Yadiel Gonzales - Flores silenciosas de ala pradera






Holds a bachelor's degree in history of art and architecture, with 12 years of experience in decorative arts.
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Yadiel Gonzales, original painting from 2023 in acrylic on canvas, period post-2020.
Description from the seller
Artwork by the artist Yadiel Gonzalez (XX), created using the technique of acrylic on canvas.
We guarantee a durable product with visual quality.
Painting with dimensions of 50 x 70 cm and a depth of 4 cm.
On the back of the piece, you will find the details about the work.
The shipment will be made through United Parcel Service (UPS) for Spain and Europe, and through Fedex for the rest of the world.
The work will be rolled and protected with several layers of packaging, bubble nylon, and placed in a sturdy tube.
Once the work has been paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
It is a work that merges the exuberance of nature with the emotional distortion of expressionism. The painting depicts a field covered with flowers, but not from a realistic perspective, rather through vibrant brushstrokes and unnatural colors that transcend mere representation. The flowers, with elongated petals and striking tones—electric reds, ultramarine blues, and acid yellows—seem to pulse with life of their own, as if the landscape breathes under the changing light of day and night.
Flat backgrounds, lacking academic perspective, intensify the contrast between the flowers and their environment. In some sections, the sky is a patch of pure cobalt, evoking midday; in others, it darkens into a black canvas splattered with distorted moons and stars like white wounds. This temporal duality—day and night coexisting—suggests a perpetual cycle, perhaps a metaphor for fleetingness or eternity.
Expressionist treatment manifests in the ecstasy of forms: the stems twist like screams, and the flowers, though abundant, convey both vitality and fragility. There is no Impressionist serenity here; instead, the meadow appears as a stage of primal forces, where nature is not harmony but overflowing passion.
This work could be interpreted as a dialogue between the ephemeral (the flowers) and the immutable (the flat, cyclical backgrounds). Expressionism, by exaggerating emotionality, turns the landscape into a mirror of the soul: a flowering paradise, yes, but also a battlefield where light and darkness vie for the meaning of existence.
We desire the full enjoyment of art.
Artwork by the artist Yadiel Gonzalez (XX), created using the technique of acrylic on canvas.
We guarantee a durable product with visual quality.
Painting with dimensions of 50 x 70 cm and a depth of 4 cm.
On the back of the piece, you will find the details about the work.
The shipment will be made through United Parcel Service (UPS) for Spain and Europe, and through Fedex for the rest of the world.
The work will be rolled and protected with several layers of packaging, bubble nylon, and placed in a sturdy tube.
Once the work has been paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
It is a work that merges the exuberance of nature with the emotional distortion of expressionism. The painting depicts a field covered with flowers, but not from a realistic perspective, rather through vibrant brushstrokes and unnatural colors that transcend mere representation. The flowers, with elongated petals and striking tones—electric reds, ultramarine blues, and acid yellows—seem to pulse with life of their own, as if the landscape breathes under the changing light of day and night.
Flat backgrounds, lacking academic perspective, intensify the contrast between the flowers and their environment. In some sections, the sky is a patch of pure cobalt, evoking midday; in others, it darkens into a black canvas splattered with distorted moons and stars like white wounds. This temporal duality—day and night coexisting—suggests a perpetual cycle, perhaps a metaphor for fleetingness or eternity.
Expressionist treatment manifests in the ecstasy of forms: the stems twist like screams, and the flowers, though abundant, convey both vitality and fragility. There is no Impressionist serenity here; instead, the meadow appears as a stage of primal forces, where nature is not harmony but overflowing passion.
This work could be interpreted as a dialogue between the ephemeral (the flowers) and the immutable (the flat, cyclical backgrounds). Expressionism, by exaggerating emotionality, turns the landscape into a mirror of the soul: a flowering paradise, yes, but also a battlefield where light and darkness vie for the meaning of existence.
We desire the full enjoyment of art.
