(after), Joan Miró - L’oiseau au regard calme les agile en flammes - Achenbach licensed offset print ** NO RESERVE **

Offset lithograph after Joan Miró (*)
Reproduction of the work 'L’oiseau au regard calme les ailes en flammes' by Miró, created in 1952, which is part of the collection of the Staatsgalerie in Stuttgart.
Edited on Fine Art cardboard (200g).
Published by Achenbach Art Edition, Düsseldorf.
Authorized printing with legal copyright and serial number.
Large Format.

Last units

Sheet dimensions: 70.5 x 90 cm
Year: 1988
Condition: Excellent (this artwork has never been framed or exhibited, always stored in a professional art folder, and therefore remains in perfect condition).
Provenance: Private collection.

The artwork will be carefully handled and packaged in a reinforced cardboard box. The shipment will be certified with a tracking number.

The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

Joan Miró (1893-1983) was born in Barcelona, but his emotional landscapes, which shaped him as a person and artist, are essentially Mont-roig, Paris, Mallorca, and later New York and Japan. Mont-roig, a small town in the Baix Camp region, will be the counterpoint to the intellectual agitation he experienced in Paris in the 1920s alongside surrealist poets, and to the stimulus of abstract expressionism he discovered in New York in the 1940s. Later, during World War II, Joan Miró would leave his exile in France and settle in Palma de Mallorca, a refuge and workspace, where his friend Josep Lluís Sert designed the studio he had always dreamed of.
The attachment to the landscape of Mont-roig first and Mallorca later will be decisive in his work. The connection with the land and the interest in everyday objects and the natural environment will be the backdrop of some of his technical and formal investigations. Miró shuns academicism, constantly seeking a global and pure work, not affiliated with any particular movement. Rooted in forms and public manifestations, it is through the plastic act that Joan Miró shows his rebellion and a great sensitivity to the political and social events surrounding him. This contrast of forces will lead him to create a unique and highly personal language that positions him as one of the most influential artists of the 20th century.




































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