Skepa (XX) - Le plaisir





| €393 | ||
|---|---|---|
| €353 | ||
| €333 | ||
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Unique and iconic original artwork by Skepa (XX), Le plaisir, an acrylic and mixed-media painting on linen with a wooden frame and key, 65 x 54 cm, dated 2025, signed by hand, edition Originale, sold with frame, and accompanied by a certificate of authenticity.
Description from the seller
Unique and iconic opera, with an authenticity certificate
Original artwork on linen canvas with a wooden frame and key
- Mixed technique
Measurements of the framed canvas: height 65 cm, width 54 cm.
Insured shipment
Skepa is a French visual artist and sculptor born in 1978. Co-founder of the BAFO movement.
He graduated from the École Nationale Supérieure des Beaux-Arts in Lyon and began his first approach to painting through graffiti in the early 1990s, influenced by artists such as Basquiat, Seen, Cope2, Harring, Jonone, Condo, Banksy...
The meeting with Jone Hopper, with whom he confused the TBS group and other activists, was a turning point in his approach to art.
It draws influences from Brauner, Appel, Picasso, Matisse, Buffet, Gauguin, Corneille, Braque, and pushes its research from classical art to contemporary art, passing through Cubism and modern art.
Many art critics compare his painting production to a UFO with multiple tentacles, harmoniously blending organic Cubism with a touch of deconstructed Figurative art, breaking away from the sterile perspective of contemporary art.
Unique and iconic opera, with an authenticity certificate
Original artwork on linen canvas with a wooden frame and key
- Mixed technique
Measurements of the framed canvas: height 65 cm, width 54 cm.
Insured shipment
Skepa is a French visual artist and sculptor born in 1978. Co-founder of the BAFO movement.
He graduated from the École Nationale Supérieure des Beaux-Arts in Lyon and began his first approach to painting through graffiti in the early 1990s, influenced by artists such as Basquiat, Seen, Cope2, Harring, Jonone, Condo, Banksy...
The meeting with Jone Hopper, with whom he confused the TBS group and other activists, was a turning point in his approach to art.
It draws influences from Brauner, Appel, Picasso, Matisse, Buffet, Gauguin, Corneille, Braque, and pushes its research from classical art to contemporary art, passing through Cubism and modern art.
Many art critics compare his painting production to a UFO with multiple tentacles, harmoniously blending organic Cubism with a touch of deconstructed Figurative art, breaking away from the sterile perspective of contemporary art.

