Lucía Lauren - XL - Mirada de Oro

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Annick van Itallie
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Graduated in art history with over 25 years' experience in antiques and applied arts appraisal.

Estimate  € 220 - € 270
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Lucía Lauren’s original Art Deco-style acrylic-on-canvas painting, Mirada de Oro, is hand-signed and measures 90 × 120 cm.

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Description from the seller

Lucía Lauren (LILI) is a Cuban artist with a primarily self-taught formal training in the plastic arts, graduated in Social Communication from the University of Havana.

Her relationship with the image began long before she dedicated herself professionally to painting. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Later she spent several years exploring the world of tattooing, a decisive phase for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Ultimately she found in the visual arts a much broader space for expression. Painting allowed her to fuse those earlier experiences and transform them into an intimate and recognizable universe, constructed mainly through acrylic on canvas.

Lucía Lauren’s work revolves especially around women, nature, flowers and animals, with a recurring presence of cats as silent companions to her protagonists. They are scenes that rarely aim to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to preserve only what she considers essential. Serene faces, large areas of color, defined outlines, and flat forms build immediately legible images, yet charged with sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpretated from a personal sensibility—warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of almost her entire painting universe. She is not depicted as a heroic or distant character, but from a tranquil, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.

Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost fuse, turning the composition into a representation of affection.

Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds to the point of blurring the line between figure and nature. Thus, woman, nature, and the animal world end up forming a single sensibility.

In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman sitting with the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and teal greens, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes a large part of the charm of the work.

Thus, Lucía Lauren develops apparently simple painting that is carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a quality that is especially attractive: they may look decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that a large part of the personality of her work resides.

Artwork by the artist Lucía Lauren created in the technique Acrylic on high-quality professional canvas.
Dimensions: 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world. The work will be rolled and protected by several layers of packaging, bubble wrap, and placed in a sturdy tube. Once the work is paid for, three days are required for the packaging and handover to the shipping company. The piece will arrive within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Check the original photographs to verify the real state of the work.”

This hypnotizing work, masterfully executed in acrylic on canvas, transports us to a visual universe where elegant figuration interlaces sublimely with geometric abstraction and contemporary ornamentation. The composition is dominated by the portrait of a woman with stylized features, an intense gaze, and intensely red lips, framed by long dark hair and striking circular gold earrings that add a sophisticated shine. Next to her, a group of large flowers in mauve tones with dark blue centers spills across the canvas, creating an organic and vibrant dialogue with the background structured as blocks of gold, blues, and vertical lines that evoke the aesthetics of the great masters of the Secession. The precise mastery of contours and chromatic contrasts gives the piece a magnetic presence, making it an exceptional acquisition for collectors looking to inject personality, modernity, and deep aesthetic richness into their spaces.

Lucía Lauren (LILI) is a Cuban artist with a primarily self-taught formal training in the plastic arts, graduated in Social Communication from the University of Havana.

Her relationship with the image began long before she dedicated herself professionally to painting. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Later she spent several years exploring the world of tattooing, a decisive phase for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting.

Ultimately she found in the visual arts a much broader space for expression. Painting allowed her to fuse those earlier experiences and transform them into an intimate and recognizable universe, constructed mainly through acrylic on canvas.

Lucía Lauren’s work revolves especially around women, nature, flowers and animals, with a recurring presence of cats as silent companions to her protagonists. They are scenes that rarely aim to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation.

Her painting starts from a marked visual synthesis. Lucía eliminates much of the secondary information to preserve only what she considers essential. Serene faces, large areas of color, defined outlines, and flat forms build immediately legible images, yet charged with sensitivity.

In her language we find echoes of contemporary illustration and naïve painting, along with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpretated from a personal sensibility—warmer, more everyday, and feminine.

One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones coexist with deep blacks, blue-green greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, the chromatic contrast takes on a clearly graphic intensity.

The woman occupies the center of almost her entire painting universe. She is not depicted as a heroic or distant character, but from a tranquil, elegant, and introspective femininity. They are figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is intimate and silent glamour.

Cats play a particularly interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the shapes of the cat almost fuse, turning the composition into a representation of affection.

Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or blend into the backgrounds to the point of blurring the line between figure and nature. Thus, woman, nature, and the animal world end up forming a single sensibility.

In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and focus the entire scene on the gesture of the embrace. The result conveys protection, intimacy, and silence.

In other pieces, such as the woman sitting with the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beiges, and teal greens, creating a sophisticated image without feeling cold. The protagonist performs no specific action; she simply exists within her space. Precisely that absence of drama constitutes a large part of the charm of the work.

Thus, Lucía Lauren develops apparently simple painting that is carefully constructed. Her language does not rely on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion.

Her universe is feminine, botanical, domestic, and affectionate. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a quality that is especially attractive: they may look decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity.

In a contemporary landscape where many images seek to grab attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that a large part of the personality of her work resides.

Artwork by the artist Lucía Lauren created in the technique Acrylic on high-quality professional canvas.
Dimensions: 90 x 120 cm of painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world. The work will be rolled and protected by several layers of packaging, bubble wrap, and placed in a sturdy tube. Once the work is paid for, three days are required for the packaging and handover to the shipping company. The piece will arrive within ten days, depending on the destination country.
“This lot contains visualizations created with AI. Check the original photographs to verify the real state of the work.”

This hypnotizing work, masterfully executed in acrylic on canvas, transports us to a visual universe where elegant figuration interlaces sublimely with geometric abstraction and contemporary ornamentation. The composition is dominated by the portrait of a woman with stylized features, an intense gaze, and intensely red lips, framed by long dark hair and striking circular gold earrings that add a sophisticated shine. Next to her, a group of large flowers in mauve tones with dark blue centers spills across the canvas, creating an organic and vibrant dialogue with the background structured as blocks of gold, blues, and vertical lines that evoke the aesthetics of the great masters of the Secession. The precise mastery of contours and chromatic contrasts gives the piece a magnetic presence, making it an exceptional acquisition for collectors looking to inject personality, modernity, and deep aesthetic richness into their spaces.

Details

Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Artist
Lucía Lauren - XL
Title of artwork
Mirada de Oro
Technique
Acrylic painting
Signature
Hand signed
Country of origin
Spain
Colour
Multicolour
Condition
Excellent condition
Height
120 cm
Width
90 cm
Style
Art Deco
Period
2020+
Spain (Mainland & Balearic Islands)Verified
1841
Objects sold
100%
protop

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