Wall decoration (4) - Spain

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Description from the seller

Four-pieces modular set of polychrome edge-tiled squares designed for wall cladding (baseboards, panels or friezes). When assembled, they generate a symmetric circular floral motif inspired by Renaissance-Mudejar aesthetics. Within the category “decorative ceramic/azulejería,” this type of module is representative of early 20th-century Spanish historicist production. Ideal for framing or creating a wonderful shelf.

HISTORICAL AND STYLISTIC RELEVANCE
The set sits within Spanish historicist azulejería at the turn of the century, linked to regionalist architecture (especially in Andalusia and the Valencian Community). Triana and Manises kept the edge-ornament tradition, adapting it to revival tastes, producing motifs evoking Renaissance and Mudejar styles with semi-handmade techniques.

COMPOSITION AND PALETTE
The composition and palette recall early 20th-century historicism (neo-Mudejar and neo-Renaissance currents) widely spread in Triana (Seville) and Manises (Valencia).
Characteristic of the regionalist revival conceived for architectural mural decoration: baseboards, stairs, courtyards and facade fronts. The 2×2 modularity favors serial production on large panels with geometric rhythm.
The obverse features a polychrome radial-profile composition, where the join of the four pieces unfolds an elegant ornamental geometric and vegetal pattern with radial structure (historically known as a “wheel” design).
It presents the canonical Seville palette of the period: cobalt blue, green, copper and browns-ochre tones on an opaque white background.

DECORATIVE TECHNIQUE: edge “per board,” with a low relief that delineates color fields and prevents glaze running. Polychrome decoration applied after the first firing; second firing to fix the glaze.

- DIMENSIONS:
The pieces stand out for a compact modular size of 8.6 x 8.6 cm (assembled module of 17.2 x 17.2 cm) and a thickness of about 1.7 - 1.8 cm.

- CONDITION:
Very good for its age
Preserves the symmetric floral rosette and the clean palette.
Shows small dings at some corners, light glaze losses and crackling in the glaze due to its age.
Preserves traces of historical bonding mortar adhered during its architectural repositioning.

ADDITIONAL NOTES:

** The photographs are part of the description
** The packing size has been chosen based on the packaging volume required for full protection, not on its actual weight.

Four-pieces modular set of polychrome edge-tiled squares designed for wall cladding (baseboards, panels or friezes). When assembled, they generate a symmetric circular floral motif inspired by Renaissance-Mudejar aesthetics. Within the category “decorative ceramic/azulejería,” this type of module is representative of early 20th-century Spanish historicist production. Ideal for framing or creating a wonderful shelf.

HISTORICAL AND STYLISTIC RELEVANCE
The set sits within Spanish historicist azulejería at the turn of the century, linked to regionalist architecture (especially in Andalusia and the Valencian Community). Triana and Manises kept the edge-ornament tradition, adapting it to revival tastes, producing motifs evoking Renaissance and Mudejar styles with semi-handmade techniques.

COMPOSITION AND PALETTE
The composition and palette recall early 20th-century historicism (neo-Mudejar and neo-Renaissance currents) widely spread in Triana (Seville) and Manises (Valencia).
Characteristic of the regionalist revival conceived for architectural mural decoration: baseboards, stairs, courtyards and facade fronts. The 2×2 modularity favors serial production on large panels with geometric rhythm.
The obverse features a polychrome radial-profile composition, where the join of the four pieces unfolds an elegant ornamental geometric and vegetal pattern with radial structure (historically known as a “wheel” design).
It presents the canonical Seville palette of the period: cobalt blue, green, copper and browns-ochre tones on an opaque white background.

DECORATIVE TECHNIQUE: edge “per board,” with a low relief that delineates color fields and prevents glaze running. Polychrome decoration applied after the first firing; second firing to fix the glaze.

- DIMENSIONS:
The pieces stand out for a compact modular size of 8.6 x 8.6 cm (assembled module of 17.2 x 17.2 cm) and a thickness of about 1.7 - 1.8 cm.

- CONDITION:
Very good for its age
Preserves the symmetric floral rosette and the clean palette.
Shows small dings at some corners, light glaze losses and crackling in the glaze due to its age.
Preserves traces of historical bonding mortar adhered during its architectural repositioning.

ADDITIONAL NOTES:

** The photographs are part of the description
** The packing size has been chosen based on the packaging volume required for full protection, not on its actual weight.

Details

Era
1900-2000
Number of objects
4
Material
Clay, Enamel
Designer/artist/maker
Módulo de 4 azulejos de arista “por tabla” de estructura radial atribuidos a los alfares de Triana
Country of origin
Spain
Style
Antique
Condition
Good condition - used with small signs of aging & blemishes
Height
17.2 cm
Width
17.2 cm
Depth
1.8 cm
Estimated period
1910-1920
Spain (Mainland & Balearic Islands)Verified
17
Objects sold
100%
Private

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