After Paul Signac (1863-1935) - Saint-Tropez. La Bouée Rouge , 1895






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Saint-Tropez. La Bouée Rouge, 1895 is a limited edition 3D printed artwork from Austria (2020+), measuring 80.2 × 64 cm, sold with frame and attributed to After Paul Signac.
Description from the seller
3D printing, a limited edition of 200, in collaboration with the Musée d'Orsay and the Musée de l'Orangerie.
This limited edition print was created in collaboration with the Musée d'Orsay, based on a scan of the original artwork. All our products are custom-made in our factory in Bregenz, Austria, and feature our patented LITO Hi-Rnd technology. A portion of our revenue is donated to the partner museum.
Provenance
Musée d'Orsay, Paris
Paul Signac
Saint-Tropez. La Bouée rouge,1895
Delivery in approximately 14 days
About LITO :
Who we are
Founded in 2022, LITO is a forward-thinking printmaking company on a mission to widen access to art through new, pioneering technologies.
Based in Bregenz, Austria, LITO and the LITO Technology Lab have developed state-of-the-art and patented technology to create prints with extreme precision and of unparalleled quality. Using its Hi-Rnd proprietary technology, LITO collaborates with leading contemporary artists and prints textures, colours and certain effects on paintings, such as reliefs and brushstrokes at multiple scales, to create and recreate original artworks.
LITO Masters aims to support leading museums and institutions around the world by providing a new tool for research and the conservation of masterpieces, whilst allowing art lovers to live with their dream masterpiece.
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Paul Signac, a sailing enthusiast, often painted seaside and harbors, here that of Saint-Tropez, which he discovered three years earlier aboard his yacht L'Olympia. It was then a small fishing port soon frequented by many painters, Cross, Matisse, Derain, and Marquet, before becoming a tourist and socialite spot. The blue water occupies a large part of the pictorial surface, but the reflections of the orange houses reduce its extent. Located in the foreground, the red-orange buoy focuses the eye, contrasting sharply with the light blue of the harbor water. Painted in the studio from life studies, this painting illustrates an evolution of Neo-Impressionism toward a freer style, while retaining the Divisionist technique. Rich in relief and vivid colors, this print pays homage to Signac's illustrious technique.
3D printing, a limited edition of 200, in collaboration with the Musée d'Orsay and the Musée de l'Orangerie.
This limited edition print was created in collaboration with the Musée d'Orsay, based on a scan of the original artwork. All our products are custom-made in our factory in Bregenz, Austria, and feature our patented LITO Hi-Rnd technology. A portion of our revenue is donated to the partner museum.
Provenance
Musée d'Orsay, Paris
Paul Signac
Saint-Tropez. La Bouée rouge,1895
Delivery in approximately 14 days
About LITO :
Who we are
Founded in 2022, LITO is a forward-thinking printmaking company on a mission to widen access to art through new, pioneering technologies.
Based in Bregenz, Austria, LITO and the LITO Technology Lab have developed state-of-the-art and patented technology to create prints with extreme precision and of unparalleled quality. Using its Hi-Rnd proprietary technology, LITO collaborates with leading contemporary artists and prints textures, colours and certain effects on paintings, such as reliefs and brushstrokes at multiple scales, to create and recreate original artworks.
LITO Masters aims to support leading museums and institutions around the world by providing a new tool for research and the conservation of masterpieces, whilst allowing art lovers to live with their dream masterpiece.
-----
Paul Signac, a sailing enthusiast, often painted seaside and harbors, here that of Saint-Tropez, which he discovered three years earlier aboard his yacht L'Olympia. It was then a small fishing port soon frequented by many painters, Cross, Matisse, Derain, and Marquet, before becoming a tourist and socialite spot. The blue water occupies a large part of the pictorial surface, but the reflections of the orange houses reduce its extent. Located in the foreground, the red-orange buoy focuses the eye, contrasting sharply with the light blue of the harbor water. Painted in the studio from life studies, this painting illustrates an evolution of Neo-Impressionism toward a freer style, while retaining the Divisionist technique. Rich in relief and vivid colors, this print pays homage to Signac's illustrious technique.
