N.º 101202040

"Petra: Lower End of the Valley - Piedra de Unción en la Iglesia del Santo Sepulcro; David Roberts(1796-1864) & Louis Haghe - Original David Roberts Lithograph (1842) - 1821-1850
N.º 101202040

"Petra: Lower End of the Valley - Piedra de Unción en la Iglesia del Santo Sepulcro; David Roberts(1796-1864) & Louis Haghe - Original David Roberts Lithograph (1842) - 1821-1850
This magnificent tinted lithograph is a quintessential example of 19th-century Orientalist art. It captures a sweeping view of the "Rose City" of Petra, specifically looking towards the central valley and the ancient Acropolis (Kusr Faron).
Composition: The scene features the dramatic sandstone cliffs and rock-cut ruins for which Petra is famous. In the foreground, Roberts masterfully includes a group of local figures in traditional attire, providing both a sense of scale and a vibrant human element to the ancient landscape.
Artistic Merit: Lithographed by the renowned Louis Haghe, the print is celebrated for its delicate tonality, capturing the atmospheric light and intricate architectural details that Roberts sketched on-site in March 1842.
Historical Significance: This work was instrumental in introducing the Western world to the rediscovered Nabataean capital. It remains one of the most collectible and historically significant topographical views of the Middle East ever produced.
Technical Details:
Medium: Tinted Lithograph (often with later hand-coloring).
Plate Number: Plate 102 (Standard Folio Edition).
Authenticity: Bears the artist's signature and the date (March 9, 1839) in the stone as part of the original plate.
Dimensions all battuta approximately 33.5 x 53 cm
Total dimensions approximately 42 x 60 cm
Condition: very good & with some expenses around it has some small holes.
Condition
Good overall condition. Light age-related toning and minor handling marks to the margins, consistent with 19th-century lithographs. No restoration observed. Please refer to the images for a precise impression of condition.
Notes
This work represents a key subject from Roberts’ Holy Land series and is highly regarded for its historical, architectural, and artistic significance.
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