Pablo Picasso (1881-1973) - Dove of Peace - Friedenstaube, 1961 - Colombe Bleue - 80 x 60 cm

Iconic art print by Pablo Picasso in 60 x 80 cm format with the title Colombe Bleue. The work is a high-quality offset print on sturdy paper and is in very good condition.

Printed and published circa 1990-2010.
- Blatt comes directly from the art publishing house.

- Artist: Pablo Picasso
- Title: Colombe Bleue
Art: Poster art print
- Technique: Offset printing
Originality: Reproduction
- Sheet dimensions: 60 x 80 cm
Condition: New, perfectly preserved.
Origin: Kunstverlag
Period: Classical Modern
Nationality: Spanish Art

Pablo Picasso
Pablo Picasso, born on October 25, 1881, in Málaga, Spain, and died on April 8, 1973, in Mougins, France, was one of the most influential artists of the 20th century. As a co-founder of Cubism and creator of numerous revolutionary artworks, Picasso significantly shaped modern art. His versatility and innovative spirit extended across painting, sculpture, printmaking, ceramics, and stage design.

Picasso began his artistic training in La Coruña and Barcelona before moving to Madrid and later Paris. In Paris, then the center of the art world, he was exposed to the works of Paul Cézanne, Henri Toulouse-Lautrec, and the Impressionists, whose influences are visible in his early works. Cézanne's structural approach and the experimental use of color by the Impressionists had a profound influence on Picasso's development. Cézanne's work "Mont Sainte-Victoire" and Toulouse-Lautrec's works such as "At the Moulin Rouge" influenced Picasso's early artistic vision.

A significant turning point in Picasso's career was his Blue Period (1901-1904), characterized by melancholic themes and blue tones. These works, such as "The Old Guitarist" (1903), reflect the emotional depth and expressive power also found in the works of Vincent van Gogh and Edvard Munch. Van Gogh's "Starry Night" and Munch's "The Scream" exhibit a similar intense emotional resonance. The Blue Period marked Picasso's deep engagement with human existence and its suffering, similar to the existential themes in the works of Käthe Kollwitz.

The decisive break with traditional representation came with the development of Cubism, which Picasso developed together with Georges Braque from 1907. A key work from this period is "Les Demoiselles d’Avignon" (1907), which dissects the human figure into angular, geometric forms and paved the way for the Cubist movement. Cubism influenced many artists, including Fernand Léger and Juan Gris, both of whom became important representatives of this movement. Léger's "The City" and Gris's "Portrait of Pablo Picasso" are iconic works of Cubism. Picasso's and Braque's works during this time also influenced artists like Robert Delaunay and Francis Picabia, who integrated Cubism into their own styles, often colorful and dynamic.

In the 1920s, Picasso began to develop an interest in Surrealism and created works inspired by dreams and the subconscious. This phase of his career shows the influence of artists like Joan Miró and Salvador Dalí, whose surrealist portrayals of the unconscious and the dream world bear parallels to Picasso's works. Miró's 'Harlequin's Carnival' and Dalí's 'The Persistence of Memory' are iconic Surrealist works exploring similar themes and techniques. The works of Max Ernst and René Magritte, emphasizing the surreal and dreamlike, also reveal a spiritual kinship with Picasso's surrealist experiments.

Picasso's monumental work "Guernica" (1937) is a powerful political statement against war and destruction. The painting, which depicts the bombing of the city of Guernica during the Spanish Civil War, combines Cubist and Surrealist elements into a compelling indictment against violence and oppression. This work aligns with the politically engaged works of artists like Diego Rivera and José Clemente Orozco, whose murals also convey strong social and political messages. Rivera's "Man at the Crossroads" and Orozco's "Prometheus" are examples of the use of art as a means of social and political commentary. Guernica also influenced artists like Francis Bacon, whose dark and distorted figures convey a similar intensity and emotion.

Throughout his entire career, Picasso repeatedly returned to traditional themes such as portraits and still life, which he reinterpreted in innovative ways. His portraits of Dora Maar and Marie-Thérèse Walter display deep psychological complexity and emotional intensity reminiscent of the works of Egon Schiele and Gustav Klimt. Schiele's "Self-Portrait" and Klimt's "Portrait of Adele Bloch-Bauer I" offer insights into similar psychological and emotional depths. The use of color and form in these portraits shows parallels to the expressive and symbolic representations of Frida Kahlo, whose self-portraits also delve deeply into her personal and emotional world.

In the later years of his life, Picasso continued to experiment with various styles and techniques. His works from the 1950s and 1960s, such as the series of "Painters and Model" and the "Las Meninas" variations, demonstrate a constant search for new forms of expression and an engagement with art history. These works are in dialogue with classical masters like Diego Velázquez and Rembrandt, whose works Picasso interpreted and developed in unique ways. Velázquez's "Las Meninas" and Rembrandt's "Night Watch" are iconic pieces that inspired Picasso's later works. The interpretation of classical themes is also reflected in the works of David Hockney and Anselm Kiefer, who incorporate historical and artistic references into their contemporary creations.

Picasso's influence extends across many generations of artists and movements. Artists such as David Hockney and Jasper Johns have incorporated elements of Picasso's stylistic diversity and innovative spirit into their own works. Hockney's colorful and experimental landscapes and Johns' iconic representations of the American flag and numbers demonstrate the breadth of Picasso's impact. Modern artists like Jeff Koons and Damien Hirst, known for their provocative and iconic works, also refer to Picasso's groundbreaking approaches. Koons' "Balloon Dog" and Hirst's "The Physical Impossibility of Death in the Mind of Someone Living" reflect the ongoing engagement with materiality and conceptuality that Picasso anticipated throughout his numerous artistic phases.

In summary, Pablo Picasso remains a central figure in art history, whose influence extends across numerous movements and generations of artists. His ability to merge various styles and techniques while constantly exploring new avenues of artistic expression makes him an inexhaustible source of inspiration for artists worldwide. From the Impressionists through the Cubists to the Surrealists and contemporary icons of the art world, Picasso has continually redefined the boundaries of possibility and remains a vibrant legacy in 21st-century art.

Shipping information:
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