Cesare Vittore Luigi Tallone (1853 – 1919) - Ritratto di nobile fanciullo





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Title of artwork Ritratto di nobile fanciullo, Period 1900–1910, Oil on canvas, Country of origin Italy, Sold with frame.
Description from the seller
Interesting work attributed to the painter Cesare Vittore Luigi Tallone (Savona, August 11, 1853 – Milan, June 21, 1919), painted in oil on canvas in good painting condition.
The painting measures 55 x 33.5 cm.
Behind the label "Tallone"
Cesare Tallone was an Italian painter of the 19th century. He attended the Brera Academy, where he met Previati, Spartaco, Vela, Gola, and Segantini. In 1873, he became part of the 'Famiglia artistica,' which included representatives of the Scapigliatura and other movements such as Cremona, Ranzoni, Grandi, Segantini, Longoni, and Previati. In 1884, he exhibited four portraits at Brera, becoming the interpreter of Milanese aristocracy and bourgeoisie. In 1889, he painted a portrait of Queen Margherita, and in 1903, he won the Prince Umberto Prize. Tallone's portrait technique focused on a strong definition of the image, from the construction of the drawing's framework to the modeling of the heads as if they were made of clay. His students included Carrà, Boccioni, Dudreville, Tosi, Bucci, and Bonzagni.
The frame is contemporaneous with the work.
Origin: private collection, Piedmont, Italy.
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Seller's Story
Interesting work attributed to the painter Cesare Vittore Luigi Tallone (Savona, August 11, 1853 – Milan, June 21, 1919), painted in oil on canvas in good painting condition.
The painting measures 55 x 33.5 cm.
Behind the label "Tallone"
Cesare Tallone was an Italian painter of the 19th century. He attended the Brera Academy, where he met Previati, Spartaco, Vela, Gola, and Segantini. In 1873, he became part of the 'Famiglia artistica,' which included representatives of the Scapigliatura and other movements such as Cremona, Ranzoni, Grandi, Segantini, Longoni, and Previati. In 1884, he exhibited four portraits at Brera, becoming the interpreter of Milanese aristocracy and bourgeoisie. In 1889, he painted a portrait of Queen Margherita, and in 1903, he won the Prince Umberto Prize. Tallone's portrait technique focused on a strong definition of the image, from the construction of the drawing's framework to the modeling of the heads as if they were made of clay. His students included Carrà, Boccioni, Dudreville, Tosi, Bucci, and Bonzagni.
The frame is contemporaneous with the work.
Origin: private collection, Piedmont, Italy.
Fast shipping with secure packaging

