AA. VV. - Manoscritto Etiopico Ge'ez - 1790






Specialist in old books, specialising in theological disputes since 1999.
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This portable Ge'ez manuscript of 304 pages by AA. VV. and titled Manoscritto Etiopico Ge'ez bears hand colored miniatures and a rigid binding, offering devotional relevance from the eighteenth century.
Description from the seller
Colors of the Desert – Ethiopian Miniature Code on Parchment
Ethiopian liturgical manuscript on parchment, written in Geʽez, the ancient sacred language of the Ethiopian Orthodox Church. The codex, portable in size and monastic in structure, is decorated with vivid miniatures depicting three saints with halos and white beards, in a blessing gesture and holding golden fruits — symbols of wisdom and revelation. The texts alternate in red and black inks, highlighting titles, liturgical formulas, and recitative passages.
Market value
Complete and miniated Ethiopian manuscript specimens on parchment, with original wooden binding, are currently available on the international antique market at prices ranging from 1,200 to 2,500 euros, with higher prices for copies containing intact figurative cycles or complex ornamental rubrication. This codex, despite showing signs of use and having a devout and archaic appearance, retains strong devotional and documentary value.
Physical description and condition
Ethiopian manuscript on parchment entirely handwritten in Geʽez characters, in red and black; monastic binding with wooden boards and chain stitching in plant fiber. Presence of 6 polychrome miniatures depicting saints, decorative borders with geometric motifs. Some pages show wear holes. Pp. 302; (2).
Full title and author
Ethiopian liturgical manuscript.
Ethiopia, 19th century.
Dear all
Context and Significance
The manuscript belongs to the category of portable devotional books (Meʽraf), intended for personal recitation by Coptic monks and priests. The text, written in Geʽez, combines extracts of prayers, psalms, and liturgical hymns, alternating rubrics and red formulas for public declamation. The stylized yet intense miniatures reflect the contemplative spirituality of Ethiopian Christianity, where color and geometry hold mystical significance. The triple depiction of saints symbolizes the Trinity of unity and blessing, with clear echoes of 18th-century Gondar mural painting.
Biography of the Author
Anonymous Ethiopian monastic scribe. As is customary in Coptic tradition, the manuscripts do not bear the scribe's signature, but their work is recognizable by their regular style and formal devotion: the writing is broad, hieratic, without visible corrections, a testament to meditative copying rather than professional. The codex was created as an object of faith, not for study, and retains a sacred aura typical of texts written for private liturgical use.
Printing history and circulation
Being a manuscript, the work is unique: each copy of this type represents an independent transcription, passed down within a conventual setting and not intended for commercial circulation. Many of these codices arrived in Europe in the 19th and 20th centuries through missionaries or travelers, witnessing the encounter between African book culture and Western antiquarian interest. This copy retains the original binding and structure, with clear typological continuity with late medieval models.
BIBLIOGRAPHY AND REFERENCES
Uhlig, Siegbert (ed.), Encyclopaedia Aethiopica, Wiesbaden, Harrassowitz, 2003–2014.
Mercier, Jacques, Ethiopian Art: From Origins to the 17th Century, Paris, Citadelles & Mazenod, 1997.
Derat, Marie-Laure, The Domain of the Ethiopian Kings, 1270–1527, Paris, Publications of the Sorbonne, 2003.
Marrassini, Paolo, Geʽez and Amharic Texts, Florence, Olschki, 1989.
Balicka-Witakowska, Ewa, The Illustrations of the Ethiopic Manuscripts of the Miracles of the Virgin Mary, Wiesbaden, Harrassowitz, 1997.
Seller's Story
Colors of the Desert – Ethiopian Miniature Code on Parchment
Ethiopian liturgical manuscript on parchment, written in Geʽez, the ancient sacred language of the Ethiopian Orthodox Church. The codex, portable in size and monastic in structure, is decorated with vivid miniatures depicting three saints with halos and white beards, in a blessing gesture and holding golden fruits — symbols of wisdom and revelation. The texts alternate in red and black inks, highlighting titles, liturgical formulas, and recitative passages.
Market value
Complete and miniated Ethiopian manuscript specimens on parchment, with original wooden binding, are currently available on the international antique market at prices ranging from 1,200 to 2,500 euros, with higher prices for copies containing intact figurative cycles or complex ornamental rubrication. This codex, despite showing signs of use and having a devout and archaic appearance, retains strong devotional and documentary value.
Physical description and condition
Ethiopian manuscript on parchment entirely handwritten in Geʽez characters, in red and black; monastic binding with wooden boards and chain stitching in plant fiber. Presence of 6 polychrome miniatures depicting saints, decorative borders with geometric motifs. Some pages show wear holes. Pp. 302; (2).
Full title and author
Ethiopian liturgical manuscript.
Ethiopia, 19th century.
Dear all
Context and Significance
The manuscript belongs to the category of portable devotional books (Meʽraf), intended for personal recitation by Coptic monks and priests. The text, written in Geʽez, combines extracts of prayers, psalms, and liturgical hymns, alternating rubrics and red formulas for public declamation. The stylized yet intense miniatures reflect the contemplative spirituality of Ethiopian Christianity, where color and geometry hold mystical significance. The triple depiction of saints symbolizes the Trinity of unity and blessing, with clear echoes of 18th-century Gondar mural painting.
Biography of the Author
Anonymous Ethiopian monastic scribe. As is customary in Coptic tradition, the manuscripts do not bear the scribe's signature, but their work is recognizable by their regular style and formal devotion: the writing is broad, hieratic, without visible corrections, a testament to meditative copying rather than professional. The codex was created as an object of faith, not for study, and retains a sacred aura typical of texts written for private liturgical use.
Printing history and circulation
Being a manuscript, the work is unique: each copy of this type represents an independent transcription, passed down within a conventual setting and not intended for commercial circulation. Many of these codices arrived in Europe in the 19th and 20th centuries through missionaries or travelers, witnessing the encounter between African book culture and Western antiquarian interest. This copy retains the original binding and structure, with clear typological continuity with late medieval models.
BIBLIOGRAPHY AND REFERENCES
Uhlig, Siegbert (ed.), Encyclopaedia Aethiopica, Wiesbaden, Harrassowitz, 2003–2014.
Mercier, Jacques, Ethiopian Art: From Origins to the 17th Century, Paris, Citadelles & Mazenod, 1997.
Derat, Marie-Laure, The Domain of the Ethiopian Kings, 1270–1527, Paris, Publications of the Sorbonne, 2003.
Marrassini, Paolo, Geʽez and Amharic Texts, Florence, Olschki, 1989.
Balicka-Witakowska, Ewa, The Illustrations of the Ethiopic Manuscripts of the Miracles of the Virgin Mary, Wiesbaden, Harrassowitz, 1997.
