Hans von Aachen (1552–1615), Cerchia di - Deposizione dalla croce

Hans von Aachen (1552–1615), Cerchia di - Deposizione dalla croce #1.0
Hans von Aachen (1552–1615), Cerchia di - Deposizione dalla croce #1.0
Hans von Aachen (1552–1615), Cerchia di - Deposizione dalla croce #2.1
Hans von Aachen (1552–1615), Cerchia di - Deposizione dalla croce #3.2
Hans von Aachen (1552–1615), Cerchia di - Deposizione dalla croce #4.3
03
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Current bid
€ 1,801
Reserve price not met
Caterina Maffeis
Expert
Selected by Caterina Maffeis

Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.

Estimate  € 4,000 - € 5,000
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Trustpilot 4.4 | 122813 reviews

Rated Excellent on Trustpilot.

Deposizione dalla croce, 17th century, oil painting, Deutschland.

AI-assisted summary

Description from the seller

Mannerist school of the 16th/17th century, Hans von Aachen (Cologne 1552–1615 Prague), circle of, circa 1580-1620. The Descent from the Cross.

The mannerism of Hans von Aachen, a leading master of the so-called 'Rudolfinian Mannerism' under Emperor Rudolf II in Prague, is characterized by the combination of elements of Italian and Flemish mannerism. It is an art of 'manner,' reflecting the subjectivity, elegance, and refinement of the artist, rather than a faithful imitation of nature.

Abandonment of the mathematical perspective in favor of an abstract, unrealistic background.
Spectacular and sometimes artificial lighting effects in a strong contrast of light and shadow.
His painting is also characterized by elegant and elongated figures.

Oil on oak panel, signs of age, few restorations, panel partially reinforced at the back.

Dimensions: 65 x 49 cm.

Provenance: private collection, Austria.

Translated Show original

Mannerist school of the 16th/17th century, Hans von Aachen (Cologne 1552–1615 Prague), circle of, circa 1580-1620. The Descent from the Cross.

The mannerism of Hans von Aachen, a leading master of the so-called 'Rudolfinian Mannerism' under Emperor Rudolf II in Prague, is characterized by the combination of elements of Italian and Flemish mannerism. It is an art of 'manner,' reflecting the subjectivity, elegance, and refinement of the artist, rather than a faithful imitation of nature.

Abandonment of the mathematical perspective in favor of an abstract, unrealistic background.
Spectacular and sometimes artificial lighting effects in a strong contrast of light and shadow.
His painting is also characterized by elegant and elongated figures.

Oil on oak panel, signs of age, few restorations, panel partially reinforced at the back.

Dimensions: 65 x 49 cm.

Provenance: private collection, Austria.

Translated Show original

Details

Artist
Hans von Aachen (1552–1615), Cerchia di
Sold with frame
No
Title of artwork
Deposizione dalla croce
Technique
Oil painting
Signature
Not signed
Country of Origin
Germany
Condition
Needs restoration
Height
65 cm
Width
49 cm
Depiction/Theme
Religion
Style
Renaissance
Period
17th century
GermanyVerified
1008
Objects sold
91.8%
360
Reviews
pro

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