Italy - Rome; Juan de Jáuregui y Aguilar - I sette angeli versano le coppe dell'ira divina su Roma - 1601-1620

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€ 11
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Ilaria Colombo
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Selected by Ilaria Colombo

Specialist in old books, specialising in theological disputes since 1999.

Estimate  € 150 - € 200
IT
€11

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This uncoloured 1618 engraving of Rome, titled “I sette angeli versano le coppe dell'ira divina su Roma”, was designed by Juan de Jáuregui y Aguilar for Luis del Alcázar’s *Vestigatio arcani sensus in Apocalypsi*.

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Description from the seller

This copper-engraved print on seventeenth-century watermarked paper (1618), taken from the series of the twenty-four plates beyond the text of Vestigatio arcani sensus in Apocalypsi by the Spanish Jesuit Luis del Alcázar (printed in Lyons by Antoine Pillehotte), depicts the seven angels pouring the cups of divine wrath over Rome according to chapter XVI of the Apocalypse. The composition, conceived by the Sevillian painter and poet Juan de Jáuregui y Aguilar (1583–1641) for the first edition of 1614 and here re-engraved on copper by a Lyonese master active in the seventeenth century, shows in the upper band seven angels among the clouds in the act of overturning the cups of divine judgment on the city beneath. In the lower part opens a detailed bird’s-eye view of ancient and pagan Rome, identified by Alcázar with the apocalyptic “great Babylon,” enclosed by the Aurelian Walls and perfectly recognizable thanks to its symbolic monuments such as the Colosseum, the Pantheon, the Trajan and Antonine columns, the Circus Maximus, Castel Sant’Angelo along the Tiber with the Tiber Island and the Pyramid of Cestius in the foreground on the left.

Dimensions 28 x 16 cm
Will be shipped by courier

This copper-engraved print on seventeenth-century watermarked paper (1618), taken from the series of the twenty-four plates beyond the text of Vestigatio arcani sensus in Apocalypsi by the Spanish Jesuit Luis del Alcázar (printed in Lyons by Antoine Pillehotte), depicts the seven angels pouring the cups of divine wrath over Rome according to chapter XVI of the Apocalypse. The composition, conceived by the Sevillian painter and poet Juan de Jáuregui y Aguilar (1583–1641) for the first edition of 1614 and here re-engraved on copper by a Lyonese master active in the seventeenth century, shows in the upper band seven angels among the clouds in the act of overturning the cups of divine judgment on the city beneath. In the lower part opens a detailed bird’s-eye view of ancient and pagan Rome, identified by Alcázar with the apocalyptic “great Babylon,” enclosed by the Aurelian Walls and perfectly recognizable thanks to its symbolic monuments such as the Colosseum, the Pantheon, the Trajan and Antonine columns, the Circus Maximus, Castel Sant’Angelo along the Tiber with the Tiber Island and the Pyramid of Cestius in the foreground on the left.

Dimensions 28 x 16 cm
Will be shipped by courier

Details

Era
1400-1900
Country
Italy
Geographical specification
Rome
Map maker/publisher
Juan de Jáuregui y Aguilar
Map/book title
I sette angeli versano le coppe dell'ira divina su Roma
Period
1601-1620
Condition
Excellent
Additional Information
Investigation of the hidden meaning in the Apocalypse by Luis del Alcázar.
Map colour
Uncoloured map
Height
28 cm
Width
16 cm
ItalyVerified
463
Objects sold
100%
protop

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