Francien Krieg - Unsaid






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
| €575 | ||
|---|---|---|
| €500 |
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Unsaid is an original impressionist oil painting, 60 × 40 cm, created in 2025 in the Netherlands, signed Handgesigneerd.
Description from the seller
panel 0.6 cm
In these portraits, I look for that fragile zone between youth and adulthood — a moment when boys are still tender, but the world is already starting to push harder. I am not so interested in the tough or heroic; I prefer to look at what moves beneath that surface. Doubt, sensitivity, the vulnerable beauty that often remains invisible because young men learn to keep themselves strong.
For me, this series is about humanity. About those quiet moments when someone doesn't quite know who they are supposed to be. Moments where softness and struggle mix.
I always work from a kind of curiosity about the person opposite me. As an artist, I am someone who does not shy away from vulnerability — not in my themes, nor in my own life. I have been painting bodies and faces for years that reveal something we usually prefer to hide: the cracks, the fatigue, the inner weight.
Maybe I secretly try to present a different image of beauty. That it also lies in uncertainty, in sensitivity, in everything that is not polished.
These young men fit into that — they reveal something that often remains hidden, and that is precisely why I want to paint them.
Seller's Story
panel 0.6 cm
In these portraits, I look for that fragile zone between youth and adulthood — a moment when boys are still tender, but the world is already starting to push harder. I am not so interested in the tough or heroic; I prefer to look at what moves beneath that surface. Doubt, sensitivity, the vulnerable beauty that often remains invisible because young men learn to keep themselves strong.
For me, this series is about humanity. About those quiet moments when someone doesn't quite know who they are supposed to be. Moments where softness and struggle mix.
I always work from a kind of curiosity about the person opposite me. As an artist, I am someone who does not shy away from vulnerability — not in my themes, nor in my own life. I have been painting bodies and faces for years that reveal something we usually prefer to hide: the cracks, the fatigue, the inner weight.
Maybe I secretly try to present a different image of beauty. That it also lies in uncertainty, in sensitivity, in everything that is not polished.
These young men fit into that — they reveal something that often remains hidden, and that is precisely why I want to paint them.
