Sylvain Barberot - Echo

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Nathalia Oliveira
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Echo is a contemporary marble sculpture by Sylvain Barberot, signed by hand, unique artwork from France (2025) in white and grey, 60 cm wide, 64 cm high, 10 cm deep, weighing 22 kg, with gilded 22 ct gold details.

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Description from the seller

"Echo" is one of the works in a series titled "epitaph". They are a poetic way of embracing death with poetry by choosing a word selected to elevate it. The engraving is accented with 22-carat gold, as a reminder of funeral iconography.
And if the stone could become the echo of the earth on a crest? Our dead are echoes of whom we are the mouthpiece. We carry them, and in the flesh, we are only prolongations of their past existence, like a silent echo.

International artist whose work rests on the dichotomy between memory and forgetting. Memory, in my view, is the essential element that links our body to the world. Yet, as our culture strives to engrave history with a burin, I strive to inhibit, to deconstruct, even to erase my own memory. A vast undertaking, the practice of forgetting…
The body is but the support of this memory on which it depends, even requires. It builds it, molds it, and transforms it. And if anamnesis derives from Greek as the ascent of memory, as for me I hunt it down to better separate myself from it.

"Echo" is one of the works in a series titled "epitaph". They are a poetic way of embracing death with poetry by choosing a word selected to elevate it. The engraving is accented with 22-carat gold, as a reminder of funeral iconography.
And if the stone could become the echo of the earth on a crest? Our dead are echoes of whom we are the mouthpiece. We carry them, and in the flesh, we are only prolongations of their past existence, like a silent echo.

International artist whose work rests on the dichotomy between memory and forgetting. Memory, in my view, is the essential element that links our body to the world. Yet, as our culture strives to engrave history with a burin, I strive to inhibit, to deconstruct, even to erase my own memory. A vast undertaking, the practice of forgetting…
The body is but the support of this memory on which it depends, even requires. It builds it, molds it, and transforms it. And if anamnesis derives from Greek as the ascent of memory, as for me I hunt it down to better separate myself from it.

Details

Era
After 2000
Gold type
22kt gold
Country of origin
France
Style
Contemporary
Material
Gold, Marble
Artist
Sylvain Barberot
Title of artwork
Echo
Signature
Hand signed
Edition
Unique work
Year
2025
Colour
Grey, White
Condition
Excellent condition
Height
64 cm
Width
60 cm
Depth
10 cm
Weight
22 kg
FranceVerified
9
Objects sold
Private

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