a sturdy tube.
Once the artwork has been paid for, three days are required for packing and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
“This lot includes AI-generated visualizations. Please consult the original photographs to verify the actual condition of the artwork.”


This delicate and vibrant acrylic-on-canvas work falls within contemporary figurative Expressionism, with strong influences from naïve art (naïf) and modern illustration. It stands out for its striking color contrast between the vivid vermilion-red background, adorned with floral filigree in pink strokes; the garments in crimson and warm yellow; and the luminous, exuberant bouquet of stylized white flowers shaped like hearts or teardrops. In the foreground, the composition features a woman with a delicate complexion and her hair tied back, her eyes closed in a contemplative pose. With maternal tenderness, she holds a dense bouquet of green stems and white petals that brush her face, while the ears of a serene creature peek into view at the bottom edge. Through this harmonious interplay of clean lines, a warm palette, and simplified organic forms, the artist seeks to convey intimate devotion, gratitude toward nature, the purity of genuine affection, and a profound spiritual peace that invites viewers to quiet reflection and poetic sensitivity.

Details

Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Artist
Lucía Lauren - XL
Title of artwork
Ofrenda de Azahares
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Spain
Colour
Multicolour
Condition
Excellent condition
Height
120 cm
Width
90 cm
Style
Art Deco
Period
2020+
Spain (Mainland & Balearic Islands)Verified
1822
Objects sold
100%
protop

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