Emmanuel Charles Benezit (1887 - 1975) - Amandier en fleurs à Bormes






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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Amandier en fleurs à Bormes, oil on canvas by Emmanuel Charles Benezit (1928), France, sold with frame and signed with the date in the lower left.
Description from the seller
Emmanuel Charles BENEZIT (1887 - 1975)
Almond tree in bloom in Bormes
Oil on canvas
Dimensions: 73 x 60 cm
Framed dimensions: 93 x 81 cm
Signed and dated 1928 at the bottom left.
Provenance
- Galerie Tuffier, Les Andelys
Manor of the Chapel, Normandy
Painting in perfect condition and framed.
Original artwork delivered with invoice and certificate of authenticity.
Fast, careful, and insured shipping.
Buy with confidence!
Emmanuel‑Charles Bénézit (1887–1975), son of the art critic Emmanuel Bénézit, creator of the famous Bénézit Dictionary, grew up in an artistic environment frequented by Pissarro and Sisley. He exhibited as early as 1907 at the Salon des Indépendants and pursued a career marked by luminous and poetic landscapes. Settling in Provence from the 1920s, he founded the Bormes‑les‑Mimosas museum and became a volunteer curator of the Hyères museum. Painter, engraver, and draftsman, he embodies a figurative tradition nourished by the light of the Midi and a deep sensitivity to nature.
Seller's Story
Emmanuel Charles BENEZIT (1887 - 1975)
Almond tree in bloom in Bormes
Oil on canvas
Dimensions: 73 x 60 cm
Framed dimensions: 93 x 81 cm
Signed and dated 1928 at the bottom left.
Provenance
- Galerie Tuffier, Les Andelys
Manor of the Chapel, Normandy
Painting in perfect condition and framed.
Original artwork delivered with invoice and certificate of authenticity.
Fast, careful, and insured shipping.
Buy with confidence!
Emmanuel‑Charles Bénézit (1887–1975), son of the art critic Emmanuel Bénézit, creator of the famous Bénézit Dictionary, grew up in an artistic environment frequented by Pissarro and Sisley. He exhibited as early as 1907 at the Salon des Indépendants and pursued a career marked by luminous and poetic landscapes. Settling in Provence from the 1920s, he founded the Bormes‑les‑Mimosas museum and became a volunteer curator of the Hyères museum. Painter, engraver, and draftsman, he embodies a figurative tradition nourished by the light of the Midi and a deep sensitivity to nature.
