Luis Enrique González - El Peso de lo Ardiente






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
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Original artwork by Luis Enrique González titled El Peso de lo Ardiente, a 49 × 40 cm oil painting with charcoal drawing on canvas from Spain, dated 2025, in Realismo and signed by hand in excellent condition.
Description from the seller
In The Weight of the Burning, Luis Enrique González unfolds an image of intense emotional charge where desire, identity, and vulnerability coexist in a balance as delicate as it is powerful. The male figure, depicted in profile, presents a restrained gesture, almost ceremonial, while a large red fish envelops his body as a physical extension of his inner world.
The purple background—deep, nocturnal, introspective—acts as a psychological space that isolates the character from time and environment, focusing all attention on the dialogue between flesh and symbol. The treatment of the skin is refined, warm, built with a precise brushstroke that reveals technical mastery and a sensitivity close to classical portraiture. In contrast, the fish bursts in with an incandescent palette of reds and oranges, suggesting impulse, internal fire, that which burns but is not always spoken.
Far from a literal reading, the fish here becomes a metaphor for sustained desire, the vital impulse that surrounds, protects, and at the same time weighs. There is no violence in its contact, but rather an insistent, intimate presence that accompanies the body as an impossible-to-ignore truth. The hand on the chest reinforces this emotional tension: a gesture that speaks of awareness, acceptance, and assumed burden.
This work stands out for its ability to address the viewer both symbolically and humanly at the same time. It is a painting that does not impose a closed narrative but invites one to inhabit it, to recognize oneself in its fragility and contained fire. For the collector, El Peso de lo Ardiente offers an image with a strong visual identity and a profound narrative, capable of sustaining a lasting and meaningful presence in any contemporary collection.
Note for collectors
Certificates of authenticity will be sent along with the artworks only in sales exceeding 500 euros, ensuring documentary support and added value to the purchase.
Artist Statement — Luis Enrique González
My work is a constant dialogue between light and form, where oil painting becomes a means to explore the emotional and symbolic depth of reality. I am interested in nature and the human figure not only as visual motifs but as living territories charged with stories, silences, and tensions. Through realism, I seek to reveal what is hidden in everyday life: fragility, strength, persistence, and beauty that manifest in gestures, in matter, and in the spaces we inhabit.
Chiaroscuro is for me a tool of thought. Through contrast, I find the internal structure of each image, the atmosphere that allows the color to breathe and become the protagonist. I work with meticulous observation, trying to ensure that each brushstroke retains the sensitivity of the moment and, at the same time, a permanence that transcends the temporality of the depicted object.
My pieces are positioned at a crossroads between academic tradition and a contemporary perspective, where rigorous technique coexists with a personal expressive search. I paint because I find in oil painting a space for revelation: a way to understand the world and at the same time reinvent it through light, texture, and color.
Cuban visual artist specializing in oil painting on canvas, with a realistic approach characterized by technical precision, mastery of chiaroscuro, and a deep interest in nature and the human figure. His work combines solid academic training with an aesthetic pursuit focused on detail, light, and the expressive power of color. Education 2012 • Bachelor’s in Visual Arts. Professional Academy of Visual Arts, Las Tunas, Cuba. Exhibitions and Shows 2011 • Nicolás Guillén Iconographic Salon. UNEAC, Las Tunas, Cuba. • 'Vástagos' Exhibition. Provincial Center of Visual Arts, Las Tunas, Cuba. 2012 • Martiano Salon. Sculpture Workshop Gallery, Las Tunas, Cuba. • 'Lithographs' Exhibition. UNEAC, Las Tunas, Cuba. • 'Final Comprehensive Exercise' Exhibition. Professional Academy of Visual Arts, Las Tunas, Cuba. 2013 • Martiano Salon. Huellas Cultural Center, Las Tunas, Cuba. • 'The Eve' Exhibition. Provincial Center of Visual Arts, Las Tunas, Cuba. 2014 • 'Guernica' Salon. AHS, Las Tunas, Cuba. • 'Plastic Arts in April' Salon. Provincial Center of Visual Arts, Las Tunas, Cuba. • Collective Exhibition 'Art, a Social Image'. Provincial Center of Visual Arts, Las Tunas, Cuba. 2023 • 52nd Expofeira do Amapá, Brazil. 2024 • Collective Expo 'Fluxo Feminino: An Art Exhibition That Inspires and Transforms'. Amapá State Government Palace, Brazil. • Reopening of Samaúma Gallery, Amapá, Brazil. • 'Artistic Convergence: Realism and Artificial Intelligence'. Amazon Network, Amapá, Brazil. • Reopening of Silvio Romero Theater, Amapá, Brazil. • 'Amazon in Canvases'. 53rd Expofeira do Amapá, Brazil. 2025 • Certification Lei Aldir Blanc. Silvio Romero Theater, Amapá, Brazil. • Collective Expo 'A Forest'. Amazon Network and Public Defender’s Office of Amapá, Brazil.
In The Weight of the Burning, Luis Enrique González unfolds an image of intense emotional charge where desire, identity, and vulnerability coexist in a balance as delicate as it is powerful. The male figure, depicted in profile, presents a restrained gesture, almost ceremonial, while a large red fish envelops his body as a physical extension of his inner world.
The purple background—deep, nocturnal, introspective—acts as a psychological space that isolates the character from time and environment, focusing all attention on the dialogue between flesh and symbol. The treatment of the skin is refined, warm, built with a precise brushstroke that reveals technical mastery and a sensitivity close to classical portraiture. In contrast, the fish bursts in with an incandescent palette of reds and oranges, suggesting impulse, internal fire, that which burns but is not always spoken.
Far from a literal reading, the fish here becomes a metaphor for sustained desire, the vital impulse that surrounds, protects, and at the same time weighs. There is no violence in its contact, but rather an insistent, intimate presence that accompanies the body as an impossible-to-ignore truth. The hand on the chest reinforces this emotional tension: a gesture that speaks of awareness, acceptance, and assumed burden.
This work stands out for its ability to address the viewer both symbolically and humanly at the same time. It is a painting that does not impose a closed narrative but invites one to inhabit it, to recognize oneself in its fragility and contained fire. For the collector, El Peso de lo Ardiente offers an image with a strong visual identity and a profound narrative, capable of sustaining a lasting and meaningful presence in any contemporary collection.
Note for collectors
Certificates of authenticity will be sent along with the artworks only in sales exceeding 500 euros, ensuring documentary support and added value to the purchase.
Artist Statement — Luis Enrique González
My work is a constant dialogue between light and form, where oil painting becomes a means to explore the emotional and symbolic depth of reality. I am interested in nature and the human figure not only as visual motifs but as living territories charged with stories, silences, and tensions. Through realism, I seek to reveal what is hidden in everyday life: fragility, strength, persistence, and beauty that manifest in gestures, in matter, and in the spaces we inhabit.
Chiaroscuro is for me a tool of thought. Through contrast, I find the internal structure of each image, the atmosphere that allows the color to breathe and become the protagonist. I work with meticulous observation, trying to ensure that each brushstroke retains the sensitivity of the moment and, at the same time, a permanence that transcends the temporality of the depicted object.
My pieces are positioned at a crossroads between academic tradition and a contemporary perspective, where rigorous technique coexists with a personal expressive search. I paint because I find in oil painting a space for revelation: a way to understand the world and at the same time reinvent it through light, texture, and color.
Cuban visual artist specializing in oil painting on canvas, with a realistic approach characterized by technical precision, mastery of chiaroscuro, and a deep interest in nature and the human figure. His work combines solid academic training with an aesthetic pursuit focused on detail, light, and the expressive power of color. Education 2012 • Bachelor’s in Visual Arts. Professional Academy of Visual Arts, Las Tunas, Cuba. Exhibitions and Shows 2011 • Nicolás Guillén Iconographic Salon. UNEAC, Las Tunas, Cuba. • 'Vástagos' Exhibition. Provincial Center of Visual Arts, Las Tunas, Cuba. 2012 • Martiano Salon. Sculpture Workshop Gallery, Las Tunas, Cuba. • 'Lithographs' Exhibition. UNEAC, Las Tunas, Cuba. • 'Final Comprehensive Exercise' Exhibition. Professional Academy of Visual Arts, Las Tunas, Cuba. 2013 • Martiano Salon. Huellas Cultural Center, Las Tunas, Cuba. • 'The Eve' Exhibition. Provincial Center of Visual Arts, Las Tunas, Cuba. 2014 • 'Guernica' Salon. AHS, Las Tunas, Cuba. • 'Plastic Arts in April' Salon. Provincial Center of Visual Arts, Las Tunas, Cuba. • Collective Exhibition 'Art, a Social Image'. Provincial Center of Visual Arts, Las Tunas, Cuba. 2023 • 52nd Expofeira do Amapá, Brazil. 2024 • Collective Expo 'Fluxo Feminino: An Art Exhibition That Inspires and Transforms'. Amapá State Government Palace, Brazil. • Reopening of Samaúma Gallery, Amapá, Brazil. • 'Artistic Convergence: Realism and Artificial Intelligence'. Amazon Network, Amapá, Brazil. • Reopening of Silvio Romero Theater, Amapá, Brazil. • 'Amazon in Canvases'. 53rd Expofeira do Amapá, Brazil. 2025 • Certification Lei Aldir Blanc. Silvio Romero Theater, Amapá, Brazil. • Collective Expo 'A Forest'. Amazon Network and Public Defender’s Office of Amapá, Brazil.
