Yves Ganne (1931-2019) - Nu feminin devant un miroir (Vendu sans prix de reserve).
10
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01
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€ 1
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Selected by Caroline Bokobza
Graduated as French auctioneer and worked in Sotheby’s Paris valuation department.
Estimate € 400 - € 500
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Description from the seller
For this second sale of Yves Ganne (1931-2019), here is a significant selection of original works coming directly from the artist's studio.
We offer you oil paintings on canvas and paintings on paper, as well as antique inks to compare with the works of the artist Bernard Buffet.
Female Nude in Front of a Mirror (Study)
Ref: 100
Technique: Gouache on thick paper. Highlights in gouache and graphite pencil.
Period: the 1960s and 1970s.
Format: 52 x 39 cm
Workshop stamp on the back.
Good condition
Yves GANNE (Nantes 1931-2019)
Yves Ganne was born in Angers on July 13, 1931. He was a student at the École des Beaux-Arts de Nantes, which he joined in 1946. In 1950, he moved to Paris to join Fernand Léger's studio.
He also received two major distinctions in 1950: the Young Painting Prize and the Menton City Prize.
His talent has been recognized by institutions since 1951, with two of his paintings acquired by the National Museum of Modern Art in Paris.
He regularly exhibits in Paris, notably at the Galerie Drouant-David (1954, 1958) and more recently at the Galerie Francis Barlier in Paris and Honfleur (1994, 2003, 2004). He also exhibits with the greatest, notably in 1954 with Bernard.
Buffet at the Visconti gallery.
His work transcends French borders. As early as 1956, he was exhibited at the Galerie Arthur Tooth & Sons in London. His work was also shown in the United States: at the Cushman Gallery in Houston (1959), at the Van Diemen Lilienfeld Gallery in New York (1966), and then at the Dalzell-Hatfield Gallery in Los Angeles (1968). In Sweden, he was welcomed at the Borstahusens Konstforening Gallery in Landskrona Konsthall (1975).
Yves Ganne participated in numerous collective exhibitions: the Salon of Young Painting, the Salon of the École de Paris at the Galerie Charpentier (from 1954), the Salon of Painters Witnessing Their Time (1956), and also the first Paris Biennale in 1959.
His style, deeply rooted in the French figurative tradition, is distinguished by a personal vision of still life, female portrait, and genre scenes. He avoids all academicism by favoring a sensitive and balanced expression, where color plays a central role.
Since 1965, he has produced more than 250 original lithographic editions, distributed in France, the United States, Great Britain, Germany, Sweden, Switzerland, and Japan.
His works are now featured in prestigious public collections in France, notably at the Musée National d’Art Moderne – Centre Pompidou, the Musée d’Art Moderne de la Ville de Paris, as well as internationally, such as at the museums of Cincinnati (Ohio), Seattle (Washington), and Edinburgh in Scotland.
For this second sale of Yves Ganne (1931-2019), here is a significant selection of original works coming directly from the artist's studio.
We offer you oil paintings on canvas and paintings on paper, as well as antique inks to compare with the works of the artist Bernard Buffet.
Female Nude in Front of a Mirror (Study)
Ref: 100
Technique: Gouache on thick paper. Highlights in gouache and graphite pencil.
Period: the 1960s and 1970s.
Format: 52 x 39 cm
Workshop stamp on the back.
Good condition
Yves GANNE (Nantes 1931-2019)
Yves Ganne was born in Angers on July 13, 1931. He was a student at the École des Beaux-Arts de Nantes, which he joined in 1946. In 1950, he moved to Paris to join Fernand Léger's studio.
He also received two major distinctions in 1950: the Young Painting Prize and the Menton City Prize.
His talent has been recognized by institutions since 1951, with two of his paintings acquired by the National Museum of Modern Art in Paris.
He regularly exhibits in Paris, notably at the Galerie Drouant-David (1954, 1958) and more recently at the Galerie Francis Barlier in Paris and Honfleur (1994, 2003, 2004). He also exhibits with the greatest, notably in 1954 with Bernard.
Buffet at the Visconti gallery.
His work transcends French borders. As early as 1956, he was exhibited at the Galerie Arthur Tooth & Sons in London. His work was also shown in the United States: at the Cushman Gallery in Houston (1959), at the Van Diemen Lilienfeld Gallery in New York (1966), and then at the Dalzell-Hatfield Gallery in Los Angeles (1968). In Sweden, he was welcomed at the Borstahusens Konstforening Gallery in Landskrona Konsthall (1975).
Yves Ganne participated in numerous collective exhibitions: the Salon of Young Painting, the Salon of the École de Paris at the Galerie Charpentier (from 1954), the Salon of Painters Witnessing Their Time (1956), and also the first Paris Biennale in 1959.
His style, deeply rooted in the French figurative tradition, is distinguished by a personal vision of still life, female portrait, and genre scenes. He avoids all academicism by favoring a sensitive and balanced expression, where color plays a central role.
Since 1965, he has produced more than 250 original lithographic editions, distributed in France, the United States, Great Britain, Germany, Sweden, Switzerland, and Japan.
His works are now featured in prestigious public collections in France, notably at the Musée National d’Art Moderne – Centre Pompidou, the Musée d’Art Moderne de la Ville de Paris, as well as internationally, such as at the museums of Cincinnati (Ohio), Seattle (Washington), and Edinburgh in Scotland.
Details
Artist
Yves Ganne (1931-2019)
Sold with frame
No
Sold by
Gallery
Edition
Original
Title of artwork
Nu feminin devant un miroir (Vendu sans prix de reserve).
Technique
Oil painting
Signature
Not signed
Country of Origin
France
Condition
Good condition
Height
52 cm
Width
39 cm
Depiction/Theme
Nude
Style
Neo-Impressionism
Period
1960-1970
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