Vanessa Bonino - Sculpture, Look at me! - 23 cm - Balsa - 2026

03
days
06
hours
39
minutes
24
seconds
Current bid
€ 100
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Fiammetta Fulchiati
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Selected by Fiammetta Fulchiati

Over five years' experience with antiques and expertise in Murano glass.

Estimate  € 150 - € 200
NL
€100

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Look at me! is a unique, hand-signed contemporary three-dimensional work by Vanessa Bonino, made of hand-painted wood with a yellow background and white frame, measuring 26 × 23 × 2.5 cm.

AI-assisted summary

Description from the seller

This three-dimensional work by Vanessa Bonino, made of hand-painted wood, features a structure of staggered blocks against a yellow background and a white frame.
At its center, an eye emerges as a highly symbolic element. Fragmented among the small wooden blocks, the gaze represents a fragmented perception of reality and introspection. The eye is the “window to the soul”: it watches the viewer, inviting them to look within, while itself being protected and filtered by the material. The warm, intense tones of the gaze contrast with the background, emphasizing emotional force, vigilance, and the search for a deeper meaning beyond the surface of things.

It will be shipped in sturdy packaging with a certificate of authenticity.

Vanessa Bonino (Turin, 1992) is a contemporary artist whose current practice focuses on the sculptural power of material. Having trained amid Turin’s vibrant cultural scene, Bonino has evolved her eclectic style into an original synthesis of ceramic tradition and digital languages.
Her latest works attest to an in-depth exploration of terracotta and glazed ceramic, in which ancestral forms—such as the bull or the carp—are reinterpreted through low-poly geometries or expressive, dynamic modeling. Her distinctive style is marked by the skillful use of iridescent cold patinas and vitreous glazes, which transform clay into surfaces vibrant with light and color.
Addressing themes related to nature and the metamorphosis of matter, Bonino creates works that are both solid and fluid, inviting viewers to reflect on the boundary between the archaic and the future. Her steady rise in the Italian contemporary art scene is confirmed by an increasingly strong presence in private collections and dynamic exhibition spaces.

Seller's Story

Vanessa Bonino (Turin, 1992) is a contemporary artist whose current research focuses on the plastic force of material sculpture. Trained in the cultural fervor of Turin, Bonino has evolved her eclectic style toward an original synthesis between ceramic tradition and digital languages. Her latest productions testify to a deep experimentation with terracotta and glazed ceramic, where ancestral forms — such as the bull or the carp — are reinterpreted through low-poly geometries or expressionist, highly dynamic sculptures. Her stylistic signature is distinguished by the expert use of color-shifting cold patinas and vitreous glazes, capable of transforming earth into surfaces vibrant with light and color. Addressing themes related to nature and the metamorphosis of matter, Bonino creates works that are at once solid and fluid, inviting the viewer to reflect on the boundary between the archaic and the future. Her steady rise in the Italian contemporary art scene is confirmed by an ever firmer presence in private collections and dynamic exhibition contexts.
Translated by Google Translate

This three-dimensional work by Vanessa Bonino, made of hand-painted wood, features a structure of staggered blocks against a yellow background and a white frame.
At its center, an eye emerges as a highly symbolic element. Fragmented among the small wooden blocks, the gaze represents a fragmented perception of reality and introspection. The eye is the “window to the soul”: it watches the viewer, inviting them to look within, while itself being protected and filtered by the material. The warm, intense tones of the gaze contrast with the background, emphasizing emotional force, vigilance, and the search for a deeper meaning beyond the surface of things.

It will be shipped in sturdy packaging with a certificate of authenticity.

Vanessa Bonino (Turin, 1992) is a contemporary artist whose current practice focuses on the sculptural power of material. Having trained amid Turin’s vibrant cultural scene, Bonino has evolved her eclectic style into an original synthesis of ceramic tradition and digital languages.
Her latest works attest to an in-depth exploration of terracotta and glazed ceramic, in which ancestral forms—such as the bull or the carp—are reinterpreted through low-poly geometries or expressive, dynamic modeling. Her distinctive style is marked by the skillful use of iridescent cold patinas and vitreous glazes, which transform clay into surfaces vibrant with light and color.
Addressing themes related to nature and the metamorphosis of matter, Bonino creates works that are both solid and fluid, inviting viewers to reflect on the boundary between the archaic and the future. Her steady rise in the Italian contemporary art scene is confirmed by an increasingly strong presence in private collections and dynamic exhibition spaces.

Seller's Story

Vanessa Bonino (Turin, 1992) is a contemporary artist whose current research focuses on the plastic force of material sculpture. Trained in the cultural fervor of Turin, Bonino has evolved her eclectic style toward an original synthesis between ceramic tradition and digital languages. Her latest productions testify to a deep experimentation with terracotta and glazed ceramic, where ancestral forms — such as the bull or the carp — are reinterpreted through low-poly geometries or expressionist, highly dynamic sculptures. Her stylistic signature is distinguished by the expert use of color-shifting cold patinas and vitreous glazes, capable of transforming earth into surfaces vibrant with light and color. Addressing themes related to nature and the metamorphosis of matter, Bonino creates works that are at once solid and fluid, inviting the viewer to reflect on the boundary between the archaic and the future. Her steady rise in the Italian contemporary art scene is confirmed by an ever firmer presence in private collections and dynamic exhibition contexts.
Translated by Google Translate

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