Tibetan Thangka of White Tara (Sitatara) - Textiles - Nepal - Nepal 20th





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This 20th-century Nepalese textile thangka depicts White Tara (Sitatara) and measures 136 × 92 cm.
Description from the seller
Tibetan Thangka of White Tara (Sitatara) – Traditional painting – Nepal – Before 1986 – 136 × 92 cm
Magnificent traditional Buddhist thangka depicting White Tara (Sitatara), a deity associated with compassion, healing and longevity in Tibetan Buddhism.
Acquired in Nepal about 40 years ago, this thangka shows a particularly refined composition, with luminous colors and meticulous details.
A depiction of White Tara
White Tara is shown seated in a lotus position on a floral throne, surrounded by lotus flowers, stylized clouds and traditional ornaments.
Her seven symbolic eyes are recognized, including those on the forehead, palms and feet, representing her ability to perceive the suffering of beings.
The painting stands out for the finesse of the facial features, the richness of the jewelry and garments, the gradients of blue and turquoise, and numerous floral details.
Painting and traditional mounting
The central composition appears to have been hand-made on canvas, following traditional Himalayan Buddhist painting techniques.
It is surrounded by a sumptuous dark blue brocade with gold floral motifs, with red and yellow bands.
The ensemble includes a yellow upper protective veil, a lower bar with decorative ends and a suspension system.
Religious inscriptions on the reverse
Three handwritten Tibetan inscriptions appear on the back of the painting.
They seem to correspond to the sacred syllables OM – AH – HUNG, traditionally associated with awakened body, speech and mind.
These inscriptions are commonly found on Tibetan religious paintings. They do not constitute an artist’s signature.
Features
Subject: White Tara (Sitatara)
Tradition: Tibetan Buddhism
Provenance: purchased in Nepal
Date of acquisition: around 1986
Era: 20th century, exact fabrication not determined
Technique: painting on canvas presumed, to be confirmed
Mounting: traditional textile brocade
Total dimensions: 136 × 92 cm
Inscriptions: three presumed ritual syllables on the reverse
Condition: good apparent condition, with some folds and signs of wear visible on the textile
This thangka stands out for its large dimensions, richly detailed composition, complete traditional mounting and religious inscriptions on the reverse.
An interesting piece for collectors of Himalayan art, Buddhist iconography and Tibetan religious paintings.
Tibetan Thangka of White Tara (Sitatara) – Traditional painting – Nepal – Before 1986 – 136 × 92 cm
Magnificent traditional Buddhist thangka depicting White Tara (Sitatara), a deity associated with compassion, healing and longevity in Tibetan Buddhism.
Acquired in Nepal about 40 years ago, this thangka shows a particularly refined composition, with luminous colors and meticulous details.
A depiction of White Tara
White Tara is shown seated in a lotus position on a floral throne, surrounded by lotus flowers, stylized clouds and traditional ornaments.
Her seven symbolic eyes are recognized, including those on the forehead, palms and feet, representing her ability to perceive the suffering of beings.
The painting stands out for the finesse of the facial features, the richness of the jewelry and garments, the gradients of blue and turquoise, and numerous floral details.
Painting and traditional mounting
The central composition appears to have been hand-made on canvas, following traditional Himalayan Buddhist painting techniques.
It is surrounded by a sumptuous dark blue brocade with gold floral motifs, with red and yellow bands.
The ensemble includes a yellow upper protective veil, a lower bar with decorative ends and a suspension system.
Religious inscriptions on the reverse
Three handwritten Tibetan inscriptions appear on the back of the painting.
They seem to correspond to the sacred syllables OM – AH – HUNG, traditionally associated with awakened body, speech and mind.
These inscriptions are commonly found on Tibetan religious paintings. They do not constitute an artist’s signature.
Features
Subject: White Tara (Sitatara)
Tradition: Tibetan Buddhism
Provenance: purchased in Nepal
Date of acquisition: around 1986
Era: 20th century, exact fabrication not determined
Technique: painting on canvas presumed, to be confirmed
Mounting: traditional textile brocade
Total dimensions: 136 × 92 cm
Inscriptions: three presumed ritual syllables on the reverse
Condition: good apparent condition, with some folds and signs of wear visible on the textile
This thangka stands out for its large dimensions, richly detailed composition, complete traditional mounting and religious inscriptions on the reverse.
An interesting piece for collectors of Himalayan art, Buddhist iconography and Tibetan religious paintings.

