Mark Rothko (after) - Untitled (Lavender and Mulberry) - Offset lithography - VG licensed print - 2004

Offset Lithography after Mark Rothko (*)
Reproduction of the work 'Untitled (Lavender and Mulberry)' created by Rothko in 1959.
Edited on thick Fine Art cardboard.
Published by VG Bild-Kunst, Bonn in 2004.
Authorized printing with copyright by Kate Rothko-Prizel & Christopher Rothko.
Large Format.

Sheet dimensions: 80 x 60 cm
Year: 2004
Condition: Excellent (this artwork has never been framed or exhibited, always stored in a professional art folder, and therefore remains in perfect condition).
Provenance: Private collection.

The artwork will be carefully handled and packaged in a reinforced cardboard box. The shipment will be certified with a tracking number.

The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

Mark Rothko, along with Pollock, was the leading representative of American abstraction. With his painting, he aimed to achieve an ambitious utopia: to express the most basic universal emotions. And for many, he succeeded.
Markus Rothkovitz was born in Russia. From an evidently Jewish family, he emigrated to Oregon in 1910, probably fleeing antisemitism that many brains escaped from.
He studied art in the 1920s but considered himself self-taught. Before the Second World War, he cultivated expressionist figuration and immersed himself in the spirit of the vanguards he saw at exhibitions organized by the MoMA.
After the war, he began to investigate color field painting, gradually abandoning all figurative reference, and in the 1950s, with abstract expressionism already established, he started his personal abstraction that would define his painting ever since.
Mark Rothko's paintings, enormous, display wide rectangular fields of color with undefined boundaries between them. They are blurry colors, floating suspended on the canvas, stimulating quite interesting mystical sensations.
From then on, Mark Rothko would become an institution of American art. Protected by Peggy Guggenheim, his successes would be notable. But in the late 60s, amid a depressive crisis, and after painting his series of works with black acrylic, he ended up committing suicide.







































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